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Class, Gender, Race and the Construction of Masculinity in Shyam Selvadurai's Funny Boy

El propósito de este artículo es analizar los modos en que los aspectos de clase, género y raza entran en relación con la construcción de la masculinidad en Funny Boy, la primera novela del autor canadiense, nacido en Sri-Lanka, Shyam Selvadurai (1965-). Un entendimiento particular de la idea de construcción sirve como herramienta para interpretar lo que significa y lo que conlleva ser un hombre en la novela de Selvadurai. La tensión creada entre las expectativas heterosexistas de padres y educadores y la realidad subversiva de los impulsos homoeróticos del héroe se manifiesta en las representaciones narrativas de clase social, sistema de género y, posiblemente, prejuicio racial. Nuestra intención será explorar la cuidada representación que traza el autor sobre la resistencia de un niño a aceptar la identidad que el poder normativo crea para él.The purpose of this article is to analyse the ways in which the issues of class, gender and race intersect with the construction of masculinity in Funny Boy, the first novel by the Sri- Lankan born, Canadian author Shyam Selvadurai (1965-). A particular understanding of the idea of construction serves as a tool for the interpretation of what it means and what it takes to be a man in Selvadurai’s novel. The tension created between the normative heterosexist expectations of parents and educators and the subversive reality of the hero’s homoerotic impulses manifests in the narrative representations of social class, gender system and, possibly, racial prejudice. Our intention shall be to explore the author’s wellcrafted portrayal of a boy’s resistance to comply with the identity that normative power creates for him

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