Cooking and the Books: A Guide to Restaurant Accounting

The restaurant industry is known for particularly low profit margins; this project aims to understand where restaurants spend money and how expenses can be allocated for in this fast-paced environment. Through research of various cost accounting methods and the adaptability of those methods to restaurant culture, activity based costing (ABC) provided the most useful data for the restaurant. This project focuses on small business restaurants, specifically those that serve pizza. The backbone of experimentation for applying these accounting processes is a local pizza restaurant, in which the managers are unaware of how food cost and operating expenses could be combined to provide meaningful cost information. This study analyzes the process of implementing ABC in this restaurant to ultimately contribute to the formation of a deliverable. The product of this process is a guide which will walk restaurant owners through the application of ABC. This research and application process is intended to demonstrate to restaurant owners the purpose and ease of understanding the expenses of the business

Story patterns in oral narratives: a variationist critique of Labov and Waletzky's model of narrative schemas

Labov and Waletzky's (1967) influential six-schema model of personal narratives has often been considered to make claims regarding a 'universal' narrative structure (Hurst, 1990; Hymes, 1996). This study tests how far variations in personal narratives at a schematic level (that is, which schemas are present and how they combine to structure the narrated experience) correlate with aspects of an individual's culture. Oral narratives produced by members of the Greek Cypriot community in London are analysed, to provide data from an alternative group of informants to Labov and Waletzky's, while still using their model as the central framework for analysis. Frequent appearance in the data of an additional schema, 'post-evaluation', suggests that culture is a variable in relation to narrative structure, as are more specific individual and social factors including age and gender. Story topic is also shown to influence how narratives are structured, with different topics resulting in different structures and the general underlying theme of "Trouble" (Burke, 1945; Bruner, 1991; Bruner, 1997) (in fight, danger of death, argument and embarrassing personal experiences) shown to guarantee the 'crisis' required in a narrative. Such findings have implications as regards claims of a universal model of narrative; and the general view that one narrative-structure model may be suitable for all personal narratives is re-examined. By way of conclusion, the study formulates a 'variationist' model of narrative 'grammar' that combines core, optional and culturally variant features. It is suggested that such a model may begin to capture how an individual's social and cultural background, as well as story topic, can function as decisive factors in determining narrative form.

Gender, Local Knowledge, and Lessons Learnt in Documenting and Conserving Agrobiodiversity

gender, biodiversity, agrobiodiversity, indigenous knowledge, conservation, sustainable management, genetic

Signal2Image Modules in Deep Neural Networks for EEG Classification

Deep learning has revolutionized computer vision utilizing the increased availability of big data and the power of parallel computational units such as graphical processing units. The vast majority of deep learning research is conducted using images as training data, however the biomedical domain is rich in physiological signals that are used for diagnosis and prediction problems. It is still an open research question how to best utilize signals to train deep neural networks. In this paper we define the term Signal2Image (S2Is) as trainable or non-trainable prefix modules that convert signals, such as Electroencephalography (EEG), to image-like representations making them suitable for training image-based deep neural networks defined as `base models'. We compare the accuracy and time performance of four S2Is (`signal as image', spectrogram, one and two layer Convolutional Neural Networks (CNNs)) combined with a set of `base models' (LeNet, AlexNet, VGGnet, ResNet, DenseNet) along with the depth-wise and 1D variations of the latter. We also provide empirical evidence that the one layer CNN S2I performs better in eleven out of fifteen tested models than non-trainable S2Is for classifying EEG signals and we present visual comparisons of the outputs of the S2Is.Comment: 4 pages, 2 figures, 1 table, EMBC 201

Media stylistics

In this chapter we review the concept of ‘media stylistics’. In particular, we disentangle the polysemy of these two terms which, when combined, describe but can also obscure work in this area; and we discuss key themes and concerns which emerge. Through analysis of two short extracts of media discourse in English, we elaborate a distinction between two alternative emphases: study of media language as concerned with the capabilities associated with changing technologies for conveying linguistic messages (e.g. language use in telegraphy, radio, or instant messaging); and study of media language as commentary on modern society’s dominant communication forms, which tend to take an electronic ‘media’ form. In the first emphasis, media discourse is important in understanding the social functions of language and as regards social change. In the second emphasis, media language is more a matter of linguistic resources being used to communicate within an array of contemporary media choices whose availability is simply taken as a social fact. In later stages of the chapter we examine interaction between these different emphases at the level of media ‘genres'. In the formation of media genres, we argue, patterns of linguistic choice are superimposed on a given technical infrastructure and history of media capabilities. Distinctive media styles gradually evolve from each such combination to serve specific and changing expressive and communicative purposes. We conclude with discussion of the implications of this view of media technologies and forms as regards the development of new communicative styles on the Internet

Searching for a continuum 4D field theory arising from a 5D non-abelian gauge theory

The anisotropic 5D SU(2) Yang-Mills model has been widely investigated on the lattice during the last decade. In the case where all dimensions are large in size, it was previously claimed that there is a new phase in the phase diagram, called the Layer phase. In this phase, the gauge fields would be localized on 4D layers. Previous works claim that the phase transition to the Layer phase is of second order, which would allow a continuum limit to be taken. We present the extension of the previous work to large lattices, for which we found a first order phase transition. This leaves the scenario that this 5D theory can be dimensionally reduced to a continuum 4D field theory, doubtful.Comment: 6 pages, 2 figures - talk presented at the 31st International Symposium on Lattice Field Theory - Lattice 2013, Mainz, German

Trans Masculine Identities: Making Meaning in Gender and Transition

Perspectives on transgender identity have evolved through time, and various models of transgender identity development are emerging from multiple fields of study. However, little is known about what gender identity means to self-identified trans masculine individuals. Additionally, across existing transgender identity development stage models, the concept of transition is often assumed to include some form of medical intervention, with the acquisition of such interventions playing a key role in one’s developmental trajectory. Furthermore, current literature often implies transition is an end goal in the path toward integrating one’s core identity. However, there is little to no research exploring how trans masculine individuals experience or make meaning of their gender identity or transition in one’s developmental trajectory. This dissertation is an exploratory effort designed to highlight and honor the experiences of young adults who identify as trans masculine, and the meanings they make in gender and transition. This work contributes toward building a strong foundation from which theoretical frameworks relevant to trans masculine individuals can emerge. Added benefits of this research include opportunities for shaping policy and best practices in affirmatively meeting the health care needs of trans masculine individuals. To this end, qualitative methodology guided by Interpretive Phenomenological Analysis (IPA) was employed. Discussion includes analysis through the lenses of interpretivism, poststructuralism and critical theory, as the underlying aim of each lens is to understand, deconstruct and emancipate, respectively. With IPA as a guiding methodology, participant responses converged around nine superordinate themes: (1) Awareness of Self in Context, (2) Safety, (3) Impact of the Binary, (4) Visibility, (5) Create Space for Trans Masculine Identity, (6) Transition is Dynamic, (7) Resilience, (8) Generational Change, and (9) Perspectives on Health Care

Media stylistics

In this chapter we review the concept of ‘media stylistics’. In particular, we disentangle the polysemy of these two terms which, when combined, describe but can also obscure work in this area; and we discuss key themes and concerns which emerge. Through analysis of two short extracts of media discourse in English, we elaborate a distinction between two alternative emphases: study of media language as concerned with the capabilities associated with changing technologies for conveying linguistic messages (e.g. language use in telegraphy, radio, or instant messaging); and study of media language as commentary on modern society’s dominant communication forms, which tend to take an electronic ‘media’ form. In the first emphasis, media discourse is important in understanding the social functions of language and as regards social change. In the second emphasis, media language is more a matter of linguistic resources being used to communicate within an array of contemporary media choices whose availability is simply taken as a social fact. In later stages of the chapter we examine interaction between these different emphases at the level of media ‘genres'. In the formation of media genres, we argue, patterns of linguistic choice are superimposed on a given technical infrastructure and history of media capabilities. Distinctive media styles gradually evolve from each such combination to serve specific and changing expressive and communicative purposes. We conclude with discussion of the implications of this view of media technologies and forms as regards the development of new communicative styles on the Internet