170 research outputs found

    From engaged citizen to lone hero: Nobel Prize laureates on British television, 1962–2004

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    Between 1962 and 2004, Nobel Prize laureates appear in the British television science programme Horizon in various roles, denoting differing understandings of science in relation to society and culture. These representations are the outcome of an interplay of cultural and institutional factors. They vary with the broadcasting environment. Notably, the article establishes that the choice of presenting scientists as heroic characters in strongly determined storylines from the late-1990s onwards originates in a reaction to institutional imperatives as a means to preserve the existence of the Horizon series. The article shows that exigencies of the institutional context in which media professionals operate are major factors influencing the representation of science in public

    Doing the Work of Medicine? Medical Television Programmes and Patient Behaviour

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    This article explores the contribution of television programmes to shaping the doctor-patient relationship in Britain in the Sixties and beyond. Our core proposition is that TV programmes on medicine ascribe a specifi c position as patients to viewers. This is what we call the ‘Inscribed Patient’. In this article we discuss a number of BBC programmes centred on medicine, from the 1958 ‘On Call to a Nation’; to the 1985 ‘A Prize Discovery’, to examine how television accompanied the development of desired patient behaviour during the transition to what was dubbed “Modern Medicine” in early 1970s Britain. To support our argument about the “Inscribed Patient”, we draw a comparison with natural history programmes from the early 1960s, which similarly prescribed specifi c agencies to viewers as potential participants in wildlife fi lmmaking. We conclude that a ‘patient position’ is inscribed in biomedical television programmes, which advance propositions to laypeople about how to submit themselves to medical expertise. Inscribed patient; doctor-patient relationship; biomedical television programmes; wildlife television; documentary television; BBC Horizo

    Imagining Future Biothreats: The Role of Popular Culture

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    This chapter explores the role of futurist storytelling in relation to biological weapons. It first describes some of the barriers and difficulties inherent in making realistic assessments of the threat from future biological weapons, before narrowing its focus to an understudied but significant element of these assessments: imagination and popular culture. The chapter makes a theoretical case for why science fiction and anticipatory knowledge production are interlinked, arguing that culture co-constitutes political actors, problems, values, representations and threat assessments, and that culture should be recognized as a major and integral part of the transaction that engenders political behaviour. As such, the chapter uses pop culture as a ‘lens’ to provide insight into understanding how different groups ‘see’ biological weapons and how science fiction has a constitutive effect on biological threat assessments. The argument is illustrated with some of the most prominent examples from the bioweapons sci-fi genre. The chapter concludes with an outlook on key research questions for future work in this area

    The BBC Natural History Unit: Instituting natural history film-making in Britain

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    The origins and practice of science on British television

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    Television has become prominent as a medium at the same time as science and technology were becoming the major factors influencing public life in Britain. This chapter examines what science on television meant for several group of historical actors, viewers, scientists, broadcasters, and producers. It draws insights from the study of the history of the BBC Horizon series, and put it in contrast with the special case of natural history television. This chapter’s content is influenced by the rudimentary state of scholarship on the topic. And it calls for more research to be done on the history of British television science

    Bronchopulmonary Dysplasia

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    Hospitalizations for respiratory syncytial virus bronchioliti

    Microtiming patterns and interactions with musical properties in Samba music

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    In this study, we focus on the interaction between microtiming patterns and several musical properties: intensity, meter and spectral characteristics. The data-set of 106 musical audio excerpts is processed by means of an auditory model and then divided into several spectral regions and metric levels. The resulting segments are described in terms of their musical properties, over which patterns of peak positions and their intensities are sought. A clustering algorithm is used to systematize the process of pattern detection. The results confirm previously reported anticipations of the third and fourth semiquavers in a beat. We also argue that these patterns of microtiming deviations interact with different profiles of intensities that change according to the metrical structure and spectral characteristics. In particular, we suggest two new findings: (i) a small delay of microtiming positions at the lower end of the spectrum on the first semiquaver of each beat and (ii) systematic forms of accelerando and ritardando at a microtiming level covering two-beat and four-beat phrases. The results demonstrate the importance of multidimensional interactions with timing aspects of music. However, more research is needed in order to find proper representations for rhythm and microtiming aspects in such contexts
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