Teaching Balinese Gamelan Outside Bali: a Discussion of Pedagogic Issues

This article explains the uses of a gamelan semara dana in the teaching program of an Australian university. Seven topic areas are discussed: learning different patutan; moving between patutan within a piece of music; substitution of gongan; adding instruments to the gamelan; uses of the trompong; acts of music cognition; and uses of the gamelan in new, hybrid works. To conclude the article, the Balinese concept of desa-kala-patra is applied to this situation to read potential meanings of the presence and uses of a Balinese gamelan in an Australian setting. Keywords: Pedagogy, gamelan semara dana, music cognition, and teacher trainin

Nitmiluk: An Aboriginal Rock Song about a Place

A study of the musical and textual profiles of 'Ntimiluk' by Aboriginal rock group, Blekbala Mujik, revealing that there is more to the song than the commemoration in its lyrics of the hand-back of land to its owners. Here the song is seen as a statement, through references to land, of identity, and linked to this, agendas of Jawoyn cultural revival and self-determination

The e-portfolio continuum: Discovering variables for e-portfolio adoption within music education

This article presents the results of audit data compiled from a case study introducing e-portfolios into a Music Education degree program, and highlights the key challenges faced from the initial stages of student use to curricular embedding and student adoption. This article discusses the technological, social and educational impacts inherent in a student’s adoption of e-portfolios within a degree program, and critically, shows how training for e-portfolio use must manage these complex,interrelated imbalances on an individual student basis

Exploring the Pedagogy and Impact of Technology on ePortfolio Creation for Arts Students in Australian Tertiary Study

The creative application and development of an ePortfolio as a pedagogic innovation in learning and teaching in higher education lies in strategies acquired by students to select authentic evidence to document achievements and skills as a graduate. Many educators use ePortfolios as a learning tool and through the introduction of reflection, or reflective practice activities the ePortfolio has the potential to be a powerful tool for all learners. This paper reports the pedagogic and technological undertaking of ePortfolio development for creative and performing arts students at four tertiary institutions in Australia. It explores how the artist perceives her/himself and the choice of evidence selected to showcase development, thus highlighting aspects of artistic identity versus professional career identity. ePortfolio development involves reflection, organisation and critical thinking by students developing a learning ‘story’ that accurately represents skills learnt and competencies developed during tertiary study. The creation of an ePortfolio often relies on a student’s ability to collect, reflect and select material that is appropriate; and to exercise the management of their knowledge in such a way that contributes to linking pedagogy and technology. It can also involve students exploring their known ICT skills and, at times, extending these beyond their expectation. This paper will review literature, in addition to reporting initial experiences of academics and students where the ePortfolio has been implemented into curriculum for creative and performing arts degree programs. Results show ePortfolios allowed students to achieve a demonstration of artistic capabilities and revealed that students have increased their ability to plan, implement and assess their learning reflectively; and to understand documentation relevant to Arts careers. Students developed a greater competency in their educational beliefs, pedagogical skills, University generic attributes, technological expertise and ability to address employment parameters required by employer groups and such professional bodies

Electronic portfolios and learner identity: an ePortfolio case study in music and writing

Although the employability of graduates is of concern across further and higher education it is particularly problematic in the arts disciplines, from which few students transition to a traditional, full-time position. Arts graduates shape their work to meet personal and professional needs, and the successful negotiation of this type of career requires a strong sense of identity and an awareness of diverse opportunities. The challenge for educators is how we might develop these capacities whilst being mindful of students’ dreams, which are often focused on artistic excellence and recognition. This paper reports findings from a collaborative study undertaken at four Australian universities. With a focus on developing an electronic portfolio (eP), the study involved students in classical and contemporary music, music education, music technology, creative writing and professional writing. The combination of music and writing provided points of comparison to identify issues specific to music, and those that might apply more generally. This paper reports findings related to learner identity, drawing evidence from survey and interview data. The study, which was driven by the learning process rather than the technological tool, revealed that students’ use of eP transitions from archive to self-portrait. Moreover, the eP emerged as a vehicle through which identity is negotiated and constructed. Indeed, the process of developing of an eP prompted students to adopt future-oriented thinking as they began to redefine their learning in relation to their future lives and careers. These findings were common to all students, regardless of discipline or technological platform.This work was supported by the Australian Government Office for Learning and Teaching [ID11-2041]. The views in this paper do not necessarily reflect the views of the Australian Government Office for Learning and Teachin

Associations between HIV stigma and health-related quality-of-life among people living with HIV: cross-sectional analysis of data from HPTN 071 (PopART)

People living with HIV (PLHIV) report lower health-related quality-of-life (HRQoL) than HIV-negative people. HIV stigma may contribute to this. We explored the association between HIV stigma and HRQoL among PLHIV. We used cross-sectional data from 3991 randomly selected PLHIV who were surveyed in 2017–2018 for HPTN 071 (PopART), a cluster randomised trial in Zambia and South Africa. Participants were 18–44 years, had laboratory-confirmed HIV infection, and knew their status. HRQoL was measured using the EuroQol-5-dimensions-5-levels (EQ-5D-5L) questionnaire. Stigma outcomes included: internalised stigma, stigma experienced in the community, and stigma experienced in healthcare settings. Associations were examined using logistic regression. Participants who had experienced community stigma (n = 693/3991) had higher odds of reporting problems in at least one HRQoL domain, compared to those who had not (adjusted odds ratio, aOR: 1.51, 95% confidence interval, 95% Cl: 1.16–1.98, p = 0.002). Having experienced internalised stigma was also associated with reporting problems in at least one HRQoL domain (n = 552/3991, aOR: 1.98, 95% CI: 1.54–2.54, p < 0.001). However, having experienced stigma in a healthcare setting was less common (n = 158/3991) and not associated with HRQoL (aOR: 1.04, 95% CI: 0.68–1.58, p = 0.850). A stronger focus on interventions for internalised stigma and stigma experienced in the community is required

Aboriginal youth, hip hop and the politics of identification

This paper explores the identity work taking place around contemporary subcultural hip hop amongst Australian indigenous youth in two disadvantaged urban locations. Previous work on Aboriginal hip hop has been attentive to the interface between tradition and modernity. However, existing scholarship has lacked a deeper ethnographic understanding of the dynamics between youth and parent cultures, and the tensions between the two generations. This article is based on research with young hip hop enthusiasts, community activists and educators. It deals with the cultural politics of identification and sees hip hop practice as associated with a process in which Aboriginality is crystallized as a principal affiliation and as offering an account for experiences of social marginalization. Far from being an outlet for expressing a prior or essential Aboriginality, hip hop as cultural practice is associated with the production of particular identifications