Deflationary tactics with the archive of life: contemporary Jewish art and popular culture

This paper discusses art works by Suzanne Treister, Deborah Kass and Doug Fishbone. It considers the importance of their work for contemporary Jewish identity within the terms of wider conceptual questions that preoccupy contemporary art. These concerns are challenging the perceived structures of power, the “performance” of subjectivity and the questioning of authenticity. A deflationary aesthetic is central to the critique of these structures of thinking fuelled by an interest in the relationship between Jewish subjectivity and popular culture that underpins all of these art works. I argue that popular culture plays a key role as a constituting factor in the production of contemporary Anglophone subjectivity. I use the case studies to develop the argument in the three artists’ specificities and the way they all question the idea of authenticity as a stable source of self-understanding. Suzanne Treister questions history and our relationship with historical events, specifically the Holocaust. She also explores questions of the relationship between structures of power and narratives of history. Debora Kass considers the representation of Jewish women, power and iconicity. Doug Fishbone, a younger artist, takes on self-hate as a transformative tool and as a motif that destabilizes Jewishness as a category, especially in an age of the accelerated post-internet-derived subjectivity

A validated normative model for human uterine volume from birth to age 40 years

Transabdominal pelvic ultrasound and/or pelvic Magnetic Resonance Imaging are safe, accurate and non - invasive means of determining the size and configuration of the internal female genitalia. The assessment of uterine size and volume is helpful in the assessment of many conditions including disorders of sex development, precocious or delayed puberty, infertility and menstrual disorders. Using our own data from the assessment of MRI scans in healthy young females and data extracted from four studies that assessed uterine volume using transabdominal ultrasound in healthy females we have derived and validated a normative model of uterine volume from birth to age 40 years. This shows that uterine volume increases across childhood, with a faster increase in adolescence reflecting the influence of puberty, followed by a slow but progressive rise during adult life. The model suggests that around 84% of the variation in uterine volumes in the healthy population up to age 40 is due to age alone . The derivation of a validated normative model for uterine volume from birth to age 40 years has important clinical applications by providing age-related reference values for uterine volume.Publisher PDFPeer reviewe

DRJI Value: 5.9 (B+) The Necessity of Masquerade: Femininity in Joan

Sigmund Freud once said that the nature of femininity has long been an unsolvable and inescapable riddle for men yet for those who are women “this will not apply ” since they are themselves “the problem”. This study aims to investigate this complex nature of femininity through the works of two women writers who were Freud’s contemporaries, the psychoanalyst Joan Riviere and the novelist Nella Larsen. The first part of the study delves into the figure of the women that are observed in Riviere’s seminal work “Womanliness as a Masquerade ” and explores its reflections in psychoanalysis and literature in the context of historical changes. Arguing that the masquerade is the symptom and the cure of the women’s anxiety of trespassing the borders between domestic and public spheres, the essay investigates the grounds and implications of Riviere’s discourses on female sexuality and contrasts its problematic psychoanalytical assumptions with its indisputable socio-economical grounds. In the second part, the manifestations of masquerade are further elaborated in Nella Larsen’s Passing. It is maintained that the novel shares interesting parallelisms with Riviere’s concepts of masquerade and womanliness. The research expands on the notion of masquerade to conclude that masquerade as womanliness is a problematic solution to the trespassing anxiety and suggests that whereas the indirect nature of masquerade as womanliness may ensure small victories b

A Letter to Carl Van Vechten

An Original Work by Nella Larse

Quicksand and passing

Rutgers University Pres