Ultra-infra: Becoming Skin

This demonstration showcases outcomes from a program of research that seeks to expand the practice of painting through the exploitation of new digital technologies. Through virtual reality and digital painting processes, this research interrogates the nature of materiality by considering the hidden realities of human skin. The demonstration is in the form of a VR-based artwork delivered on a Windows Mixed Reality headset

Inhuman forms of life: On art as a problem for post-qualitative research

Researchers navigating the ontological turn in educational research have increasingly looked to art as an alternative to conventional modes of qualitative inquiry. However, the rapprochement between art and post-qualitative research remains problematic. While some see this turn coinciding with established genealogies in arts-based research, others suggest that existing models of arts-based inquiry are largely incompatible with the radical onto-epistemological orientations associated with post-qualitative research. This paper argues that the integration of art into the social sciences is far from settled, while also offering a series of speculative propositions for an inhuman aesthetics that is responsive to the ontological turn. This inhuman theory of art is elaborated through Deleuze and Guattari’s philosophy, and extended through an analysis of collaborative artworks produced by undergraduate visual art students. This leads to a consideration of how post-qualitative approaches might enable mutual activations between art, philosophy, and social research

New materialist social inquiry: designs, methods and the research-assemblage

This paper discusses issues of research design and methods in new materialist social inquiry, an approach that is attracting increasing interest across the social sciences as an alternative to either realist or constructionist ontologies. New materialism de-privileges human agency, focusing instead upon how assemblages of the animate and inanimate together produce the world, with fundamental implications for social inquiry methodology and methods. Key to our exploration is the materialist notion of a ‘research-assemblage’ comprising researcher, data, methods and contexts. We use this understanding first to explore the micropolitics of the research process, and then – along with a review of 30 recent empirical studies – to establish a framework for materialist social inquiry methodology and methods. We discuss the epistemological consequences of adopting a materialist ontology

Micro, Meso, and Macro Data Collection and Analysis, as a Method for Speculative and Artistic Exploration

In this work, an attempt is made to explore the emerging computationally-enhanced private and public environments by analyzing their ecological transitions and its implications on practical, aesthetic, and speculative dimensions. The author has decided to methodologically dissect the multiplicity of information that exists on many possible-to-detect scales (micro, meso, macro), and utilize this extraction as a tool for experimentation and redefinition. With the use of custom-made hardware and software utilities (sensor devices, sentiment analysis algorithms, online APIs, and many more), a vast amount of data is collected and used as a multidimensional layered architecture that constantly shifts and transforms. The extracted and analyzed content of the collection becomes the essence of the work that is shaped and refined through digital and physical making – middleware, recursion, mapping – and by utilizing technological objects within the physical space, the creative process is augmented and amplified, exploring not only new practices and novel applications, but rather redefining behavior, thought-process, and context

Guattari: Impractical philosophy

In the midst of a certain zeal for ‘French Theory’ in human geography and the social sciences of late, there has been something of a rush to operationalize Guattari (among others) in a pseudo-methodological manner; something we’re unashamedly guilty of ourselves. It’s easy to see why: journeying between cartography, metamodelisation, tracing, transversality, enunciation and diagramming, Guattari offers a seductive array of concepts and philosophical tools for human geographers. There seems, however, to be a disjuncture between the conceptual import of such terms and their empirical rendering. In this explicitly experimental article, we want to open up a series of lines of flight as to how Guattari can inform empiricism without reversion to straightforward application or metaphorical appropriation. In doing so, we offer a number of speculations on how Guattari’s work can be evoked in the crafting of a different tenor of well-established geographical methods. Put differently, we want to accentuate the impracticality of Guattari’s philosophy as its most generative vector for human geographic thought and technique