On Trying to be Collective

In this article we ask in what way can the notion of care, collectivizing and the collective become a primary part of contemporary art practice? And further, what types of art practices address these central tenets of democracy? We do this by reflecting on the political potential of care and its importance as a tool for achiev- ing an equal society. Uniting the action of care and collectivity, we conclude that together these two undertakings represent a political force of commoning within the public sphere. Utilizing the writing of Beech, Hutchinson and Timberlake, who argue for collectivism over collaboration as a way towards societal change, we reflect upon the political implications for art when artists work collectively. We consider the practices and function of other art collectives examining their key purpose for acting collectively. We employ our previous practice as the Freee Art Collective, as well as our more recent work as the Partisan Social Club to consider in what ways our practice can be deemed collective

Parerga. Frames of Art/Institutional Critique (within Dissent and Certainty)

Events/Projects by Vlad Morariu: Theory Fellow 10/2013 - 06/2014 [PARERGA] FRAMES OF ART / INSTITUTIONAL CRITIQUE Fokus Grupa, Freee Art Collective, Mihaela Brebenel and Vlad Morariu An Intervention within 'Dissent and Certainty', Kunstpavillon Innsbruck 12.06.2014 - 26.07.2014 Daylight Perspectives on 'Dissent and Certainty'. Timelapse: Daniel Jarosch & Patrick Ausserdorfer Music: exert from “ a recipe for concentrated dark matter” by Christoph Fugenschuh Shot on July 6th 2014 6:30 am to 10.30 pm at Kunstpavillon Innsbruck for the international fellowship program for art and theory www.buchsenhausen.at Dissent and Certainty 12.06. – 26.07.2014, KUNSTPAVILLON Sezgin Boynik, Fokus Grupa, Freee Art Collective, Petra Gerschner, Vlad Morariu, Cathleen Schuster & Marcel Dickhage Concluding exhibition curated by Andrei Siclod