Narrative and Interpretation on Twitter: Reading tweets by telling stories

Existing research on communication on Twitter has largely ignored the question of how users make sense of the fragmentary tweets with which they are presented. Focusing on the use of Twitter for political reporting in post-revolutionary Egypt, this article argues that the production of mental stories provides readers with a mechanism for interpreting the meaning of individual tweets in terms of their relationships to other material. Drawing on contemporary narratology, it argues that Twitter exhibits key elements of narrativity, but that a creative reading process is nonetheless required to transform this incipient narrativity into coherent, sense-making mental narratives. This foregrounding of the reader’s creative role makes stories on Twitter highly fluid and dynamic. Through reference to classic critical theory, I propose that this nonetheless represents an evolution rather than a radical break from earlier forms of narrative reception, which in many cases demanded similarly creative reading practices

‘Writing Now’

This chapter considers the themes and forms that characterise women’s writing in the new millennium. Post-9/11, self-representation has become a particularly urgent task for Muslim writers such as Monica Ali and Leila Aboulela. A concern with refugees, asylum seekers, and modern forms of slavery becomes increasingly prominent, not only in fiction – for example, Fadia Faqir’s My Name is Salma (2007) and Monica Ali’s In the Kitchen (2009) – but also in the theatre: Kay Adshead’s The Bogus Woman (2000), Sonja Linden’s Crocodile Seeking Refuge (2005), Christine Bacon’s Rendition Monologues (2008), Rukhsana Ahmad and Oladipo Agboluaje’s Footprints in the Sand (2008), Natasha Walter's Motherland (2008), and Gbemisola Ikumelo’s Next Door (2010). The impact of global capitalism, consumerism, and branding are explored in novels such as Scarlett Thomas’ Popco (2004), Ali Smith’s Girl Meets Boy (2007), and Winterson’s The Stone Gods (2007). Ageing is another major theme. Long a pre-occupation of Doris Lessing, it features also in Liz Jensen’s War Crimes for the Home (2002) and Alison Fell’s Tricks of the Light (2003). Anxieties about climate change and environmental apocalypse are addressed through dystopia in Maggie Gee’s The Ice People (1998) and The Flood (2004), Jeanette Winterson’s The Stone Gods (2007), Sarah Hall’s The Carhullen Army (2007), and Liz Jensen’s The Rapture (2009). Following Suniti Namjoshi’s pioneeringly collaborative Building Babel (1996), the use of multimedia in Maya Chowdhry’s digital poetry, Kate Pullinger’s ‘networked’ wikinovel Flight Paths (2005-), and the ‘visual novel’ (an interactive fiction game), gives literature an entirely new shape

Prostate carcinoma metastatic to the skin as an extrammamary Paget's disease

Aim: The current paper describes a case of prostatic adenocarcinoma metastatic to the skin presenting as an extrammamary Paget's disease, a very rare and poorly characterised morphological entity. We report a case of prostatic carcinoma metastatic to skin showing a pattern of extramammary Paget's disease which has not been clearly illustrated in the literature Case presentation: A 63 year-old man with prostatic adenocarcinoma developed cutaneous metastases after 16 years. The inguinal metastases were sessile and 'keratotic.' The tumour displayed solid, glandular areas as well as a polypoid region suggestive of extramammary Paget's disease were identified.Discussion and conclusions: We review the diagnostic criteria that have led to the correct histopathological diagnosis in this case. A differential diagnosis of the pagetoid spread in the skin and various forms of cutaneous metastases determined by a prostatic adenocarcinoma as well as the role of immunohistochemistry in establishing the prostatic origin are presented in the context of this case. Although, morphologically the cells presented in the skin deposits were not characteristic for adenocarcinoma of prostate, immunohistochemistry for PSA and PSAP suggested a prostatic origin.Virtual Slides: The virtual slide(s) for this article can be found here: http://www.diagnosticpathology.diagnomx.eu/vs/1395450057455276. © 2012 Petcu et al.; licensee BioMed Central Ltd