2 research outputs found
No museum is an island : Ethnography beyond methodological containerism
This article addresses the question of how to go beyond the conceptualisation of museums as islands in museum ethnography without losing the ethnographic depth and insights that such research can provide. Discussing existing ethnographic research in museums, the ethnographic turn in organization studies, and methodological innovation that seeks to go beyond bounded locations in anthropology, we offer a new museum methodology that retains ethnographyâs capacity to grasp the often overlooked workings of organizational life â such as the informal relations, uncodified activities, chance events and feelings â while also avoiding âmethodological containerismâ, that is, the taking of the museum as an organization for granted. We then present a project design for a multi-sited, multi-linked, multi-researcher ethnography to respond to this; together with its specific realisation as the Making Differences project currently underway on Berlinâs Museum Island. Drawing on three sub-projects of this large ethnography â concerned with exhibition-making in the Museum of Islamic Art, in the Ethnological Museum in preparation for the Humboldt Forum (a high profile and contested cultural development due to open in 2019) and a new exhibition about Berlin, also for the Humboldt Forum â we highlight the importance of what happens beyond the âcontainer,â the discretion of what we even take to be the âcontainerâ, and how âorganization-nessâ of various kinds is âdoneâ or âachievedâ. We do this in part through an analysis of organigrams at play in our research fields, showing what these variously reveal, hide and suggest. Understanding museums, and organizations more generally, in this way, we argue, brings insight both to some of the specific developments that we are analysing as well as to museum and organization studies more widely
Authenticity and Communication
Authenticity is not an absolute and constant quality inherent in an object or
an experience; it is constructed in the process of research. Actors inscribe
and attribute it to both material objects and subjective processes like
communication and consumption. This article from the research group seeks on
the one hand to reflect on the historical scope of action and action patterns
among actors from various disciplines between the conflicting priorities of
authentication and communication, and on the other to find ways to visualize
and operationalize attribution processes through joint reflection. When we
look at both history and the discussions fifty years after the Venice Charter,
its idea to hand on historic monuments âin the full richness of their
authenticityâ has turned into an abundance of vibrant action and decision-
making