Some Functions of Rhetorical Questions in Lysias’ Forensic Orations

The rhetorical question, often assumed to have been favoured by the sophist Gorgias, became a fundamental feature of ancient rhetoric in both Greek and Latin. By the time of Senecan tragedy, an accumulation of as many as seventeen serial rhetorical questions can be found expressing extremes of emotion, especially indignation or despair. Rhetorical questions in some archaic and classical Greek authors have received limited attention, for example, in the Iliad those delivered by Thersites in exciting indignation (2.225–233) and by the authorial voice to create pathos in asking Patroclus about the Trojans he has killed (16.692–693); the string of questions Aphrodite humorously asks in Sappho 1; the ritual queries in the Derveni Papyrus; the series of two to three questions found (often near the beginning of speeches) in the agōns of some tragedies. But the increasing variety and sophistication of the deployment of the rhetorical question in the Greek orators has been surprisingly neglected. This article analyses some of the different uses to which Lysias puts rhetorical questions especially in relation to characterisation in his orations and argues that they represent a considerable advance on the practice of any predecessor in any genre

A study to determine some factors which effect student learning in the clinical area as expressed by five basic collegiate students of nursing

Thesis (M.S.)--Boston Universit

The Return of Ulysses: A Cultural History of Homer's Odyssey

Monograph on the Cultural History of the Odysse

Adventures with Iphigenia in Tauris: A Cultural History of Euripides' Black Sea Tragedy

A Cultural History of Euripides' Black Sea Traged

Inventing the Barbarian: Greek Self-Definition through Tragedy

OUP 198

American Communist Idealism in George Cram Cook’s The Athenian Women (1918)

The Athenian Women, written by the American George Cram Cook with input from Susan Glaspell, is a serious, substantial play drawing chiefly on Lysistrata and Thesmophoriazusae. It premiered on March 1st 1918 with the Provincetown Players. Cook was convinced of parallels between the Peloponnesian War and World War I. He believed there had been communists in Periclean Athens comparable to those who were making strides in Russia (in 1922 to become the USSR) and the socialists in America, amongst whom he and Glaspell counted themselves. The paper examines the text and production contexts of The Athenian Women, traces its relationships with several different ancient Greek authors including Thucydides as well as Aristophanes, and identifies the emphatically stated socialist and feminist politics articulated by the two main ‘proto-communist’ characters, Lysicles and Aspasia. Although the play was not particularly successful, its production had a considerable indirect impact on the future directions taken by left-wing theatre in the USA, through the subsequent dramas of Glaspell and Eugene O’Neill for the Provincetown Players

Women Classical Scholars: Unsealing the Fountain from the Renaissance to Jacqueline de Romilly

Co-edited volume of essays about female classical philologist

New Directions in Ancient Pantomime

Co-edited volume of essays on ancient balletic interpretations of playscript

Characterisation of motor cortex organisation in patients with different presentations of persistent low back pain

Persistence of low back pain is thought to be associated with different underlying pain mechanisms, including ongoing nociceptive input and central sensitisation. We hypothesised that primary motor cortex (M1) representations of back muscles (a measure of motor system adaptation) would differ between pain mechanisms, with more consistent observations in individuals presumed to have an ongoing contribution of nociceptive input consistently related to movement/posture. We tested 28 participants with low back pain sub-grouped by the presumed underlying pain mechanisms: nociceptive pain, nociplastic pain and a mixed group with features consistent with both. Transcranial magnetic stimulation was used to study M1 organisation of back muscles. M1 maps of multifidus (deep and superficial) and longissimus erector spinae were recorded with fine-wire electromyography and thoracic erector spinae with surface electromyography. The nociplastic pain group had greater variability in M1 map location (centre of gravity) than other groups (p < .01), which may suggest less consistency, and perhaps relevance, of motor cortex adaptation for that group. The mixed group had greater overlap of M1 representations between deep/superficial muscles than nociceptive pain (deep multifidus/longissimus: p = .001, deep multifidus/thoracic erector spinae: p = .008) and nociplastic pain (deep multifidus/longissimus: p = .02, deep multifidus/thoracic erector spinae: p = .02) groups. This study provides preliminary evidence of differences in M1 organisation in subgroups of low back pain classified by likely underlying pain mechanisms. Despite the sample size, differences in cortical re-organisation between subgroups were detected. Differences in M1 organisation in subgroups of low back pain supports tailoring of treatment based on pain mechanism and motor adaptation