Suono e Spettacolo. Athanasius Kircher, un percorso nelle Immagini sonore.

The Society of Jesus made great propaganda efforts throughout the seventeenth century and chose the images and the play as a privileged means to communicate and persuade. Athanasius Kircher, a key figure of the seventeenth century, he decided to dominate the wild nature of sound through Phonurgia Nova, which includes a gallery of powerful symbolic images for Baroque aesthetics. The essay, through the grant of the images from the Library of the Department of Mathematics "Guido Castelnuovo" Sapienza University of Rome, aims to understand, through the pictures offered by Kircher, the sound phenomenon and the spectacle that this produces. In Phonurgia Nova a process of dramatization sound effects takes place, often through machines and "visions" applied to the theatrical reality, as experimental and astonishing environment beloved in baroque. Kircher illustrates the sound through explanatory figures, so to dominate the sound through the eyes. Sound is seen, admired and represented: its spectacle not only takes place through the implementation of sound machines or the "wonders" applied to the theater, but even through images, creating create a sense of wonder in in the erudite person of the seventeenth century

Body Politics and Mythic Figures: Andrea Doria in the Mediterranean World

This article considers the "agency of images" in "mediating identity" of the Genoese admiral Andrea Doria (1466-1560).  Doria was represented in an extraordinary group of portraits as an ancient Roman sea captain and nude Neptune, god of the seas.  These historical and mythological portraits are considered in relation to Charles V's Hapsburg Augustan imperial iconography and ancient Roman ideas about the Mediterranean Sea, mare nostrum