'It's a film' : medium specificity as textual gesture in Red road and The unloved

British cinema has long been intertwined with television. The buzzwords of the transition to digital media, 'convergence' and 'multi-platform delivery', have particular histories in the British context which can be grasped only through an understanding of the cultural, historical and institutional peculiarities of the British film and television industries. Central to this understanding must be two comparisons: first, the relative stability of television in the duopoly period (at its core, the licence-funded BBC) in contrast to the repeated boom and bust of the many different financial/industrial combinations which have comprised the film industry; and second, the cultural and historical connotations of 'film' and 'television'. All readers of this journal will be familiar – possibly over-familiar – with the notion that 'British cinema is alive and well and living on television'. At the end of the first decade of the twenty-first century, when 'the end of medium specificity' is much trumpeted, it might be useful to return to the historical imbrication of British film and television, to explore both the possibility that medium specificity may be more nationally specific than much contemporary theorisation suggests, and to consider some of the relationships between film and television manifest at a textual level in two recent films, Red Road (2006) and The Unloved (2009)

Concurrent Sessions 2A: Big Time Conservation

This session will cover the largest of the commercial and industrial energy conservation projects the Western Massachusetts Electric Company has evaluated. The WMECO customers behind these projects have several things in common: a local conservation champion, a corporate commitment to reducing energy waste, and an appetite to complete multiple large conservation projects. Yankee Candle will review their campus wide LED lighting project and Trident Alloys will discuss efficiency improvements in large scale process machinery. another perspective will be provided by the O\u27Connell Energy Group

Critical Essay: Meta-analysis: A critical realist critique and alternative

Meta-analysis has proved increasingly popular in management and organization studies as a way of combining existing empirical quantitative research to generate a statistical estimate of how strongly variables are associated. Whilst a number of studies identify technical, procedural and practical limitations of meta-analyses, none have yet tackled the meta-theoretical flaws in this approach. We deploy critical realist meta-theory to argue that the individual quantitative studies, upon which meta-analysis relies, lack explanatory power because they are rooted in quasi-empiricist meta-theory. This problem, we argue, is carried over in meta-analyses. We then propose a ‘critical realist synthesis’ as a potential alternative to the use of meta-analysis in organization studies and social science more widely

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vol.64 no.

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vol64 no.

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vol.64 no.

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vol.64 no.

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vol.64 no.