A Letter to Mr. Robertson Regarding Stewart Wavell

This letter discusses the excitement of John Wren-Lewis on hearing of Stewart Wavell’s experiences with the Temiar from an extract sent to him by Mr. Eric Robertson

Stewart W. Woods: A Peculiar Casualty at Fort Wagner?

Captured in the darkness of July 18th on a sandy beach in South Carolina was a native of Adams County. Stewart W. Woods, born in Heidlersburg around 1836, found himself in the hands of the rebels, among a handful of his compatriots in the 54th Massachusetts. The fighting of Woods\u27 war was over and his fate was unclear. Stewart was a free man, born under the folds of the same American flag under which he now fought. At some point, he had drifted over the mountain range and called Carlisle home when the war erupted in 1861. [excerpt

The West Island: Five Twentieth-Century New Zealanders in Australia

Stephanie Johnson’s The West Island is a collective biography of four writers and one artist and their experiences of living trans-Tasman lives. Like Johnson herself, Ronald Wakelin, Douglas Stewart, Jean Devanny, Eric Baume and Dulcie Deamer were born and raised in New Zealand and then spent a considerable portion of their lives in Australia

Workshops of Empire: Stegner, Engle, and American Creative Writing during the Cold War

Review of: Workshops of Empire: Stegner, Engle, and American Creative Writing during the Cold War, by Eric Bennet

Highlights in Jazz Concert 276- Salute to Lou Donaldson

Jack Kleinsinger presents Highlights in Jazz. The concert was held at The Tribeca Performing Arts Center, Thursday, January 4th, 2007 at 8:00 pm. Jack served as producer and master of ceremonies for the series of concerts. Artists for the concert include Lou Donaldson, Cyrus Chestnut, Eric Alexander, Joe Farnsworth, Mike LeDonne, Grant Stewart, Dr. Lonnie Smith, Randy Johnston, and Fukushi Tainaka.https://digitalcommons.unf.edu/kleinsinger/1235/thumbnail.jp

"Semele" An opera by John Eccles (1707), April 9, 2008

This is the concert program of the Boston University Baroque Orchestra performance of "Semele" by John Eccles with libretto by William Congreve running Wednesday, April 9 and Thursday, April 10, 2008 at 8:00 p.m., at the Boston University Theatre, Stewart F. Lane and Bonnie Comley Studio 210, 264 Huntington Avenue. Digitization for Boston University Concert Programs was supported by the Boston University Center for the Humanities Library Endowed Fund

A comparison of airborne wake vortex detection measurements with values predicted from potential theory

An analysis of flight measurements made near a wake vortex was conducted to explore the feasibility of providing a pilot with useful wake avoidance information. The measurements were made with relatively low cost flow and motion sensors on a light airplane flying near the wake vortex of a turboprop airplane weighing approximately 90000 lbs. Algorithms were developed which removed the response of the airplane to control inputs from the total airplane response and produced parameters which were due solely to the flow field of the vortex. These parameters were compared with values predicted by potential theory. The results indicated that the presence of the vortex could be detected by a combination of parameters derived from the simple sensors. However, the location and strength of the vortex cannot be determined without additional and more accurate sensors

Exile Vol. XXXVII No. 1

And It Was Sunday by Julie Gruen 1-6 Like a Lady by Grace Mulvihill 7 The Final You by Eric Franzon 8 Joseph\u27s Children by Seneca Murley 9 Ain\u27t the 1950s Anymore by Ellen Stader 10-12 Bonding Women by Shannon salser 13 Ice Man (for mami 1905-1975) by Anne Mulligan 14 The Car Salesman by Tom Ream 15 Cancelling the Bunny by Stewart Engesser 16-17 Richard Brautigan\u27s Body by Michael Payne 18-19 Dinner in Barcelona by Holly Kurtz 20 Untitled by Margaret Strachen 21 Candles by Eric Franzon 22 Summer Rules by Jim Cox 23-31 My Boat by Holly Kurtz 32 Untitled by Michael Payne 33 Half the Birds in the City by Tiffany Richardson 34-35 Down Queen Anne Hill by Julie Gruen 36-37 Your Music by Tim Emrick 38 Zephyrs by Steve Corinth 39-41 Mother by Anne Mulligan 42 As I Look to the Sky, Maize by Shannon Salser 43-45 Close Book before Striking by Sarah Verdon 46-47 Smoked by Tom Ream 48 Driving through Rain by Stewart Engesser 49-50 Contributors 51 Editorial decision is shared equally among the Editorial Board. -i 35th Yea

"A complex question about the remnants of empire": The Labour Party and the Falklands War

This chapter seeks to place the Labour Party’s responses to the Falklands War in the context of the party’s historic anti-imperialism and post-war foreign policy. The positions of the party leadership, backbench MPs, Constituency Labour Parties, and trade unions are considered, revealing the extent to which Labour’s handling of the Falklands issue was shaped by left/right divisions and factional alliances. The contrasting personalities of Foot and Benn underpin the chapter. Emphasizing the importance of media coverage in influencing popular attitudes towards the conflict, it also scrutinizes the Falklands campaign’s impact on Labour’s electoral fortunes. The chapter begins by outlining the nature of the British-Argentine dispute over the Falkland Islands

Faculty Concert: Eric Ruske, horn, October 23, 2001

This is the concert program of the Faculty Concert: Eric Ruske, horn performance on Tuesday, October 23, 2001 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue. Works performed "Sonata Concertare" for Piano and Horn (world premiere) by Verne Reynolds, "Simultaneous Contrasts:" Suite for Solo Horn by James Yannatos, "Twilight Music" for Violin, Horn, and Piano by John Harbison, Sonata for Horn and Piano by Gunther Schuller, and "Dialogues III" for Horn and String Quartet, Op. 37 (world premiere) by John Ferrito. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund