6,389 research outputs found
Arte de la conjugaciĂłn : algunas reflexiones acerca de Octavio Paz y la vanguardia
La circunstancia de haberse iniciado la obra de Octavio Paz en
pleno auge de las vanguardias y de haber evolucionado hasta mucho
despuĂ©s de acabado el perĂodo de efervescencia de Ă©stas facilita que
sirva de modelo del conflictivo diálogo entre lenguajes prontamente
dominantes y lenguajes emergentes, signados por la ruptura y el intento
de renovaciĂłn.
En este contexto, el objetivo principal de este trabajo es ahondar en
torno a los vĂnculos entre la obra de Paz y la corriente surrealista,
proponiendo un tercer modo de relaciĂłn entre ambos que no ha sido
abordado suficientemente por la crĂtica. Para ello se analizarán aspectos
de su obra crĂtica y de su poesĂa, en especial la contenida en Poemas
(1935-1975) reeditados en 1981, para destacar el lugar que la memoria
de un poeta definitivamente consagrado todavĂa reservaba a su
experiencia surrealista "tangencial".Circumstances make of Octavio Paz’ work a very special model. His
production originates in the peak of vanguards, and it goes on up to even
much later than the high spirited period of these. It can be used as a
representation of the conflictive dialogue that exists between dominant
and emergent languages, signed by rupture and an attempt to renovate.
In this context, the main objective of this paper consists in
deepening the links between Paz’ work and the surrealist trend,
proposing a third way of relationship between both that has not been
tackled by the critics sufficiently. Aspects of his critical production as well
as of his poetry, specially Poemas (1935-1975), re-edited in 1981, will be
analyzed to highlight the place that the memory of a poet definitely
consecrated keeps to his “tangential" surrealist experience.Fil: Gomes, Miguel
Mariátegui or the stone’s discourse : a genre analysis of the Siete ensayos
Mediante análisis intertextuales y retĂłricos, este artĂculo discute algunas implicaciones ideolĂłgicas que tiene el recurso al gĂ©nero ensayo en Siete ensayos sobre la realidad peruana de JosĂ© Carlos Mariátegui.By means of intertextual and rhetorical analyses, this article outlines some ideological implications of JosĂ© Carlos Mariátegui’s use of the essay genre in Siete ensayos sobre la realidad peruana.Fil: Gomes, Miguel
The Telluric, the Avant-garde and the Literary Time in Doña Bárbara
Para legitimar su propia modernidad, los escritores y crĂticos asociados al Boom solĂan describir a RĂłmulo Gallegos como un autor arcaico, neonaturalista o neorromántico, todavĂa activo en el siglo XX. Este artĂculo se propone reconstruir el horizonte de expectativas que cimentĂł el prestigio inicial de Doña Bárbara. Se argumenta que su Ă©xito se debiĂł al menos parcialmente a la proximidad —que despuĂ©s dejarĂa de percibirse con claridad— entre el regionalismo o mundonovismo y la estĂ©tica de vanguardia. La comprensiĂłn del interĂ©s de Gallegos en la cinematografĂa resulta esencial para entender dichas afinidades.In order to legitimize their own modernity, the writers and critics associated with the Spanish American “Boom," used to depict RĂłmulo Gallegos as a neo-naturalist or neo-romantic author still active in the 20th-century. This article aims at reconstructing the original horizon of expectations of RĂłmulo Gallegos’s Doña Bárbara in order to comprehend its initial impact and prestige. It argues that its success was due in part to affinities between the Latin American literary regionalism and the avant-garde aesthetics. Understanding Gallegos’s interest on cinema is essential to redefine the links of his 1929 novel and the art of his time.Fil: Gomes, Miguel.
The University of Connecticut-Storr
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