Cultural democracy at the frontiers of patronage:public-interest art versus promotional culture

In Brave New World Revisited Aldous Huxley observed that ‘genius has been the servant of tyranny and art has advertised the merits of the local cult’ (Huxley 1958). Regarding the complex relationship between art and society, Huxley argued that democracies need to identify good art in the making rather than retrospectively. Drawing also on Raymond Williams’ analysis of the limits imposed on dialogue by representative democracy (Williams 1980), this article considers the data from our pilot ethnography on the prospects for cultural democracy in the arts. Private patronage and largely unaccountable interests presently influence the use of public money; spending is guided towards the logic of individual or organisational self-promotion and an overwhelmingly promotional culture which serves different types of governance, whether authoritarian or democratic. By incorporating private patronage and non-western gift-economics many critical dialogues springing from the arts are contoured by their origins in elite social and political courtship (Bourdieu 1977; Burke [1790] 1997; Schiller [1794] 1994). Here we show how aesthetics remain a key to twenty-first century statecraft. Noting the effects of top-down patronage, whether in the direct manipulation of dialogue or in the more indirect tailoring of critique, the premise of our research is that if widening participation in the arts matters, it matters first and foremost in decision making about spending. Our study tests the deliberative capacities of randomised citizen juries as patrons financially empowered to commission public-interest arts projects on controversial themes and across contested frontiers of sovereignty or cultural identity. We consider our initial findings from the comparison of deliberation in non-randomised control groups and in randomised juries. We discuss the potentially positive role of randomised citizen juries as ‘jolts’ of equality and pluralism at the level of cultural governance (Connolly 2017). We also outline the main political, institutional, and professional blockages and impediments to the democratic integration of such empowered dialogical encounters

Cultural democracy at the frontiers of patronage:public-interest art versus promotional culture

In Brave New World Revisited Aldous Huxley observed that ‘genius has been the servant of tyranny and art has advertised the merits of the local cult’ (Huxley 1958). Regarding the complex relationship between art and society, Huxley argued that democracies need to identify good art in the making rather than retrospectively. Drawing also on Raymond Williams’ analysis of the limits imposed on dialogue by representative democracy (Williams 1980), this article considers the data from our pilot ethnography on the prospects for cultural democracy in the arts. Private patronage and largely unaccountable interests presently influence the use of public money; spending is guided towards the logic of individual or organisational self-promotion and an overwhelmingly promotional culture which serves different types of governance, whether authoritarian or democratic. By incorporating private patronage and non-western gift-economics many critical dialogues springing from the arts are contoured by their origins in elite social and political courtship (Bourdieu 1977; Burke [1790] 1997; Schiller [1794] 1994). Here we show how aesthetics remain a key to twenty-first century statecraft. Noting the effects of top-down patronage, whether in the direct manipulation of dialogue or in the more indirect tailoring of critique, the premise of our research is that if widening participation in the arts matters, it matters first and foremost in decision making about spending. Our study tests the deliberative capacities of randomised citizen juries as patrons financially empowered to commission public-interest arts projects on controversial themes and across contested frontiers of sovereignty or cultural identity. We consider our initial findings from the comparison of deliberation in non-randomised control groups and in randomised juries. We discuss the potentially positive role of randomised citizen juries as ‘jolts’ of equality and pluralism at the level of cultural governance (Connolly 2017). We also outline the main political, institutional, and professional blockages and impediments to the democratic integration of such empowered dialogical encounters

Trail Pheromone Disruption of Argentine Ant Trail Formation and Foraging

Trail pheromone disruption of invasive ants is a novel tactic that builds on the development of pheromonebased pest management in other insects. Argentine ant trail pheromone, (Z)-9-hexadecenal, was formulated as a microencapsulated sprayable particle and applied against Argentine ant populations in 400 m2 field plots in Hawai‘i Volcanoes National Park. A widely dispersed point source strategy for trail pheromone disruption was used. Traffic rates of ants in bioassays of treated filter paper, protected from rainfall and sunlight, indicated the presence of behaviorally significant quantities of pheromone being released from the formulation for up to 59 days. The proportion of plots, under trade wind conditions (2–3 m s−1), with visible trails was reduced for up to 14 days following treatment, and the number of foraging ants at randomly placed tuna-bait cards was similarly reduced. The success of these trail pheromone disruption trials in a natural ecosystem highlights the potential of this method for control of invasive ant species in this and other environments

Dietary exposure biomarker-lead discovery based on Metabolomics analysis of urine samples

Although robust associations between dietary intake and population health are evident from conventional observational epidemiology, the outcomes of large-scale intervention studies testing the causality of those links have often proved inconclusive or have failed to demonstrate causality. This apparent conflict may be due to the well-recognised difficulty in measuring habitual food intake which may lead to confounding in observational epidemiology. Urine biomarkers indicative of exposure to specific foods offer information supplementary to the reliance on dietary intake self-assessment tools, such as FFQ, which are subject to individual bias. Biomarker discovery strategies using non-targeted metabolomics have been used recently to analyse urine from either short-term food intervention studies or from cohort studies in which participants consumed a freely-chosen diet. In the latter, the analysis of diet diary or FFQ information allowed classification of individuals in terms of the frequency of consumption of specific diet constituents. We review these approaches for biomarker discovery and illustrate both with particular reference to two studies carried out by the authors using approaches combining metabolite fingerprinting by MS with supervised multivariate data analysis. In both approaches, urine signals responsible for distinguishing between specific foods were identified and could be related to the chemical composition of the original foods. When using dietary data, both food distinctiveness and consumption frequency influenced whether differential dietary exposure could be discriminated adequately. We conclude that metabolomics methods for fingerprinting or profiling of overnight void urine, in particular, provide a robust strategy for dietary exposure biomarker-lead discovery.</jats:p

Associations of Blood Pressure and&nbsp;Cholesterol Levels During Young&nbsp;Adulthood With Later&nbsp;Cardiovascular Events.

BackgroundBlood pressure (BP) and cholesterol are major modifiable risk factors for cardiovascular disease (CVD), but effects of exposures during young adulthood on later life CVD risk have not been well quantified.ObjectiveThe authors sought to evaluate the independent associations between young adult exposures to risk factors and later life CVD risk, accounting for later life exposures.MethodsThe authors pooled data from 6 U.S. cohorts with observations spanning the life course from young adulthood to later life, and imputed risk factor trajectories for low-density lipoprotein (LDL) and high-density lipoprotein cholesterols, systolic and diastolic BP starting from age 18 years for every participant. Time-weighted average exposures to each risk factor during young (age 18 to 39 years) and later adulthood (age ≥40 years) were calculated and linked to subsequent risks of coronary heart disease (CHD), heart failure (HF), or stroke.ResultsA total of 36,030 participants were included. During a median follow-up of 17 years, there were 4,570 CHD, 5,119 HF, and 2,862 stroke events. When young and later adult risk factors were considered jointly in the model, young adult LDL&nbsp;≥100&nbsp;mg/dl (compared with&nbsp;&lt;100&nbsp;mg/dl) was associated with a 64% increased risk for CHD, independent of later adult exposures. Similarly, young adult SBP&nbsp;≥130&nbsp;mm&nbsp;Hg (compared with&nbsp;&lt;120&nbsp;mm&nbsp;Hg) was associated with a 37% increased risk for HF, and young adult DBP&nbsp;≥80&nbsp;mm&nbsp;Hg (compared with&nbsp;&lt;80&nbsp;mm&nbsp;Hg) was associated with a 21% increased risk.ConclusionsCumulative young adult exposures to elevated systolic BP, diastolic BP and LDL were associated with&nbsp;increased CVD risks in later life, independent of later adult exposures

Predictive simulations identify potential neuromuscular contributors to idiopathic toe walking

Background: Most cases of toe walking in children are idiopathic. We used pathology-specific neuromusculoskeletal predictive simulations to identify potential underlying neural and muscular mechanisms contributing to idiopathic toe walking. Methods: A musculotendon contracture was added to the ankle plantarflexors of a generic musculoskeletal model to represent a pathology-specific contracture model, matching the reduced ankle dorsiflexion range-of-motion in a cohort of children with idiopathic toe walking. This model was employed in a forward dynamic simulation controlled by reflexes and supraspinal drive, governed by a multi-objective cost function to predict gait patterns with the contracture model. We validated the predicted gait using experimental gait data from children with idiopathic toe walking with ankle contracture, by calculating the root mean square errors averaged over all biomechanical variables. Findings:A predictive simulation with the pathology-specific model with contracture approached experimental ITW data (root mean square error = 1.37SD). Gastrocnemius activation was doubled from typical gait simulations, but lacked a peak in early stance as present in electromyography. This synthesised idiopathic toe walking was more costly for all cost function criteria than typical gait simulation. Also, it employed a different neural control strategy, with increased length- and velocity-based reflex gains to the plantarflexors in early stance and swing than typical gait simulations. Interpretation: The simulations provide insights into how a musculotendon contracture combined with altered neural control could contribute to idiopathic toe walking. Insights into these neuromuscular mechanisms could guide future computational and experimental studies to gain improved insight into the cause of idiopathic toe walking.</p

Feminist Emergency: The art field

Helena Reckitt contributed to the breakout session ‘The art field,’ moderated by Angela Dimitrakaki (Edinburgh College of Art) and moderated by Kirsten Lloyd, as part of the three-day Feminist emergency conference at Birkbeck, University of London, 22nd – 24th June 2017. Other instigators were Kerri Jefferis (artist), Lara Perry (University of Brighton), and Hilary Robinson (Middlesex University). Panel convenor Angela Dimitrakaki framed the session by noting how, as elsewhere under neoliberal governance, the art field is affected by the normalisation of precarity and austerity and the ‘feminisation’ of labour, even if art is still seen as a terrain for the privileged or, ultimately, of marginal relevance to ‘real world’ emergencies. Art workers are accustomed to suppressed or missing wages and reside at the bottom of the art pyramid; over 3/4 of art students, but 1/2 of art school lecturers, 1/3 of professors, and 1/3 of exhibiting artists; we legitimise antagonism in supporting business-oriented institutions from the museum as a collecting facility to art schools as hubs for entrepreneurial ideology; we participate in a degraded higher education often based on fees, debt, and rampant competition; we have achieved no consensus on whether artworks can be a site of oppositional politics as the structures and institutions in which artworks are encountered, and even produced, are often held responsible for affirming the status quo; our struggles are ridiculed as ‘political correctness’ or delusional utopianism; there is much uncertainty over forms of collective opposition; always short of time; our alternative formations and collectives are hard to sustain; we make do. Is it time to see these conditions as a feminist emergency? The session posed the questions: What does it mean to live, work and struggle as feminists today? Is there really a feminist ‘we’ in the art field in 2017? Following brief introductory comments from the speakers, designed to instigate debate, discussions primarily focussed on structures of work in the art, educational, and academic sectors, rather than art works or their production per se. Issues explored included cultural and academic work under neoliberalism; ways of accessing institutional resources; collective power v. general lack of power; subterfuge and anonymity as feminist tactics; and the shrinking access to art through 'public' education