285 research outputs found
ASPEK HUKUM DALAM PENGELOLAAN PRODUKSI MEDIA TELEVISI DAN FILM
Film and television works in the form of audio-visual media are the youngest fields of art compared to other branches of art. As with other sectors, in Indonesia itself regulations for art are also governed by rules and laws (laws), both in terms of production, distribution and consumption. Not to limit creativity, but these rules are enforced to protect consumers (art connoisseurs) and the artists themselves from misuse of works of art such as elements of pornography, copyright abuse and so on. This paper is a descriptive analysis supported by literature on television and film available in libraries and online media
SOCIAL REFLECTION IN THE CREATION OF MATI KONYOL VIDEO ARTWORKS
Corruption is not a culture , not a habit , but corruption is a crime . According to a survey by Transparency Internasional Indonesia (TII) in 2013, Indonesia was ranked 114 in the list of corrupt countries in the world. The artwork titled "Mati Konyol" is a response to the social phenomenon, is the phenomenon of corruption in Indonesia . Source of idea creation of "Mati Konyol" includes : (1) corruption; (2) paper puppets; (3) iluminated Cut Paper Light Box . The process of creating the artwork of "Mati Konyol" was carried out throught following steps : (1) the manufacture of paper puppets , which includes the step of : sketching drawing , cutting sketches , perangakaian partially the result of cuts , perangakaian overall results of the test piece and the light on the paper puppet; (2) the making of video art; (3) editing video and audio; (4) merging video with paper puppets that have shaped diorama . This artwork is an amalgamation of two different artistic elements into a unity that gave birth to the new work . So, This artwork βMati Konyolβ works can be categorized as new media art artworks. This Artwork aims to satirize the corruptor who now has no shame. Visual shame these corruptor visible like a actor in this video present without clothing or semi-nude
ΠΠ½Π°Π»ΠΈΠ· ΡΠ°Π±ΠΎΡΠΎΡΠΏΠΎΡΠΎΠ±Π½ΠΎΡΡΠΈ ΡΠΊΡΡΡΠ°ΠΊΡΠΈΠΎΠ½Π½ΠΎΠΉ ΠΊΠΎΠ»ΠΎΠ½Π½Ρ
ΠΡΡΠ»Π΅Π΄ΠΎΠ²Π°Π½Ρ ΠΏΡΠΈΡΠΈΠ½Ρ ΠΎΡΠΊΠ»ΠΎΠ½Π΅Π½ΠΈΠΉ ΡΠ°Π±ΠΎΡΡ ΡΠΊΡΡΡΠ°ΠΊΡΠΈΠΎΠ½Π½ΠΎΠ³ΠΎ ΠΎΠ±ΠΎΡΡΠ΄ΠΎΠ²Π°Π½ΠΈΡ ΠΎΡ ΡΠ΅Π³Π»Π°ΠΌΠ΅Π½ΡΠ½ΡΡ
Π½ΠΎΡΠΌ, ΠΏΡΠΎΠ°Π½Π°Π»ΠΈΠ·ΠΈΡΠΎΠ²Π°Π½Ρ Π΄Π΅ΡΠ΅ΠΊΡΡ Π² ΠΏΡΠΎΡΠ΅ΡΡΠ΅ ΡΠΊΡΠΏΠ»ΡΠ°ΡΠ°ΡΠΈΠΈ ΠΈΡΡΠ»Π΅Π΄ΡΠ΅ΠΌΠΎΠ³ΠΎ ΠΎΠ±ΠΎΡΡΠ΄ΠΎΠ²Π°Π½ΠΈΡ. ΠΠΏΡΠ΅Π΄Π΅Π»Π΅Π½Ρ Ρ
Π°ΡΠ°ΠΊΡΠ΅ΡΠΈΡΡΠΈΠΊΠΈ ΡΠ°ΡΡΠΎ ΠΏΠΎΠ²ΡΠΎΡΡΡΡΠΈΡ
ΡΡ Π΄Π΅ΡΠ΅ΠΊΡΠΎΠ² ΠΏΡΠΈ ΡΠ°Π±ΠΎΡΠ΅ ΠΊΠΎΠΌΠ±ΠΈΠ½ΠΈΡΠΎΠ²Π°Π½Π½ΠΎΠΉ ΡΠΊΡΡΡΠ°ΠΊΡΠΈΠΎΠ½Π½ΠΎΠΉ ΠΊΠΎΠ»ΠΎΠ½Π½Ρ ΠΎΡΠΈΠ³ΠΈΠ½Π°Π»ΡΠ½ΠΎΠΉ ΠΊΠΎΠ½ΡΡΡΡΠΊΡΠΈΠΈ. ΠΠ»Π°ΡΡΠΈΡΠΈΡΠΈΡΠΎΠ²Π°Π½Ρ ΠΎΡΠΊΠ»ΠΎΠ½Π΅Π½ΠΈΡ, ΠΎΠΏΡΠ΅Π΄Π΅Π»Π΅Π½Ρ ΠΊΠΎΡΡΡΠΈΡΠΈΠ΅Π½ΡΡ ΠΊΠΎΠ½ΠΊΠΎΡΠ΄Π°ΡΠΈΠΈ, ΡΡΡΠ°Π½ΠΎΠ²Π»Π΅Π½Ρ ΠΎΡΠ½ΠΎΠ²Π½ΡΠ΅ ΡΠ°ΠΊΡΠΎΡΡ, Π²Π»ΠΈΡΡΡΠΈΠ΅ Π½Π° ΠΏΡΠΎΡΠ΅ΡΡ ΡΠΊΡΡΡΠ°ΠΊΡΠΈΠΈ. Π‘ΠΎΠ·Π΄Π°Π½ Π°Π»Π³ΠΎΡΠΈΡΠΌ Π΄ΠΈΠ°Π³Π½ΠΎΡΡΠΈΠΊΠΈ ΡΠ°Π±ΠΎΡΡ ΠΎΠ±ΠΎΡΡΠ΄ΠΎΠ²Π°Π½ΠΈΡ. Π Π°ΡΡΡΠΈΡΠ°Π½ ΡΡΠΎΠ²Π΅Π½Ρ Π΄Π΅ΡΠ΅ΠΊΡΠ½ΠΎΡΡΠΈ ΠΎΠ±ΠΎΡΡΠ΄ΠΎΠ²Π°Π½ΠΈΡ Π·Π° ΠΈΡΡΠ»Π΅Π΄ΡΠ΅ΠΌΡΠΉ ΠΏΠ΅ΡΠΈΠΎΠ΄ Π²ΡΠ΅ΠΌΠ΅Π½ΠΈ. ΠΡΠ΅Π΄Π»ΠΎΠΆΠ΅Π½Π° ΠΌΠ΅ΡΠΎΠ΄ΠΈΠΊΠ° ΡΡΠ°ΡΠΈΡΡΠΈΡΠ΅ΡΠΊΠΎΠΉ ΠΎΠ±ΡΠ°Π±ΠΎΡΠΊΠΈ Π΄Π°Π½Π½ΡΡ
ΡΠΏΠΎΡΠΎΠ±ΠΎΠΌ Π°Π½ΠΊΠ΅ΡΠΈΡΠΎΠ²Π°Π½ΠΈΡ ΠΏΠΎ Π²ΡΠ±ΠΎΡΠΊΠ΅ ΡΠ°ΠΊΡΠΎΡΠΎΠ², Π²Π»ΠΈΡΡΡΠΈΡ
Π½Π° ΠΏΡΠΎΡΠ΅ΡΡ ΡΠΊΡΡΡΠ°ΠΊΡΠΈΠΈ. Π Π°Π·ΡΠ°Π±ΠΎΡΠ°Π½ ΠΌΠ΅ΡΠΎΠ΄ Π΄ΠΈΠ°Π³Π½ΠΎΡΡΠΈΠΊΠΈ ΡΠ°Π±ΠΎΡΡ ΡΠΊΡΡΡΠ°ΠΊΡΠΎΡΠΎΠ²
Faktor yang Berpengaruh terhadap Imunisasi Dasar Lengkap (IDL) pada Bayi
This study aims to analyze the factors influencing Complete Basic Immunization (IDL) in infants in Kupang City in 2021. The method used is analytic descriptive with a cross-sectional design. The data obtained were analyzed using the chi-square test. The results showed that the factor of vaccine availability obtained a p-value of 0.000, the completeness of immunization equipment was 0.038 and the vaccine expiration date was 0.121. In conclusion, there is a significant relationship between the completeness of immunization kits and vaccine availability on IDL coverage in Kupang City in 2021.
Keywords: Infant, Complete Basic Immunizatio
Π’Π΅ΠΏΠ»ΠΎΠ²ΠΎΠ΅ ΡΠ°ΡΡΠΈΡΠ΅Π½ΠΈΠ΅ ΠΈ ΡΠ΅ΠΌΠΏΠ΅ΡΠ°ΡΡΡΡ ΡΡΠ΅ΠΊΠ»ΠΎΠ²Π°Π½ΠΈΡ Π°ΠΌΠΎΡΡΠ½ΡΡ ΠΏΠΎΠ»ΠΈΠΌΠ΅ΡΠΎΠ²
ΠΡΠΎΠ²Π΅Π΄Π΅Π½ΠΎ ΠΈΠ·ΡΡΠ΅Π½ΠΈΠ΅ ΡΠ΅ΠΏΠ»ΠΎΠ²ΠΎΠ³ΠΎ ΡΠ°ΡΡΠΈΡΠ΅Π½ΠΈΡ ΠΈ ΡΠ΅ΠΌΠΏΠ΅ΡΠ°ΡΡΡ ΡΡΠ΅ΠΊΠ»ΠΎΠ²Π°Π½ΠΈΡ Π΄Π»Ρ ΠΌΠΎΠ΄ΠΈΡΠΈΡΠΈΡΠΎΠ²Π°Π½Π½ΡΡ
ΡΠΏΠΎΠΊΡΠΈΠ΄Π½ΡΡ
ΠΊΠΎΠΌΠΏΠ°ΡΠ½Π΄ΠΎΠ² Π³ΠΎΡΡΡΠ΅Π³ΠΎ ΠΈ Ρ
ΠΎΠ»ΠΎΠ΄Π½ΠΎΠ³ΠΎ ΠΎΡΠ²Π΅ΡΠΆΠ΄Π΅Π½ΠΈΡ. ΠΠ° ΠΎΡΠ½ΠΎΠ²Π΅ ΠΏΠΎΠ»ΡΡΠ΅Π½Π½ΠΎΠ³ΠΎ ΡΠΊΡΠΏΠ΅ΡΠΈΠΌΠ΅Π½ΡΠ°Π»ΡΠ½ΠΎΠ³ΠΎ ΠΌΠ°ΡΠ΅ΡΠΈΠ°Π»Π° ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΎ Π²ΡΡΠΈΡΠ»Π΅Π½ΠΈΠ΅ ΠΈ ΡΠΎΠΏΠΎΡΡΠ°Π²Π»Π΅Π½ΠΈΠ΅ Ρ ΡΠΊΡΠΏΠ΅ΡΠΈΠΌΠ΅Π½ΡΠΎΠΌ ΡΠ½ΠΈΠ²Π΅ΡΡΠ°Π»ΡΠ½ΡΡ
ΠΏΠ°ΡΠ°ΠΌΠ΅ΡΡΠΎΠ² ΡΡΠ°Π²Π½Π΅Π½ΠΈΡ Π‘ΠΈΠΌΡ
Π° ΠΈ ΠΠΎΠΉΠ΅ΡΠ°. ΠΠΊΡΠΏΠ΅ΡΠΈΠΌΠ΅Π½ΡΠ°Π»ΡΠ½ΡΠ΅ ΠΈ ΡΠ°ΡΡΠ΅ΡΠ½ΡΠ΅ Π΄Π°Π½Π½ΡΠ΅ ΡΠΎΠ³Π»Π°ΡΡΡΡΡΡ ΡΠ΄ΠΎΠ²Π»Π΅ΡΠ²ΠΎΡΠΈΡΠ΅Π»ΡΠ½ΠΎ
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