124 research outputs found
Document corresponent a la Part 1: "AnĂ lisi del paisatges sonors dels districtes" de l'activitat de recerca i formaciĂł d'educadors del paisatge sonor dels districtes de Barcelona, anomenada: Els batecs dels barris
Nota: La Part 2, corresponent a la formaciĂł d'educadors en paisatges sonors, es realitza el gener i febrer del 2015.Preprin
Las lecciones acĂşsticas del Maestro Roncador
Postprint (published version
Arquitectura acĂşstica
ContĂ©: 1. PoĂ©tica. 2. Disseny. 3. RehabilitacióÉs possible definir eines de disseny que ajudin a diferenciar espais, d'acord amb la personalitat o el carĂ cter acĂşstic volguts per l'equip de disseny, i a establir itineraris sonors dins i fora de l'arquitectura. Dins l'extens camp de l'acĂşstica, els sons de l'arquitectura en constitueixen una part obligada i, en canvi, ells sols ofereixen un ventall tan ampli de possibles aplicacions al disseny que difĂcilment es pot palesar la seva veritable importĂ ncia en aquest trebal
Consideraciones médicas y psicológicas, aplicadas a la acústica, en los espacios para personas con trastornos del espectro autista
Postprint (published version
Arquitectura y autismo: aspectos de la investigaciĂłn en el medio acĂşstico
El estudio de la acĂşstica en la arquitectura, para los usuarios pertenecientes al espectro autista, es imprescindible debido a que el oĂdo es el sentido más influyente para el desarrollo de espacios especĂficos. Sus necesidades requieren soluciones de diseño y tĂ©cnicas particulares.Postprint (published version
Master Snorer
Master Snorer is a fictional character corresponding to a nickname for the starring of a series of short stories published in Spanish Sociedad Española de Acústica under the name of Maestro Roncador in 2014. Master Snorer is a lecturer who educates Architecture students in the art of hear-ing in detail their environments, what improves, at a great extent, their professional abilities. Master Snorer´s life is explained through a series of stories corresponding to different moments in his life, and it is offered a sample from those stories as an application of ear-training in University studies in Architecture and Engineering.Postprint (published version
Are the loud knocks - "pics i repicons" - still remaining as voices in the soundscapes of the "Barri Gòtic" of Barcelona?
Like in many sites all over the world, until the diffusion of electricity in housing, the sounds of doorknockers were the most important building “voices” of the “Barri Gòtic” of Barcelona during the day. However, the night watchman was the person who opened the doors during the night. Nowadays these sounds remain in few particular buildings using specific codes with loud knock called as “pics i repicons”. These ones are transmitted by the architecture and the environment – which are the soundboard- until they reach the receptors. At this moment, the research stands out because of the methodological discoveries about the state of the Art and the following study. The analysis of the doorknocker sound is very complex. It starts by studying the diversity of people who use it –each one with a particular emphasis. The main study of the sound that origins at the doorknocker takes into account the material and the different parts it is formed by. Moreover, we
should pay attention to the esthetic aspect and the symbology that it has. The sound is amplified by different ways: the wood door -that holds the doorknocker-, the street, the hall, the staircase and the courtyards; it arrives to the interior and exterior windows of the house
until the receptor gets the information. In order to avoid the disappearance of this historic and cultural sonorous patrimony, we think that it should be classified and geolocated, getting as much information as possible including photos, drawings, plans, recordings and surveys of users –both the speaker and the receiver, among others. In brief, we are working on a trustworthy scientific and artistic study.Postprint (published version
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