Zanimanje Štefana Kociančiča za goriško umetnost in umetnostne spomenike

Prispevek obravnava odgovore Štefana Kociančiča na vprašanja, ki jih je Društvo za jugoslavensku povjesnicu i starine iz Zagreba postavilo članom in širši javnosti v prvi številki glasila Arkiv za povjestnicu jugoslavensku leta 1851. Posebna pozornost je namenjena tistim odgovorom, v katerih avtor predstavi umetnike in umetnostne spomenike na Goriškem. Članek želi ovrednotiti in kontekstualizirati Kociančičeve zapise v okviru sočasnih prizadevanj Ivana Kukuljevičeva za ohranjanje, varovanje in raziskovanje kulturne dediščine na Hrvaškem in za sestavo prvega biografskega leksikona jugoslovanskih umetnikov, imenovanega Slovnik umjetnikah jugoslavenskih, med letoma 1858 in 1860. Prispevek postavi Kociančičeve odgovore tudi v kontekst tedanjih in kasnejših objavljenih umetnostnozgodovinskih publikacij na Goriškem in v širšem slovenskem prostoru ter ugotavlja vzroke za njihovo zapostavljenost

Zametki novogoriškega hotela Park

Namen članka je predstavitev in primerjalna analiza prvih manj znanih načrtov restavracije, kavarne in hotela, ki so nastali v petdesetih in šestdesetih letih sprva za lokacijo na magistrali (Kidričeva ulica), kasneje za Cesto številka 5 (Delpinova ulica) v Novi Gorici. Avtorica načrte umesti v širši ustvarjalni opus arhitektov in nakaže sočasen evropski kontekst. Pri njihovi obravnavi upošteva politične in upravne dejavnike lokalne skupnosti, ki so vplivali na potek gradnje, in osvetli vzroke za nastanek prvega družabnega in turističnega središča Nove Gorice

ChronoMoMoWo

ChronoMoMoWo is a timeline conceived for the International Travelling Exhibition of the European project "MoMoWo – Women’s creativity since the Modern Movement". This timeline has been devised as a framework that helps to understand the activity carried out between 1918 and 2018 by European female architects, designers and civil engineers. ChronoMoMoWo mirrors the growing of visibility of women's professional creativity and provides a continuum of personal achievements that have contributed to breaking the glass ceiling that is often found in architecture and design. ChronoMoMoWo traces two lines that are related from a historical point of view. The lower area shows a summary of the main achievements of European women in the fields of politics, society, culture, science, education and sports. The upper area presents the most relevant milestones by female architects and designers, including the access of women to higher education, the awards received, and the creation of female professional associations or the most important works by several cohorts of female designers. This timeline represents a historical context that evolves from black and white pictures to colour photographs, portraying a group of capable and talented women that have been –and still are– able to compete with their male counterparts in their professional careers