4 research outputs found
Capturing characteristics of the conceptual ideation process of master crafts persons to inform design education: a comparative study of rural craft practitioners in Indonesia and in the UK
At the very early stage of idea generation, allegedly, a master craftsperson encounters cognitive dissonance to maintain beliefs/mindsets from various conceptual stimuli. We aim to capture the underlying form of cognition by examining the structure of thoughts collected from the subjective conceptualisation. A think-aloud protocol was employed to obtain verbalised thoughts of both Indonesian and UK master craftsmen. The keywords of verbalised thoughts were evaluated and extracted using a list of typical mindsets. The evaluated keywords were then analysed by means of a conceptual network to reproduce a model of the individual's mental state. This study discovered that Indonesian master craftsmen's conceptualisation is greatly influenced by the strong typical mindsets of object-attribute that emphasise rationale and mastery, which stimulates a pragmatic viewpoint. Furthermore, UK master craftsmen's conceptualisation greatly considers strong typical mindsets of object-attribute that emphasise wisdom and passionate, which indicates a rigorous mind. This paper reveals that both pragmatic and rigorous mindsets can create potential or barriers for creative cognitive resources
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Identifying interior spatial dimensions according to user preference: an associative concept network analysis
English: This study proposed a fundamental technique for evaluating the preferences of interior space users by capturing their verbally expressed preferences and then determining word associations. To accomplish this, the Pajek visualization software for large network analysis was employed in conjunction with the USF Word Association dictionary to visualize the structures and network depths of the derived associative meanings. The generated associative words were then qualitatively categorized into taxonomic word groups to reveal 13 dimensions of perceived interior-environmental quality, as follows: House-related, Territorial, Impression, Activity, Active Element of Nature, Nature, Building Materials, Companion, Household Basics, Color, Location, Composition, and Time Period. A factor analysis was then conducted to sort the generated associative words according to Out-Degree Centrality/ODC score. These were validated into five factors that appeared to influence the comfort levels of interior space users. These five factors and 13 dimensions are useful as objective bases for determining the composition of adjectival pairs through the Semantic Differential (SD) method, which helps designers and architects evaluate interior space preferences.
Indonesian: Penelitian ini menggunakan teknik fundamental untuk melakukan evaluasi terhadap preferensi ekspresi verbal pengguna ruang interior dengan cara menghimpun kata-kata asosiatif kesan mendalam pengguna (user's in-depth impression). Peneliti menggunakan perangkat lunak visualisasi Pajek untuk analisis data jaringan yang sangat besar yang dibantu dengan penggunaan kamus USF Word Association; perangkat lunak dan kamus ini digunakan untuk memvisualisasikan struktur dan kedalaman jaringan makna asosiatif yang terbentuk. Hasil pengumpulan kata-kata asosiatif kemudian dikelompokkan secara kualitatif berdasarkan pengelompokan taksonomi kata menjadi 13 dimensi kualitas lingkungan-interior berdasarkan persepsi: Terkait rumah (Housedengan menggunakan analisis faktor, sejumlah kata terpilih yang memiliki nilai sebaran kata asosiatif yang tinggi (Out-Degree Centrality/ODC score) divalidasi menjadi 5 faktor yang berpengaruh terhadap kenyamanan pengguna ruang interior. Hasilnya, 5 Faktor dan 13 Dimensi ini menjadi dasar yang objektif dalam menentukan komposisi pasangan kata adjektif pada Semantic Differential method (SD) yang dapat membantu desainer/arsitek mengevaluasi preferensi pengguna ruang interior. Kata Kunci: dimensi spasial interior, kenyamanan pengguna, konsep asosiatif, analisis jaringan
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Historical study of the use of low seat dingklik in Java in the socioeconomic activities of the colonial era (1800-1900)
Since the 8th century, Indian traders have brought Hindu/Buddhist practices to Java, influencing the culture of sitting low. When furniture came to Indonesia during the colonial era, the Javanese started using low-wooden benches called dingklik for work and informal interactions. Despite having a simple form and being often hidden, dingklik underwent a transformation through socioeconomic activities in Java during the colonial period. Contemporary paintings, photographs, and films were used to analyse dingklik in terms of content, visual elements, and height in socio-economic activity. From an economic perspective, the shape of dingklik was oriented towards mobility so that for carry-on traders, the dingklik had smaller and lighter legs, making it easy to carry. Meanwhile, socially, the form of dingklik was influenced by philosophical symbolism, and for Javanese nobles, it had decorative features similar to royal chairs as symbols of power. This study highlights the shift in the value of traditional Javanese sitting facilities
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Historical study of the use of the dingklik in Java in the economic activity of the colonial era (1800-1900)
Low seats in Java have existed since Indian traders came to bring Hindu/Buddhist practices in the 8th century, where only high-caste people sat on low-elevated stone. During the colonial era, ordinary Javanese began using a low wooden stool named dingklik, intended for work. It has a simple form and is often hidden when unused, with little perceived importance. This study identifies the dingklik’s transformation through economic activities in Java during the colonial era. By collecting contemporary paintings, photographs, and films, the dingklik was analyzed in terms of content, visual elements, and height in the economic activities. Economically, the shape was oriented for mobility: the dingklik for pikul traders has smaller and lighter legs, hence was easier to carry. The dingklik in crafting has a greater volume of wood legs for long term use in a workplace