The Last Goldfish

A few years before filmmaker Su Goldfish’s father, Manfred Goldfish, died she interviewed him on camera. He was reluctant to talk about the uncomfortable truths of his past, his previous marriage, his two other children and the persecution and murder of his family in Germany. “You can watch all that in a documentary”, he used to say to her. The Last Goldfish (Su Goldfish, 2017) became that documentary. This article contains three responses to the film. The first section, “Losing Harry”, written by Su Goldfish, focuses on the impact Manfred’s experiences had on his son Harry, connecting that experience to the despair of children currently held in the Australian Regional Processing Centre on Nauru. The second part, “Internment”, is written by historian Dr Joanna Newman whose research on refugees in the British West Indies grounds Manfred’s reluctant memories of rescue and internment in Trinidad in historical fact. The third section of this composite reflection, “Citizen of the World”, is a response from curator and scholar Julie Ewington who reflects on the film’s unravelling of hidden traumas and the unspoken histories in families

Ana Mendieta : A Retrospective

The earthworks, sculptures and performances of Mendieta were the expression of her sense of identity in relation to the world, nature and others. Many of the artist's ephemeral body/landscape works ("silueta") were spiritual, as well as feminist or political gestures. Posthumous documentation of her life production includes two historic/analytic essays, photographs and a significant five-page bibliography

The Women's Show : Adelaide, 1977

The authors describe the aims, organization and problems of the show. Essays also discuss feminist art, women's imagery, art education, community arts and recommendations for changes. 20 bibl. ref