Hvad er der sket med bibliotekarens klassiske dyder?

En uddøende race? Hvordan kan branchen fastholde og tiltrække medarbejdere? Klarhed over karrieremuligheder og åbenhed om lønudviklingen er gode steder at starte

The mediatization of ethical consumption

Over the years, mediatization studies have investigated the influence of media in numerous sections of contemporary society. One area that has received limited attention is the mediatization of consumption, particularly issues concerning ethical consumption. This article presents a study of how mediatization is transforming modern consumption and contributing to the mainstreaming of ethical consumption. Based on a study of a Danish online eco-store, the article argues that modern ethical consumption increasingly depends on new media practices to present sustainable consumption as practical and fashionable while effacing underlying processes of rationalisation and commercialisation

The mediatization of ethical consumption

Over the years, mediatization studies have investigated the influence of media in numerous sections of contemporary society. One area that has received limited attention is the mediatization of consumption, particularly issues concerning ethical consumption. This article presents a study of how mediatization is transforming modern consumption and contributing to the mainstreaming of ethical consumption. Based on a study of a Danish online eco-store, the article argues that modern ethical consumption increasingly depends on new media practices to present sustainable consumption as practical and fashionable while effacing underlying processes of rationalisation and commercialisation

Skrankepaver eller læringskatalysatorer?

DEBAT: Måske skal vi først og fremmest definere, hvad et læringsmiljø er i bibliotekssammenhænge? Artiklens forfatterne er dykket ned i rapporten "Analyse af fremtidens behov for forskningsbiblioteksbetjening", udgivet for Kulturministeriet og Uddannelses- og Forskningsministeriet af analyseinstitutet Oxford Research

Fra massemedier til mediesystem - om kodediskussionen i systemteoretisk medieforskning

Systemteoretisk medieforskning rejser spørgsmålet om, hvorvidt massemedierne udgør en samlet institution, eller om medierne, i kraft af deres indbyrdes forskelle, skal betragtes uafhængigt af hinanden. Ved at indskrive medierne i en generel samfundsteori fremstiller systemteorien medierne som et autonomt funktionssystem. Denne bestræbelse kommer tydeligst til udtryk i identifikationen af en fælles kode for massemediernes system. Med udgangspunkt i Niklas Luhmanns medieteori foretager nærværende artikel en kritisk gennemgang af den systemteoretiske medieforsknings kodediskussion. Første del præsenterer kort systemteoriens kodebegreb og Luhmanns bestemmelse af mediesystemet som organiseret omkring koden information. Den midterste del gennemgår en række alternative forslag til denne kodedefinition, hvilket illustrerer omfanget, men også nogle af begrænsningerne, ved systemteoretisk medieforskning. Sidste del foretager en kritisk diskussion af systemteoriens kodeproblematik og viser, hvordan en ensidig kodefokusering står i vejen for en fortsat udforskning af vilkårene for mediesystemets udvikling og autonomi.Systems theoretical media research raises the question whether the mass media constitute a unified institution, or whether the media, due to their internal differences, should be considered individually and independent of each other. By inscribing the media in a general social theory, systems theory conceptualises the media as an autonomous functional system. This intention is most clearly illustrated by the efforts to identify a shared code for the entire media system. Based on the media theory of Niklas Luhmann, this paper offers a critical presentation of the code discussion within systems theoretical media research. The first part of the paper briefly introduces the systems theoretical notion of a code as well as Luhmann’s definition of the media system as organised and regulated by the code of information. The second part presents a number of alternative suggestions and definitions of the media system’s code, which both indicate the scope of systems theoretical media research, but also point to some of the limitations in the systems theoretical approach. In the last part, the paper takes a critical look at the systems theoretical code discussion by arguing that a too narrow focus on code definitions is blocking a more productive investigation of the conditions, evolution, and autonomy of the media system

Resiliens i et globalt klimaperspektiv

Resilience has become a key concept in the global climate change discourse, not least in relation to climate change adaptation in the Global South. Taking Bangladesh as an example, this paper explores the role and function of resilience in one of the most climate vulnerable nations. The aim is to examine and critically discuss the popularity of resilience in recent climate change policy. The paper looks into the following aspects of climate change resilience: (i) the relation between resilience and the concepts of mitigation/adaptation; (ii) resilience as a re-description of existing socio-ecological means of adaptation; (iii) resilience as an example of the integration of climate change adaptation and development; (iv) resilience as a strategic resource in obtaining international climate change funding. The four aspects illustrate how the discourse of resilience is surrounded by rather diverse mechanisms and dynamics, which may account for the concepts popularity. It further indicates that while the concept promises a pro-poor and context sensitive approach to climate change resilience, it also risks effacing the principal differences between development and climate change adaptation

The Climate Catastrophe as Blockbuster

Modern disaster films constitute a specific cultural form that speaks to the anxieties of the “risk society.” This essay looks at how risks like climate change is presented and constructed in popular culture. It regards blockbuster representations as part of a wider discourse of “catastrophism” within the realm of public climate change communication. For that reason, the essay centers on the interplay between news media and entertainment. It argues that blockbuster disaster films represent an inversion of traditional risk and disaster news