Tailfeathers, Indian Artist

Dempsey offers an extensive biographical essay on Tailfeathers (1925-1975). 2 bibl. ref

History in their blood : the Indian portraits of Nicholas de Grandmaison

A publication authored by Hugh A. Dempsey, Chief Curator of the Glenbow Museum, on the life and life's work of Canadian artist Nicholas de Grandmaison (1892-1978) with an introduction by J. Russell Harper. Includes 64 of what are considered de Grandmaison's finest Indian portraits as well as personal histories of the Native peoples de Grandmaison painted

Always an Adventure: An Autobiography

Series: The West Series; 3Hugh Dempsey has for decades been one of Alberta's most prolific and influential public historians. Author of more than twenty books, he has also been "in on the ground floor" of the development of many key Alberta institutions, including the Indian Association of Alberta, the Historical Society of Alberta, and most importantly, the Glenbow Museum. Now, in his own words, he recounts his interesting and varied careers as journalist, government publicity writer, popular historian, archivist and museum administrator, speaker, and lecturer. Beginning with a compelling account of his childhood in Edmonton in the 1930s - when his family was for a time on relief during the Depression - and his 1940s teenage escapades hitchhiking across the continent, Dempsey's narrative moves into the frenetic world of post-war urban journalism. A fateful chance assignment as a reporter for the Edmonton Bulletin in February 1950 led to his involvement with the fledgling Indian Association of Alberta, its secretary John Laurie, president James Gladstone, and Gladstone's daughter Pauline, whom Dempsey would eventually marry. This in turn led to a strong interest in First Nations culture and biography through which Dempsey was able to combine oral history with scholarly records to produce historical writing with a broad popular appeal. During the 1950s, Dempsey helped design early provincial historical recognition programs and began his lifelong involvement with the Historical Society of Alberta. In 1956 he joined the Glenbow Foundation (later Glenbow Museum), where for the next thirty-five years he would play a crucial part in its growth and reputation for excellence, designing and managing the Glenbow Archives and eventually serving as Acting Director of the Museum before retiring in 1991. Written with the trademark Hugh Dempsey eye for detail and lively anecdote, this memoir will be essential and enjoyable reading for anyone interested in western and First Nations history and the growth of key Alberta cultural institutions.Ye

Treasures of the Glenbow Museum

Dempsey details the history of the Museum and the origins and acquisition of its vast Western Canadian and international collections back to Harvie's establishment of the Glenbow Foundation in 1954. Artefacts and works of art of the First Nations peoples of the Americas and the settlers and institutions of the West are highlighted along with some of the institutions more unique objects. 65 bibl. ref

Key to Calgary

de Grandmaison's "The Walker, Pemota" is on the cover of this magazine. Inside, on pages 11-12, is an article about the artist's life and work, called "Nick and the Indians". de Grandmaison's "Red Cloud, Ohathi" is reproduced in black-and-white on page 12