The Hallowed Eve: Dimensions of Culture in a Calendar Festival in Northern Ireland

In Northern Ireland, Halloween is such a major celebration that it is often called the Irish Christmas. A day of family reunions, meals, and fun, Halloween brings people of all ages together with rhyming, storytelling, family fireworks, and community bonfires. Perhaps most important, it has become a day that transcends the social conflict found in this often troubled nation. Through the extensive use of interviews, The Hallowed Eve offers a fascinating look at the various customs, both past and present, that mark the celebration of the holiday. Looking through the lenses of gender, ethnicity, and religious affiliation, Jack Santino examines how the traditions exist in a nonthreatening, celebratory way to provide a model of how life could be in Northern Ireland. Halloween, concludes Santino, is a marriage of death and life, a joining of cultural opposites: indoor and outdoor, domesticity and wildness, male and female, old and young. Although current folk and popular traditions can be divisive, Halloween in Northern Ireland is universally considered to belong to everyone, regardless of their background or political leanings. The holiday is a dramatic example of how a community comes together one day a year, and these Northern Irish traditions capture the fundamental and everyday dimensions of life in Ulster. The definitive look as the uniquely Irish origins of Halloween. —Green Man Review An excellent and incisive probe into what a festival means to a separated culture and how it succeeds, though only for a day, in bringing the two warring factions of Northern Ireland together. —Journal of Popular Culture The variety of Halloween folklore and customs that Santino presents is a window into culture. As such, The Hallowed Eve is often more instructive about fundamental and everyday dimensions of life in Northern Ireland than simplistic, journalistic images of a hopelessly bigoted and war-torn province broadcast to the wider world. —New Hibernia Review The history and ways the Irish celebrate are interesting to read about and let us know more about the culture of the Irish, yesterday and today. —Ohioana Quarterly Depicts a tradition that is not just a celebration but, in a sense, a time of community healing, even if only for one day a year. —Ozarks Mountaineer Santino\u27s past work has associated him as firmly with the American celebration of Halloween as witches, black cats, and vampires. The Hallowed Eve will broaden readers\u27 understanding of the holiday as celebrated in Northern Ireland, and explode some piously held beliefs concerning the relationship of the American and Irish holidays as thoroughly as an M-80 in a jack-o-lantern. —Erika Bradyhttps://uknowledge.uky.edu/upk_folklore/1002/thumbnail.jp

Contemporary Occupational Heroes

Paper

Performative Commemoratives, the Personal, and the Public: Spontaneous Shrines, Emergent Ritual, and the Field of Folklore

AFS Presidential Plenary Address, 200

Halloween, Organization, and the Ethics of Uncanny Celebration

This article examines the relationship between organizational ethics, the uncanny, and the annual celebration of Halloween. We begin by exploring the traditional and contemporary organizational function of Halloween as ‘tension-management ritual’ (Etzioni, Sociol Theory 18(1):44–59, 2000) through which collective fears, anxieties, and fantasies are played out and given material expression. Combining the uncanny with the folkloric concept of ostension, we then examine an incident in which UK supermarket retailers made national news headlines for selling offensive Halloween costumes depicting ‘escaped mental patients’. Rather than treating this incident as a problem of moral hygiene—in which products are removed, apologies made, and lessons learned—we consider the value of Halloween as a unique and disruptive ethical encounter with the uncanny Other. Looking beyond its commercial appeal and controversy, we reflect on the creative, generous, and disruptive potential of Halloween as both tension-management ritual and unique organizational space of hospitality through which to receive and embrace alterity and so discover the homely within the unheimlich

Komercializacija, kapitalizem in praznovanje

Traditional holidays in the United States have become remarkable for the amount of commercial activity (Christmas, Halloween). When it is recognized that rituals, festivals, and celebrations are often dramatic symbolic enactments of the culture that produced them, one realizes that it is inevitable that such a class of events would exist. Often the commercialization of holidays starts with the recognition of traditional customs and activities customs are recognized as potentially profitable and exploitable by various industrial interests, and are commercialized as a result. Another, somewhat different, process involves the attempt to translate a custom or a practice associated with a particular holiday to a different festival. The third process focuses on the translations of festive year into mass media (music, film, literature) where one obvious dynamic in the commercialization of a holiday is the fit between the holiday and the genre in question. What is ultimately most interesting is how people actually use the mass media and commercial goods. People continue to adapt their customs and traditions and create new ones; they use the products of mass culture to create meaning within the contexts of their own priorities and their own lives. Celebrations require personal interaction, and it is within the realm of interpersonal communication that real social bonds are created and maintained. *** Tradicionalni prazniki v ZDA so izjemni po vseobsežni komercializaciji (najbolj božič, nato noč čarovnic). Ker so rituali, festivali in praznovanja pogosto dramatične simbolične uprizoritve kulture, katere produkt so, je neogibno, da so tudi del porabniške kulture. Avtor komercializacijo opazuje na več na več ravneh: pogosto se začne z ugotovitvijo, da so tradicionalne šege in aktivnosti vnovčljive: komercializaciji je podvržen ves kontekst enega samega praznika (industrija poskrbi za vso tradicionalno praznično opravo); nekoliko drugačen proces je poskus prenosa značilnosti enega praznika na druge; tretji pa je prevajane prazničnega leta v množične medije (literatura, glasba, film), pri čemer dinamika komercializacije temelji na ujemanju praznika in žanra. Najzanimivejše pa je, kako ljudje uporabljajo medije in komercialne produkte. Prilagajajo si šege in izročila in ustvarjajo nova, uporabljajo množične produkte, da si osmišljajo svoje želje in življenje. Praznovanj ni brez osebnih stikov in prave socialne vezi se ustvarjajo in vzdržujejo le z medčloveškimi stiki in komunikacijo

All Around the year : holidays and celebrations in American life/ Santino

xxi, 227 hal.: ill.; 21 cm