Em busca da identidade dos instrumentos musicais no Brasil: um estudo exploratório da literatura de cordel

Based on a collection of 2340 poems, the present article aims to explore the identity of musical instruments considered most popular by the printed Literatura de Cordel (Cordel Literature) in the countryside of Northeastern and Northern regions of Brazil, from the end of the 19th Century to present days. The Cordel Literature is known for representing the views of the social group from which it is originated rather than the creative work of its poets/writers. In search of musical instruments mentioned in the text, some of them were selected due to frequency and relevance of the context found: e.g. the Brazilian viola (a five course guitar), the violão (the six string guitar), the violin, the mandolin, the rabeca (Brazilian fiddle), the electric guitar and the piano. The violão and the Brazilian viola, which are similar in shape, are seen by that population in quite different ways. The fiddle is a popular instrument, but had only a few mentions. Other instruments like the violin, the mandolin, the piano and the electric guitar are described as urban instruments, thus less known in that context.O presente trabalho procura, em consulta a uma coleção de 2340 obras da Literatura de Cordel, explorar identidades culturais presentes nos instrumentos musicais aparentemente mais populares junto à população cultora de tal forma literária - sertão nordestino e parte da Região Norte do Brasil - desde o final do século XIX até o presente. Há no trabalho o pressuposto de que a Literatura de Cordel representa, muito mais que o trabalho criativo dos seus autores, as práticas vigentes no grupo social que a origina. Assim, à procura de menções a instrumentos musicais, este estudo detém-se em alguns deles, pela frequência e relevância da sua caracterização: viola caipira, violão, violino, bandolim, rabeca, guitarra elétrica e piano. Instrumentos aparentemente próximos como a viola e o violão são vistos de formas muito distintas pela população considerada. A rabeca, instrumento popular, poucas vezes é citada. Outros instrumentos, como violino, bandolim, piano e guitarra elétrica, são retratados como instrumentos urbanos e menos conhecidos

Phanerogamic flora and phytogeography of the Cloud Dwarf Forests of Ibitipoca State Park, Minas Gerais, Brazil

Abstract: This study was developed in Ibitipoca State Park (ISP), a mountainous massif that stands out in the Serra da Mantiqueira, in the Southeastern Region of Brazil. The vegetation is represented by a phytophysiognomic mosaic where areas of campos rupestres interspersed with cloud dwarf forests predominate, at altitudes of 1100 to 1700 m.s.m. The cloud dwarf forests exist in narrow altitude belts on the mountain peaks, immersed in a layer of clouds. They form a peculiar landscape high in the mountains by the short stature of the arboreal elements and richness of lichens and bryophytes, which develop under constant condensation of humidity, low temperatures, and frequent winds. The objective of the present work was to determine the floristic composition and phytogeography of the cloud dwarf forests of ISP. Twelve monthly campaigns were conducted to collect botanical material during the years 2014 and 2015. The collected material was deposited in the collection of the CESJ Herbarium. A total of 372 species, 209 genera, and 73 families of phanerogams were found. The richest families were Orchidaceae (84 spp.), Asteraceae (39 spp.), and Melastomataceae (21 spp). The genera with the greatest wealth were Leandra (09 spp.), Epidendrum (09 spp.), Pleurothallis (09 spp.), Mikania (07 spp.), and Miconia (07 spp). The arboreal habit was predominant with 103 species (27.7%), followed by 83 shrubs (22.3%), 82 epiphytic herbs (22%), 80 terrestrial herbs (21.5%), and 23 lianas (6.5%). The floristic composition presents elements typical of altitude vegetation, including species of campos rupestres and high epiphytes richness, especially of the families Orchidaceae and Bromeliaceae. The genera with tropical distribution represent 86.5%, whereas the temperate elements represent 13.5% of the total. The cloud dwarf forests presented similarity, at the family and gender levels, with the upper montane forests of the Andes, besides phytogeographic characteristics that allow to associate them to a transition environment between the campos rupestres and the upper montane forests of the Southeast Region of Brazil