Turkish and Italian art teachers' views, experiences and self-reported competencies on the educational assessment practices in arts

L'abstract sintetizza una ricerca comparativa tra Turchia e Italia rispetto alle rappresentazioni e pratiche di valutazione degli insegnanti di discipline artistiche di tutti gli ordini scolastic

b --> s g g decay in the two and three Higgs doublet models with CP violating effects

We study the decay width and CP-asymmetry of the inclusive process b--> s g g (g denotes gluon) in the three and two Higgs doublet models with complex Yukawa couplings. We analyse the dependencies of the differential decay width and CP-asymmetry to the s- quark energy E_s and CP violating parameter \theta. We observe that there exist a considerable enhancement in the decay width and CP asymmetry is at the order of 10^{-2}. Further, it is possible to predict the sign of C_7^{eff} using the CP asymmetry.Comment: 15 pages, 7 Figures (required epsf style

Patient-specific simulation of stent-graft deployment within an abdominal aortic aneurysm

In this study, finite element analysis is used to simulate the surgical deployment procedure of a bifurcated stent-graft on a real patient's arterial geometry. The stent-graft is modeled using realistic constitutive properties for both the stent and most importantly for the graft. The arterial geometry is obtained from pre-operative imaging exam. The obtained results are in good agreement with the post-operative imaging data. As the whole computational time was reduced to less than 2 hours, this study constitutes an essential step towards predictive planning simulations of aneurysmal endovascular surger

A Compact Millimeter-Wavelength Fourier-Transform Spectrometer

We have constructed a Fourier-transform spectrometer (FTS) operating between 50 and 330 GHz with minimum volume (355 x260 x64 mm) and weight (13 lbs) while maximizing optical throughput (100 $\mathrm{mm}^2$ sr) and optimizing the spectral resolution (4 GHz). This FTS is designed as a polarizing Martin-Puplett interferometer with unobstructed input and output in which both input polarizations undergo interference. The instrument construction is simple with mirrors milled on the box walls and one motorized stage as the single moving element. We characterize the performance of the FTS, compare the measurements to an optical simulation, and discuss features that relate to details of the FTS design. The simulation is also used to determine the tolerance of optical alignments for the required specifications. We detail the FTS mechanical design and provide the control software as well as the analysis code online.Comment: Submitted to Applied Optics. [Copyright 2019 Optical Society of America]. Users may use, reuse, and build upon the article, or use the article for text or data mining, so long as such uses are for non-commercial purposes and appropriate attribution is maintained. All other rights are reserve

CP violation in the inclusive b -> s g decay in the framework of multi Higgs doublet models

We study the decay width and CP asymmetry of the inclusive process b--> s g (g denotes gluon) in the multi Higgs doublet models with complex Yukawa couplings, including next to leading QCD corrections. We analyse the dependencies of the decay width and CP asymmetry on the scale \mu and CP violating parameter \theta. We observe that there exist an enhancement in the decay width and CP asymmetry is at the order of 10^{-2}.Comment: 11 pages, 8 Figure

Audiovisual representations of Artificial Intelligence in Dystopian Tech Societies: Scaremongering or Reality? The Cases of Black Mirror (Charlie Brooker, 2011), Ex Machina (Alex Garland, 2017) and Her (Spike Jonze, 2014)

La intel·ligència artificial ha estat un concepte que captiva la humanitat des de fa mil·lennis. Des de l'antiguitat, els humans estan obsessionats amb la idea de crear un ésser humà artificial perfecte amb diferents objectius, com ara la companyia o l'ajuda domèstica, i han escrit sobre ells en textos antics de diverses cultures. Això va evolucionar cap a la literatura de protofantasia o protociència-ficció a l’alta edat mitjana. Tanmateix, no va ser fins al segle XIX que la influent obra de Mary Shelley, Frankenstein (1818), va reunir diferents aspectes de la creació artificial de vida humana artificial en el debat d’una comprensió psicològica social més àmplia. Amb l'arribada dels mitjans audiovisuals al segle XX, aquestes representacions dels humanoides creats artificialment o d'altres creacions amb cert grau de consciència han poblat tant la gran pantalla com la televisió. Aquesta tesi se centra en les connexions socials d'aquestes representacions de la Intel·ligència Artificial, a partir de la sèrie de televisió Black Mirror (Charlie Brooker, 2011), així com en les pel·lícules Ex Machina (Alex Garland, 2014) i Her (Spike Jonze, 2014), per tal d’analitzar la relació entre la Intel·ligència Artificial i els humans des de perspectives i paradigmes diversos. L’anàlisi audiovisual de les obres seleccionades és seguida d’una exploració de com s’estan produint aquests recents avenços tecnològics en la nostra societat actual, per relacionar-los amb les advertències que proposen les obres seleccionades i que ofereixen una lectura per al futur que requereix la implementació de normatives estrictes sobre la Intel·ligència Artificial per tal d’alleujar les angoixes humanes respecte a la tecnologia. Paraules clau: Intel·ligència artificial, tecnologia, ciència ficció, distopia, estudis cinematogràfics, societat.La inteligencia artificial es un concepto que fascina a la humanidad durante milenios. Desde la antigüedad, los humanos han estado obsesionados con la idea de crear un humano artificial perfecto para diferentes fines, como la compañía o la ayuda doméstica, y han escrito sobre ello en textos fundacionales de diversas culturas. Esto se convirtió progresivamente en literatura de protofantasía o proto-ciencia ficción en la Alta Edad Media. Sin embargo, no fue hasta el siglo XIX cuando la influyente obra Frankenstein (1818) de Mary Shelley reunió diferentes aspectos de la creación de un ser humano artificial, discutidos dentro de una comprensión psicológica y social más amplia. Con la llegada de los medios audiovisuales en el siglo XX, estas representaciones de humanoides creados artificialmente o de otras creaciones con cierto grado de conciencia han poblado tanto la gran pantalla como la televisión. Esta tesis se centra en las conexiones sociales de dichas representaciones de la Inteligencia Artificial, centrándose en la serie de televisión Black Mirror (Charlie Brooker, 2011), así como en las películas Ex Machina (Alex Garland, 2014) y Her (Spike Jonze, 2014), analizando las relaciones entre la Inteligencia Artificial y los humanos desde una variedad de perspectivas y paradigmas diferentes. El análisis audiovisual de las obras seleccionadas va seguido de una exploración sobre cómo estos avances tecnológicos recientes se están produciendo en nuestra sociedad actual, vinculándolos con las advertencias que formulan las obras seleccionadas y ofreciendo una lectura de futuro que requiere la implementación de una estricta normativa en torno a la Inteligencia Artificial para aliviar las ansiedades humanas sobre la tecnología. Palabras clave: inteligencia artificial, tecnología, sociedad, ciencia ficción, distopía, estudios cinematográficos.Artificial Intelligence has been a concept that has infatuated humankind for millennia. Since antiquity, humans have been obsessed with the idea of creating a perfect artificial human for different aims such as companionship or domestic help, and ancient cultures have devoted foundational texts to the artificial human. This literary occupation gradually evolved into proto-fantasy or proto-Science Fiction literature in the early middle ages. However, it wasn’t until the 19th century that Mary Shelley’s influential work Frankenstein (1818) brought together different aspects of creating an artificial human discussed within a broader social and psychological understanding. With the advent of audiovisual media in the 20th century, such representations of artificially created humanoids or other creations with some degree of consciousness have populated both the silver screen and television. This thesis focuses on the societal connections between such representations of Artificial Intelligence, focusing on the TV show Black Mirror (Charlie Brooker, 2011) as well as the films Ex Machina (Alex Garland, 2014) and Her (Spike Jonze, 2014) by analyzing the Artificial Intelligence - human relationships from a variety of different perspectives and paradigms. The audiovisual analyses of the selected works are then followed by an examination of how such recent technological developments are taking place in our current society. These texts under examination exhort us to beware the potential dangers of AI technology, which require implementation of strict regulations around the Artificial Intelligence framework in order to alleviate human anxieties about technology. Keywords: Artificial Intelligence, technology, technology and society, Science Fiction, dystopia, film studies, society

Midnight Expressas a Product of Hollywood Orientalism

This paper aims to deconstruct the motives behind Oliver Stone & Alan Parker’s 1978 film Midnight Express, in terms of putting Turkey and Turkish people in the Oriental position and putting Western and White characters in the Occidental epistemological positions. Some questions this paper tackles include “How does Orientalism work in the context of Film Studies? Does the Gaze grant a monolithic and unidirectional look at the Orient instead of the Occident? How does the “based on a true story” tagline serves as a marketing tactic in order to augment the “horror” of being stuck in a Turkish prison, while the actual true facts were differing from the facts represented in the film? What affects do these misrepresentations have?O conceito de orientalismo tem sido uma questão recorrente nos estudos cinematográficos, seja a (má)representação de grupos minoritários em Hollywood, ou de pessoas brancas de personagens a cores em remakes de filmes do \u27Oriente\u27, ou através de uma omissão completa de representação destas personagens. A ideologia é um grande aspeto na formação dos pontos de vista das massas, e à medida que se tornam mais incorporados em dispositivos culturais como os filmes, quanto mais suavemente se desdobram e mais problemáticos se tornam. Em termos foucaultianos, o conhecimento sobre o Oriente é produzido através de filmes feitos pelo Ocidente, e graças ao seu capital infinito e amplas redes de distribuição, o Ocidente, particularmente a América, é muito mais bem sucedido em manter um domínio transcultural através desta estrutura de poder/conhecimento. Este artigo visa desconstruir os motivos por detrás do filme de Oliver Stone & Alan Parker de 1978, Midnight Express, em termos de colocar a Turquia e o povo turco na posição oriental e colocar os personagens ocidentais e brancos nas posições epistemológicas ocidentais. Algumas das questões abordadas neste artigo incluem "Como funciona o Orientalismo no contexto dos Estudos Fílmicos? Será que Gaze concede um olhar monolítico e unidirecional para o Oriente em vez do Ocidente? Como é que o slogan "baseado numa história verdadeira" serve como tática de marketing a fim de aumentar o "horror" de estar preso numa prisão turca, enquanto os factos reais eram diferentes dos factos representados no filme? Que efeitos têm estas deturpações