284 research outputs found
The Jocs Florals in Contemporary Catalan Literature
In 1859, the very same stimulus that drove the ambition to create Barcelona’s Eixample (“enlargement”) design by urban planner Cerdà served to “restore” the Jocs Florals in Barcelona, a symbolic complement which quite calculatedly evoked powerful arguments of historical legitimacy which the Catalans of the mid-19th century would harness for their latter-day aims. Under the authority of the Romantic gothic revival, in 1859 the Jocs Florals, were, in fact, a meteoric, sumptuous chapter in the operation known by its own instigators as the “Renaixença” (Renaissance), the diverse communicative movement with which the elites of the day set out to symbolically project and impose themselves. Since then, beyond the literary competition which they primarily are, the Jocs Florals have polarised the intense symbolic, monumentalising and civic activity that ended up shaping the shared code of the culture of Catalanism. At the same time, by vindicating the symbolic and heritage value of the Catalan language, they opened up a space for cultivated literaryuses which, after being successively expanded, served as the seed of the contemporary Catalan literary system, independent of the fact that the literary norm that the Jocs Florals promoted soon entered into crisis and that they would be vehemently spurned. However, they remained intact as a civic platform and instrument of agitation and propaganda, as proven by their profuse replication around the Catalan-speaking lands and their infiltration into popular festivities, as well as their militant journeys around Europe and America inthe 20th century, after being banned by the Franco regime
The Jocs Florals in Contemporary Catalan Literature
In 1859, the very same stimulus that drove the ambition to create Barcelona’s Eixample (“enlargement”) design by urban planner
Cerdà served to “restore” the Jocs Florals in Barcelona, a symbolic complement which quite calculatedly evoked powerful arguments of
historical legitimacy which the Catalans of the mid-19th century would harness for their latter-day aims. Under the authority of the
Romantic gothic revival, in 1859 the Jocs Florals, were, in fact, a meteoric, sumptuous chapter in the operation known by its own instigators
as the “Renaixença” (Renaissance), the diverse communicative movement with which the elites of the day set out to symbolically
project and impose themselves. Since then, beyond the literary competition which they primarily are, the Jocs Florals have polarised
the intense symbolic, monumentalising and civic activity that ended up shaping the shared code of the culture of Catalanism. At
the same time, by vindicating the symbolic and heritage value of the Catalan language, they opened up a space for cultivated literary
uses which, after being successively expanded, served as the seed of the contemporary Catalan literary system, independent of the fact
that the literary norm that the Jocs Florals promoted soon entered into crisis and that they would be vehemently spurned. However,
they remained intact as a civic platform and instrument of agitation and propaganda, as proven by their profuse replication around the
Catalan-speaking lands and their infiltration into popular festivities, as well as their militant journeys around Europe and America in
the 20th century, after being banned by the Franco regime
Homenatge als Jocs Florals de Barcelona
Conferència pronunciada a la sessió pública de commemoració dels 150 anys de la
restauració dels Jocs Florals de Barcelona, celebrada a l’Acadèmia de Bones Lletres el 15 d’octubre
del 2009
Tres cartes de Carles Bosch de la Trinxeria a Josep Yxart
Sorgit de la literatura que animaven les societats d'excursions. Carles Bosch de la Trinxeria es va veure mĂ©s d'un cop en la necessitat d'explicar les seves incursions en la novel·la. Tot al llarg de la trajectòria literĂ ria de Bosch va ser un fet que, mentre els seus llibres de miscel·lĂ nia, si mĂ©s no els primers, aconseguien el respecte dels crĂtics, les novel·les eren rebudes per la crĂtica solvent amb reserves o, en el cas pitjor, amb serioses objeccions
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