Stage Left: A Review of Contingency, Hegemony, Universality: Contemporary Dialogues on the Left

Reviews the three way conversation among Ernesto Laclau, Slavoj Zizek, and Judith Butler on leftist political theories of hegemony and universality and social change. My essay introduces the concept of a "Negative Universal" for there first time

Swimming With Shoes On

Swimming With Shoes On is a creative writing thesis containing four short stories all revolving around one central character, Lottie. Each story enters the reader into a different chapter of Lottie\u27s life, and we watch as people move in and out of her life, as she learns more about herself and her friends, as she develops certain understandings about the construction of the world she\u27s living in

Quantum surveillance and 'shared secrets'. A biometric step too far? CEPS Liberty and Security in Europe, July 2010

It is no longer sensible to regard biometrics as having neutral socio-economic, legal and political impacts. Newer generation biometrics are fluid and include behavioural and emotional data that can be combined with other data. Therefore, a range of issues needs to be reviewed in light of the increasing privatisation of ‘security’ that escapes effective, democratic parliamentary and regulatory control and oversight at national, international and EU levels, argues Juliet Lodge, Professor and co-Director of the Jean Monnet European Centre of Excellence at the University of Leeds, U

The Untruthful Source: Writings, official and reform documentation 1900 - 1930

Ash’s article, ‘The untruthful source: Prisoner’s writings, official and reform documentation, 1900–1930’, published following her 2009 book on prison dress, questions how myths arose about the history of prisoners’ clothing in Britain in the first half of the 20th century. Ash shows that, although there was little critical writing about prisoners’ clothing in this period, the inmates’ own writing and archival documentation provide us with the means to achieve a new understanding of the political encounters played out in courtrooms. Ash’s research material included interwar Home Office circulars that announced the abolition of ‘broad arrow’ prison uniforms in 1920 and responses of prison governors that reveal their continuance after this date. Other key reform documents consulted by the author included those of Sidney and Beatrice Webb, Fenner Brockway’s 1922 Prison System Enquiry Committee Report, later published as English Prisons Under Local Government, which proposed radical prison reforms including the abolition of prison dress as criminal stigmatisation, and inmate testimonials of the continuance of the broad arrow uniform. The article demonstrates the difficulty for design historians investigating prison dress in establishing the truth about specific penal reform dates and practices on the basis of official government documents alone. Ash argues that the publications of penal reformers and the prison writings of inmates at the time also need to be read, in order to establish the clothing prisoners actually wore in confinement. Ash first presented this research as a paper to the 2009 Design History Society annual conference hosted by the theorising Visual Art and Design (tVAD) Research Group, School of Creative Arts, University of Hertfordshire. It was then selected to be peer reviewed and published in the University of Hertfordshire Working Papers on Design web-based journal

"Ultimate" facts? Zalabardo on the metaphysics of truth

A Comment on a Forthcoming article by José Zalabardo on the Tractatus Picture Theory's origins in Wittgenstein's reactions to Russell's Multiple Relation theory of Judgment and Truth. For a special issue of the Australasian Philosophical Review

Dress Behind Bars: Prison Clothing as Criminality

Research for this sole-authored book was undertaken during AHRC-funded Research Leave (2007). It represents Ash’s expertise as a dress historian and interest in the history and current organisation of prisons, which evolved from her teaching experience in Holloway women’s prison and Wakefield top security men’s prison in the 1970s. Crossing the disciplines of dress history, social history and film studies, this is the first book to examine the history of prisoners' clothing. Focusing on UK, American and European prison clothing, this history analyses waves of reform, sandwiched between regimes of punishing clothing restraints. Prison clothing, as Ash demonstrates, raises issues of regional, colonial, post-colonial, gender, fashion and class variations, contested by collective, political and individual tactics devised by inmates to survive and subvert cultures of punishment. This book is based on research into penal history, dress history in relation to uniforms and corporeal identity, criminological debates, oral histories, and 19th- and 20th-century prison art and literature. Material from correspondence and interviews with prisoners, prison reform groups, those who work as designers in prisons, and curators of prison photography and dress informed the study. To demonstrate the value of the clothes themselves to researchers, Ash also wrote an article for the Journal of Design History on ‘The prison uniforms collection at the galleries of Justice Museum, Nottingham, UK’ (2011). The book was reviewed by journals including Journal of Design History (2011), British Journal of Criminology (2011), Textile History (2011), Australian and New Zealand Journal of Criminology (2010) and Crime Media Culture (2010). Related talks included ‘Prison clothing as political resistance’ at NCAD Dublin (2010). BBC Radio 4 made the book the focus of an episode of Thinking Allowed (2009), and Ash was interviewed about women prisoners' attitudes to uniforms and prison clothing for ABC Radio National (Australian Broadcasting Corporation, 2013)

“Refashioning Jouissance for the Age of the Imaginary”

The question of jouissance today as reflected in fashion and its changes -- or no changes. They reflect the arrangements and rearrangements between the sexes