Time indeterminacy and spatio-temporal building transformations: an approach for architectural heritage understanding

Nowadays most digital reconstructions in architecture and archeology describe buildings heritage as awhole of static and unchangeable entities. However, historical sites can have a rich and complex history, sometimes full of evolutions, sometimes only partially known by means of documentary sources. Various aspects condition the analysis and the interpretation of cultural heritage. First of all, buildings are not inexorably constant in time: creation, destruction, union, division, annexation, partial demolition and change of function are the transformations that buildings can undergo over time. Moreover, other factors sometimes contradictory can condition the knowledge about an historical site, such as historical sources and uncertainty. On one hand, historical documentation concerning past states can be heterogeneous, dubious, incomplete and even contradictory. On the other hand, uncertainty is prevalent in cultural heritage in various forms: sometimes it is impossible to define the dating period, sometimes the building original shape or yet its spatial position. This paper proposes amodeling approach of the geometrical representation of buildings, taking into account the kind of transformations and the notion of temporal indetermination

A semantic-based platform for the digital analysis of architectural heritage

This essay focuses on the fields of architectural documentation and digital representation. We present a research paper concerning the development of an information system at the scale of architecture, taking into account the relationships that can be established between the representation of buildings (shape, dimension, state of conservation, hypothetical restitution) and heterogeneous information about various fields (such as the technical, the documentary or still the historical one). The proposed approach aims to organize multiple representations (and associated information) around a semantic description model with the goal of defining a system for the multi-field analysis of buildings

Kingship, Poetry, and Devotion in a Medieval Kāvya from Kashmir: Maṅkha and his Śrīkaṇṭhacarita

The present doctoral thesis examines the court poem (mahākāvya) Śrīkaṇṭhacarita, composed by the poet Maṅkha in the twelfth century, during the reign of Jayasiṃha (1128-1155) in Kashmir. The work has been only partially translated, into German, by Walter Slaje, and deserves a more in-depth study from both an exegetical and philological perspective. The first part of this dissertation consists of an introductory thematic journey on the concepts of kingship, poetry, and devotion that have emerged both from the study of the autobiographical and historical sargas (the second, third, and twenty-fifth) and from the analysis of four other cantos, which have been selected on the basis of their content: in the fourth sarga, the "description of Mount Kailāsa", the mountain is presented as a sovereign-poet; in the fifth sarga, the "description of the Lord", Śiva is the supreme king and object of veneration by Maṅkha; in the sixth sarga, the "description of Spring", Vasanta becomes the king of seasons; finally, in the seventeenth sarga, the "description of the assembly of Śiva and the gods", Śiva assumes royal dignity and his authority is recognized by the other deities through a philosophical hymn. The second part of this dissertation contains the first translation into a European language (in English) of the four cantos previously analyzed, each accompanied by explanatory notes. The third part, finally, is dedicated to the philological study of the text. A detailed description of the printed editions and manuscripts of the Śrīkaṇṭhacarita is followed by the critical edition of the mūla text of the four cantos, while a final section explores the uncertain passages of the only existing commentary, that of Jonarāja from the fifteenth century. More generally, this research aims to renew interest in the study of Sanskrit court poems and the Śrīkaṇṭhacarita in particular, not as standardized and monolithic literary works, but as living and contextual ones

Time indeterminacy and spatio-temporal building transformations: an approach for architectural heritage understanding

Nowadays most digital reconstructions in architecture and archeology describe buildings heritage as awhole of static and unchangeable entities. However, historical sites can have a rich and complex history, sometimes full of evolutions, sometimes only partially known by means of documentary sources. Various aspects condition the analysis and the interpretation of cultural heritage. First of all, buildings are not inexorably constant in time: creation, destruction, union, division, annexation, partial demolition and change of function are the transformations that buildings can undergo over time. Moreover, other factors sometimes contradictory can condition the knowledge about an historical site, such as historical sources and uncertainty. On one hand, historical documentation concerning past states can be heterogeneous, dubious, incomplete and even contradictory. On the other hand, uncertainty is prevalent in cultural heritage in various forms: sometimes it is impossible to define the dating period, sometimes the building original shape or yet its spatial position. This paper proposes amodeling approach of the geometrical representation of buildings, taking into account the kind of transformations and the notion of temporal indetermination

Review of the “ as-buit BIM ” approaches

International audienceToday, we need 3D models of heritage buildings in order to handle more efficiently projects of restoration, documentation and maintenance. In this context, developing a performing approach, based on a first phase of building survey, is a necessary step in order to build a semantically enriched digital model. For this purpose, the Building Information Modeling is an efficient tool for storing and exchanging knowledge about buildings. In order to create such a model, there are three fundamental steps: acquisition, segmentation and modeling. For these reasons, it is essential to understand and analyze this entire chain that leads to a well- structured and enriched 3D digital model. This paper proposes a survey and an analysis of the existing approaches on these topics and tries to define a new approach of semantic structuring taking into account the complexity of this chain

A Tool for the 3D Spatio-Temporal Structuring of Historic Building Reconstructions

The difficulty in the description, the analysis and the comprehension of cultural heritage often stands on the fact that buildings undergo numerous changes over time. Three factors condition the knowledge of historical heritage. Firstly, 3D reconstructions of heritage buildings focus normally on existing states and not on the management of historical evolutions. Secondly, if on one side iconographic sources are generally used like visual memory of a building temporal state to be restored graphically, on the other side few works today focus on the use of all metric and visual information contained in sources. At last, iconographic documentation concerning building past states is sometimes contradictory, dubious and incomplete. As a consequence, in 3D reconstructions uncertainties, contradictions and gaps in information should be highlighted. We present a methodological approach basing on the existing iconographic corpus for the analysis and the 3D management of building transformations. This approach joins three main aspects in a complete workflow. Firstly, it concerns the spatial and temporal referencing of 2D iconographic sources for the 3D reconstruction of disappeared building states. Secondly, it allows the analysis of building transformations by means of a temporal state distribution. Lastly, it uses spatial relations established between 2D iconography and 3D representation for the visual browsing of information based on spatiotemporal criteria. In particular, in this paper we detail the interface developed in order to accomplish multiple related tasks concerning the spatio-temporal structuring of the morphology to be reconstructed

External Electron Injection for the AWAKE Experiment

We summarize and explain the realization of witness particle injection into wakefields for the AWAKE experiment. In AWAKE, the plasma wakefields are driven by a self-modulating relativistic proton bunch. To demonstrate that these wakefields can accelerate charged particles, we inject a \unit[10-20]{MeV} electron bunch produced by a photo-injector. We summarize the experimental challenges of this injection process and present our plans for the near future.Comment: 4 pages, 3 figure

On-going and future research at the Sulcis site in Sardinia, Italy. Characterization and experimentation at a possible future CCS pilot

National Italian funding has recently been allocated for the construction of a 350 MWe coal-fired power plant / CCS demonstration plant in the Sulcis area of SW Sardinia, Italy. In addition, the recently approved EC-funded ENOS project (ENabling Onshore CO2 Storage in Europe) will use the Sulcis site as one of its main field research laboratories. Site characterization is already ongoing, and work has begun to design gas injection experiments at 100-200 m depth in a fault. This article gives an overview of results to date and plans for the future from the Sapienza University of Rome research group

Preliminary results of geological characterization and geochemical monitoring of Sulcis Basin (Sardinia), as a potential CCS site

The Sulcis Basin is an area situated in SW Sardinia (Italy) and is a potential site for the development of CCS in Italy. This paper illustrates the preliminary results of geological characterization of fractured carbonate reservoir (Miliolitico Fm.) and the sealing sequence, composed by clay, marl and volcanic rocks, with a total thickness of more than 900 m. To characterize the reservoircaprock system an extensive structural-geological survey at the outcrop was conducted. It was also performed a study of the geochemical monitoring, to define the baseline conditions, measuring CO2 concentrations and flux in the study site

Making the Communication of CCS more "human"

CCS communication has proven a tough challenge, particularly for the difficulty in raising interest for the technology, which is still unknown to the majority of the population, and for the complexity of conveying information about its potential for reducing emissions. In this paper we present a research based effort for bringing CCS nearer to people, through visual material developed taking into account emotional needs related to the technology. The production of a short introductory film on CCS is illustrated and its testing with a sample of 700 high school students