Textile architecture – about sound absorbing facades and textiles in urban landscapes

The exhibition “Textile architecture” features the result of how two architects and a textile designer have collaborated and experimented with designing textile modules to improve the sound landscape in urban spaces.\ua0The exhibition is one of the results of an artistic research project, “Urban Materiality – Towards New Collaborations in Textile and Architectural Design”, with funding from the Swedish Research Council (Vetenskapsr\ue5det) /Artistic research, that is ongoing from 2016 to 2019.Exhibited at\ua0Form/Design Center in Malm\uf6, vernissage 13 November 2019, exhibition open 13 November 2019 till 12 January 2020

Sound absorbing textile surfaces in the urban landscape - collaborative research in textile and architectural design

The design of woven and knitted structures can be compared with the formation of buildings’ facades and constructions. However, textile designers do not generally participate when the exterior structure and facades of a building take shape, but rather when textiles and materials for the indoor environment are chosen, often with the intention of enhancing the acoustic qualities of spaces. In this research project, two architects and a textile designer collaborate, the latter focusing particularly on sound design. Incorporating textile designers in the early stages of building projects can lead to benefits of exploring and improving sound landscapes in outdoor environments.In order to search for and develop new approaches, methods and techniques in the field described as textile architecture, textile facade modules were designed and produced, and the design process was examined and evaluated from the points of departure of the two design fields. Questions such as ‘who is actually prototyping?’ arose, as well as the search for finding common references and concepts, both historical and contemporary, to strengthen the collaborative work.A practice-based experimental approach was important for the project and the merger of the two design fields, not least to put different textile techniques and materials to the test to examine how they can affect the sound landscape and experiences of space. The key activities in the laboratory work were technique, method, perception, stage-setting and context, which connected both to textile design and architecture. The different textile materials were chosen to comply with the requirements of external climate impact and rough outdoor environments. In groups of demarcated design experiments, the textile techniques of weaving and hand tufting were explored, and the modules were tested acoustically

Japanska rum – en diskussion kring tomhet och f\uf6r\ue4nderlighet i traditionell och nutida japansk arkitektur

Traditional and contemporary Japanese architecture is examined, with focus on the characteristics of emptiness and changeability, the point of departure being Japanese conceptions of space which are interpreted and described from a Western perspective. According to Japanese cultural tradition space is conceived as a subjective perception, a physical experience and a changeable process. A description and analysis of how these conceptions of space are expressed and perceived in architectonic forms, both in traditional sukiya architecture and in a selection of contemporary works of architecture, is then presented. The buildings discussed in the thesis are, among others, the Katsura villa, the pavilions Rinun-tei and Kyusui-ken in Shugaku-in, Shisen-do, Hillside Terrace, Church with the Light, Villa in Shimo-gamo, Gifu Kitagata Apartment Building and Tofu. The contemporary works of architecture have been designed by Fumihiko Maki, Tadao Ando, Waro Kishi, Kazuyo Sejima and Jun Tamaki. Besides visiting the buildings, articles written by these architects have been studied which convey their views on architecture. These texts reflect both Japanese and Western influences in a global debate about architecture. This thesis is based on a direct experience of various buildings together with a personal Western interpretation. In this way the subjective experience is put into focus and leads to a discussion about architecture based on concepts or perceptions. The strong Japanese architectural tradition lives on in the reinterpretations of contemporary architecture, the study of which creates a deeper understanding of the tradition. In this foreign world of architecture there is room for dimensions which could become an architectonic challenge in designing new buildings and environment

Urban Materiality : Towards New Collaborations in Textile and Architectural Design

Conference Working Together organized by the Swedish Research Council (Vetenskapsrådet) / Artistic research.Urban Materiality – Towards New Collaborations in Textile and Architectural Desig

Critical care nurses’ lived experiences of interhospital intensive care unit-to-unit transfers: A phenomenological hermeneutical study

Objective To explore critical care nurses’ lived experiences of transferring intensive care patients between hospitals. Methods A phenomenological hermeneutic approach using data generated through individual interviews with 11 critical care registered nurses. Setting Two general intensive care units in Sweden. Findings Five themes were identified: it depends on me; your care makes a difference; being exposed; depending on interprofessional relationships; and sensing professional growth. These themes were synthesised into a comprehensive understanding showing how transferring intensive care patients between hospitals meant being on an ambivalent journey together with the patient but also on a journey within yourself in your own development and growth, where you, as a nurse, constantly are torn between contradictory feelings and experiences. Conclusion Interhospital intensive care unit-to-unit transfers can be a challenging task for critical care nurses but also an important opportunity for professional growth. During the transfer, nurses become responsible for the patient, their colleagues and the entire transfer process. In a time of an increasing number of interhospital intensive care unit-to-unit transfers, this study illuminates the risk for missed nursing care, showing that the critical care nurse has an important role in protecting the patient from harm and safeguarding dignified care

The Meaning of Comfort in the Intensive Care Unit

Providing comfort in an intensive care unit (ICU) setting is often related to pain relief and end-of-life care; environmental factors are often neglected, despite the major role of the environment on the patients’ well-being and comfort. The aim of this article was to explore the meanings of comfort from a theoretical and empirical perspective to increase the understanding of what comfort means in ICU settings. A lexical analysis and serials of workshops were performed, and data were analyzed using a qualitative content analysis. The findings from the theoretical analysis show that comfort has a broad range of synonyms related to both subjective experiences and objective and physical qualities. The findings from the empirical part reveal 4 themes: comfort in relation to nature, comfort in relation to situation and people, comfort in relation to place, and comfort in relation to objects and material. Materiality, functionality, memory, culture, and history stipulate comfort. It is challenging to discern what comfort is when it comes to function and emotions. We also found that comfort is closely linked to nature and well-being

Earthy textiles. Experiences from a joint teaching encounter between textile design and architecture

This paper presents experiences from a two-day teaching workshop where first year students in architecture meet with first year students in textile design for an assignment on building structures with textile, soil and plants designing for indoor gardening with the aim of inspiring for more sustainable lifestyles. The background is a research project on textile architecture with the objective of exploring this new field and to establish a platform for long-term collaboration between the disciplines of architecture and textile design. The paper addresses pedagogical challenges in the meeting between first-years students of different disciplines and traditions, but also in the meeting between research and undergraduate teaching. The students produced creative results but had difficulties in exploring the full complexity of the task. An evaluative discussion is based on observations, photo documentation, notes during group discussions, follow-up questionnaires among the students and reflections among involved researchers