Buffy the vampire slayer: what being Jewish has to do with it

This article examines the whiteness in the television series Buffy the Vampire Slayer. The author argues that the show’s overwhelming whiteness is a product of a generalized white anxiety about the numerical loss of white dominance across the United States and, in particular, in California. The article goes on to think through the role that Jewishness plays in the program, discussing the relationship between the apparently Anglo-American Buffy, played by a Jewish actor, and her sidekick, Willow, who is characterized as Jewish but is played by a non-Jewish actor. The evil master in the first series is given Nazi characteristics and the destruction that he wants to inflict carries connotations of the Holocaust. Structurally, Buffy is produced as the Jew who saves the United States from this demonic destruction. In this traumatic renarrativising, the Holocaust comes to stand for the white-experienced crisis of the loss of white supremacy in the United States. With this reading we can begin to understand the show’s popularity among early adult, predominantly white Americans

Autochthonous heritage languages and social media:writing and bilingual practices in Low German on Facebook

This article analyses how speakers of an autochthonous heritage language (AHL) make use of digital media, through the example of Low German, a regional language used by a decreasing number of speakers mainly in northern Germany. The focus of the analysis is on Web 2.0 and its interactive potential for individual speakers. The study therefore examines linguistic practices on the social network site Facebook, with special emphasis on language choice, bilingual practices and writing in the autochthonous heritage language. The findings suggest that social network sites such as Facebook have the potential to provide new mediatized spaces for speakers of an AHL that can instigate sociolinguistic change

Constructing Memory through Television in Argentina

La televisión representa el pasado reciente de la Argentina a través de vínculos específicos con la memoria social: como un “emprendedor de la memoria” definiendo las agendas públicas, como un vehículo de transmisión intergeneracional sobre el pasado y como un creador de significados por medio de imágenes, sonidos y palabras, esto es, un “escenario para la memoria”. Un análisis de los vínculos entre televisión y memorias, construido alrededor de la desaparición forzada de personas durante la dictadura militar de 1976 a 1983, revela la manera compleja en la cual los obstáculos para relatar ese periodo trágico se combinan con el intento de vender un producto y entretener al espectador.Television represents Argentina’s recent past through three specific links with social memory: as an “entrepreneur of memory,” shaping public agendas, as a vehicle of intergenerational transmission of past events, and as a creator of meaning through images, sounds, and words, a “stage for memory”. An analysis in terms of the links between television and the memories constructed around the forced disappearance of persons during the 1976–1983 military dictatorship reveals the complex way in which the obstacles when narrating an extreme experience are combined with the attempt to sell a product and entertain the spectator.Fil: Feld, Claudia Viviana. Consejo Nacional de Investigaciones Científicas y Técnicas. Oficina de Coordinación Administrativa Parque Centenario. Centro de Investigaciones Sociales. Instituto de Desarrollo Económico y Social. Centro de Investigaciones Sociales; Argentin

Shtetl A Vernacular Intellectual History

By examining the meaning of shtetl, Jeffrey Shandler asks how Jewish life in provincial towns in Eastern Europe has become the subject of extensive creativity, memory, and scholarship. He traces the trajectory of writing about these towns, by Jews and non-Jews, residents and visitors, researchers, novelists, memoirists, journalists, and others, to demonstrate how the Yiddish word for "town" emerged as a key word in Jewish culture and Jewish studies.Intro -- Series Page -- Title Page -- Copyright -- Contents -- Foreword -- Acknowledgements -- Introduction -- 1. Talk of the Town -- Phenomenon -- Concept -- 2. Forsht ayer shtetl! -- Early Writings -- Activist Scholarship -- Looking Forward, Looking Back -- Postwar Collecting and Recollecting -- Shtetl Studies Comes of Age -- 3. Shtetl Fabulous -- Image -- Place -- Fantasy -- Notes -- IndexBy examining the meaning of shtetl, Jeffrey Shandler asks how Jewish life in provincial towns in Eastern Europe has become the subject of extensive creativity, memory, and scholarship. He traces the trajectory of writing about these towns, by Jews and non-Jews, residents and visitors, researchers, novelists, memoirists, journalists, and others, to demonstrate how the Yiddish word for "town" emerged as a key word in Jewish culture and Jewish studies.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries

The Savior and the Survivor: Virtual Afterlives in New Media

Two recent cases of new media practices, produced by Lubavitcher (Habad) Hasidim and the Shoah Foundation (University of Southern California), make provocative use of technologies to address the passing of revered figures: Rabbi Menachem Mendel Schneerson (the seventh Lubavitcher Rebbe) and Holocaust survivors, respectively. In both instances, the deaths of these people are understood to pose daunting challenges to the continuity of their devotees’ commitment to future generations. The turn to new technologies—including video, the Internet, interactive holography, and virtual reality—strives to simulate “live” contact with the deceased. These endeavors create new cultural practices that rely on the ambivalent status of their subjects as simultaneously present and absent. These new media practices have telling implications for Jewish cultures as they grapple with concerns for continuity, remembering the past, and envisioning a transformed future

Adventures In Yiddishland: Postvernacular Language And Culture

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