Theatre Reviews

The Tempest. Dir. Janice Honeyman. The Baxter Theatre Centre (Cape Town, South Africa) and the Royal Shakespeare Company (Stratford-upon- Avon, United Kingdom). As You Like It. Dir. Damianos Constantinidis. “Angelus Novus” Theatre Group, “Vafeio” Theatre. Queen Lear. Dir. Kostis Kapelonis. “Delos G8” Theatre Group, “Delos” Theatre. Hamlet Committed Suicide. Dir. Stella Mari. Street theatre, “Minus [two]” Theatre Group, Thission pedestrian zone (Apostolou Pavlou & Heracleidon). The Documentary. Dir. Sergios Gakas. “Ex Animo” Theatre Group, “Altera Pars” Theatre. Othello. Dir. Yorgos Kimoulis and Konstantinos Markoulakis. Badminton Theatre, Athens, Greece

Theatre Reviews

The Tempest. Dir. Silviu Purcarete. The National Theatre “Marin Sorescu” of Craiova, Romania. 16th Shakespeare Festival, Gdansk, Poland   Richard III. Dir. Gabriel Villela. Blanes Museum Garden, Montevideo, Uruguay Henry V. Dir. Des McAnuff. Stratford Shakespeare Festival, Ontario, Canada Julius Caesar. Dir. Gregory Doran. Royal Shakespeare Company A Midsummer Night’s Dream. Adapted and dir. Georgina Kakoudaki. Theatre groups _2 and 4Frontal, Theatro tou Neou Kosmou, Greece Julius Caesar: Scripta Femina. Dir. Roubini Moschochoriti. Theatre group Anima Kinitiras Studio, Greec

Tracking and analysis of movement at different scales: from endosomes to humans

Movement is apparent across all spatio-temporal scales in biology and can have a significant effect on the survival of the individual. For this reason, it has been the object of study in a wide range of research fields, i.e. in molecular biology, pharmaceutics, medical research but also in behavioural biology and ecology. The aim of the thesis was to provide methodologies and insight on the movement patterns seen at different spatio-temporal scales in biology; the intra-cellular, the cellular and the organism level. At the intra-cellular level, current thesis studied the compartmental inheritance in Human Osteosarcoma (U2-OS) cells. The inheritance pattern of the endosomal quantum dot fluorescence across two consecutive generations was for first time empirically revealed. In addition, a in silico model was developed to predict the inheritance across multiple generations. At the cellular level, a semi-automated routine was developed that can realize long-term nuclei tracking in U2-OS cell populations labeled with a cell cycle marker in their cytoplasm. A method to extract cell cycle information without the need to explicitly segment the cells was proposed. The movement behaviour of the cellular population and their possible inter-individual differences was also studied. Lastly, at the organism level, the focus of the thesis was to study the emergence of coordination in unfamiliar free-swimming stickleback fish shoals. It was demonstrated that there exist two different phases, the uncoordinated and the coordinated. In addition, the significance of uncoordinated phase to the establishment of the group’s social network was for first time evinced. The adaptation of the stickleback collectives was also studied over time, i.e. the effect of group’s repeated interactions on the emergence of coordination. Findings at the intra-cellular and cellular level can have significant implications on medical and pharmaceutical research. Findings at the organism level can also contribute to the understanding of how social interactions are formed and maintained in animal collectives

Parting “totally sucksˮ: Filming Romeo and Juliet for Generation X

Shakespeare's Romeo and Juliet is a play about a pair of young lovers, yet it hasn't always been popular among young people. In 1996 two film-makers created modern versions of the play, obviously aiming at the young generation of their time. Baz Luhrmann's William Shake­speare's Romeo and Juliet and Lloyd Kaufman's Tromeo and Juliet share a lot; however, it has been argued that the philosophy behind the two movies is diametrically opposite: if Luhrmann attempts to prove the compatibility of Shakespeare's high culture with the youth culture of the nineties, Kaufman seems to insist upon the Bard's mismatch with an assumed low teen culture. But how close do the two directors approach what we call "youth culture"? Does Luhrmann provide a full account of modern youth? And how lowly does Kaufman's youth stand after all? Also, which of the two films is closer to a young audience and, finally, what audiences do the two directors address? This essay will attempt to answer these questions by examining the two directors' use of youth culture elements and by taking into consideration the place of the two films in the film industry

CONTENT AND LANGUAGE INTEGRATED LEARNING (CLIL): AN EXPERIMENTAL STUDY ON CLIL COMPATIBILITY WITH THE MODERN GREEK EDUCATIONAL SYSTEM

This paper focuses on the Content and Language Integrated Learning (CLIL) method for (foreign) language teaching. The CLIL approach is rapidly gaining momentum across Europe and all over the world. It is the result of recent European Union efforts to develop and apply innovative educational practices of interdisciplinary character in order to bridge the gap between foreign language education and optimum learning outcomes. In order to investigate the compatibility of CLIL with the contemporary Greek educational reality, a small-scale experimental research study was set up, including the development of original e-learning material, a pilot class instruction based on this material and the evaluation of the results. The class instruction was based on Project-Based Learning whereas Collaborative Learning was supported by the Edmodo e-learning platform. Information on the progress of the pilot class instruction and the learning outcomes achieved was disseminated through a wiki set up for this task.Keywords: CLIL, interdisciplinarity, plurilingualism, multiculturalism, assessment, Information and Communication Technology (ICT