4,100 research outputs found

    Electronic position indicator for latching solenoid valves

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    Electronic circuit connected to solenoid valve coils visually indicates the position of the valve stem. Transient suppression is provided to prevent damaging voltage spikes

    Retelling Inspired Stories: An Overview of Preaching Biblical Narrative

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    This thesis serves as an overview of preaching narrative passages of Scripture. The stories in the Bible are powerful and impacting when preached properly. Expositional preaching is the most effective model from which to preach narrative because exposition respects the nature and form of narrative as a genre of literature. The interpretation of narratives must be approached in a unique way to accommodate the literary elements and plot development of each story. Once the big idea of a biblical story has been discovered, the preacher must present the passage in narrative form, contrasting a traditional sermon outline of several points. Every narrative sermon should ultimately be identified in the context of the great story of redemption, lifting up the Lord as the Author and Hero of every story in the Bible

    President's page: Does it really make a difference?

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    Machiavellian Intellectual Property

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    In his controversial essay, “Faith-Based Intellectual Property,” Mark Lemley argues that moral theories of intellectual property are wrong because they are based on faith, rather than evidence. This article suggests that Lemley’s argument is controversial at least in part because it explicitly acknowledges that consequentialist and deontological theories of intellectual property rely on incompatible normative premises: consequentialist theories hold that intellectual property is justified only if it increases social welfare; deontological theories hold that intellectual property is justified even if it decreases social welfare. According to Berlin, the genius of Machiavelli was to recognize that when two moral theories have incompatible normative premises, societies may be forced to choose between the theories. But Berlin observed that it is possible to adopt different moral theories in different contexts. This article suggests that we can reconcile consequentialist and deontological theories of intellectual property by adopting a consequentialist public theory and deontological private theories

    Absorption spectra of Q 0000-263 and Q 1442+101

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    Studying the Lyman-alpha forest allows us to trace the cosmological distribution of matter through time, and may reveal insights into important questions such as the onset of galaxy formation. An equation for determining the number of Lyman-alpha absorption lines per redshift per rest equivalent in the Lyman-alpha forest is given. For a nonevolving population of clouds gamma = 1 for q(sub 0) = 0, and gamma = 0.5 for q(sub 0) = 0.5. A detailed study of the Lyman-alpha forests of Q 1442+101 at z(sub em) = 3.54 and Q 0000-263 at z(sub em) = 4.11

    Plagiarism is Not a Crime

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    Copyright infringement and plagiarism are related but distinct concepts. Copyright prohibits certain uses of original works of authorship without permission. Plagiarism norms prohibit copying certain expressions, facts, and ideas without attribution. The prevailing theory of copyright is the economic theory, which holds that copyright is justified because it is economically efficient. This article considers whether academic plagiarism norms are economically efficient. It concludes that academic plagiarism norms prohibiting non-copyright infringing plagiarism are not efficient and should be ignored

    Working with children suffering from abuse and neglect

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    This paper examines the history of advocacy for the rights and safety of children suffering from abuse and neglect in the United States and more specifically in the state of Iowa. It looks at statistical data concerning the incidence of child abuse and its correlation to age and ability level. It addresses the developmental, psychological, emotional, and physical effects of child abuse. This paper also outlines the role of the school counselor in helping children who are victims of abuse and neglect, as well as gives interventions that may be used to assist this population

    Copyright in a Nutshell for Found Footage Filmmakers

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    Found footage is an existing motion picture that is used as an element of a new motion picture. Found footage filmmaking dates back to the origins of cinema. Filmmakers are practical and frugal, and happy to reuse materials when they can. But found footage filmmaking gradually developed into a rough genre of films that included documentaries, parodies, and collages. And found footage became a familiar element of many other genres, which used found footage to illustrate a historical point or evoke an aesthetic response. It can be difficult to determine whether found footage is protected by copyright, who owns the copyright, and whether particular uses of found footage infringe copyright, especially in the case of unpublished motion pictures. This article argues that copyright doctrine is unacceptably indeterminate and effectively restrictive in relation to the use of found footage

    A Revolution in Favor of Television: WCVB-TV and Robert Gardner\u27s \u3cem\u3eScreening Room\u3c/em\u3e

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    In the 1970’s, WCVB-TV in Boston produced many innovative and unusual programs. Among them was Robert Gardner’s Screening Room, one of the most delightfully unlikely programs ever aired on a network television station. Essentially, Screening Room was a talk show about independent filmmaking. Once a week, Gardner invited an independent filmmaker to show and discuss a selection of films or film clips. But Screening Room wasn’t just a showcase for independent film. It also introduced a network television audience to intellectual film critics like Rudolf Arnheim and Stanley Cavell, in a uniquely accessible and entertaining way. In any case, it was quite unlike anything one expects to see on network television, then or now. How was a program like Screening Room possible, and what can it tell us about the history of television? Obviously, Screening Room couldn’t have existed without Gardner, who created and produced the program. But it also couldn’t have existed on any station but WCVB

    IP as Metaphor

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    Everybody hates intellectual property trolls. They are parasites, who abuse intellectual property by forcing innovators to pay an unjust toll. Even worse are intellectual property pirates. They are thieves, who steal intellectual property by using it without the consent of its owner. By contrast, everybody loves innovators. They are farmers, entitled to reap what they have sown and enjoy the fruits of their labor. But trolls, pirates, and farmers are metaphors. A troll abuses intellectual property only if its ownership or use of that intellectual property is unjustified, a pirate steals intellectual property only if the ownership of that intellectual property is justified, and a farmer is entitled to own intellectual property rights only to the extent that they are justified. In Illness as Metaphor, Susan Sontag observed that illness has historically been understood metaphorically as an expression of the personality of the patient. Sontag objected to this metaphorical understanding of disease, because illness is not a metaphor, but a physiological phenomenon. We do not create disease, but are afflicted by it. She argued that we cannot understand illness until we abstain from thinking about it metaphorically. The same is true of intellectual property, because the rhetoric of intellectual property is metaphorical. In theory, intellectual property is justified on welfarist grounds, because it solves market failures in innovation and thereby increases the public surplus. But in practice, the scope of intellectual property rights is unrelated to their ostensible welfarist justification. Intellectual property metaphors prevent us from understanding intellectual property by obscuring the lack of connection between its theoretical justification and its actual scope. Notably, illness metaphors and intellectual property metaphors even have a parallel structure. Much as tuberculosis became a metaphor for expression and cancer became a metaphor for repression, innovators have become a metaphor for expression and pirates and trolls have become metaphors for repression. The problem with intellectual property metaphors is that they obscure the welfarist justification for intellectual property and encourage the creation of intellectual property rights inconsistent with that justification. Illness is a physiological phenomenon, but intellectual property is a political phenomenon. We do not create illness, but we do create intellectual property. As a result, intellectual property metaphors not only obscure the justification for intellectual property, but also induce us to grant intellectual property rights that are incompatible with that justification
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