Introducing The Medieval Globe

The concept of “the medieval” has long been essential to global imperial ventures, national ideologies, and the discourse of modernity. And yet the projects enabled by this powerful construct have essentially hindered investigation of the world’s interconnected territories during a millennium of movement and exchange. The mission of The Medieval Globe is to reclaim this “middle age” and to place it at the center of global studies

The Medieval Globe 1 (2014) - Pandemic Disease in the Medieval World: Rethinking the Black Death

The plague organism (Yersinia pestis) killed an estimated 40% to 60% of all people when it spread rapidly through the Middle East, North Africa, and Europe in the fourteenth century: an event known as the Black Death. Previous research has shown, especially for Western Europe, how population losses then led to structural economic, political, and social changes. But why and how did the pandemic happen in the first place? When and where did it begin? How was it sustained? What was its full geographic extent? And when did it really end? Pandemic Disease in the Medieval World is the first to synthesize the new evidence and research methods that are providing fresh answers to these crucial questions. It was only in 2011, thanks to ancient DNA recovered from remains unearthed in London’s East Smithfield cemetery, that the full genome of the plague pathogen was identified. This single-celled organism probably originated 3000-4000 years ago and has caused three pandemics in recorded history: the Justinianic (or First) Plague Pandemic, around 541-750; the Black Death (Second Plague Pandemic), conventionally dated to the 1340s; and the Third Plague Pandemic, usually dated from around 1894 to the 1930s. This ground-breaking book brings together scholars from the humanities and social and physical sci­ences to address the question of how recent work in genetics, zoology, and epi­de­miology can enable a rethinking of the Black Death\u27s global reach and its larger historical significance. It forms the inaugural double issue of The Medieval Globe, a new journal sponsored by the Program in Medieval Studies at the University of Illinois at Urbana-Champaign. This issue of The Medieval Globe is published with the support of the World History Center at the University of Pittsburgh

TMG 1 (2014): Pandemic Disease in the Medieval World: Rethinking the Black Death, ed. Monica Green

The plague organism (Yersinia pestis) killed an estimated 40% to 60% of all people when it spread rapidly through the Middle East, North Africa, and Europe in the fourteenth century: an event known as the Black Death. Previous research has shown, especially for Western Europe, how population losses then led to structural economic, political, and social changes. But why and how did the pandemic happen in the first place? When and where did it begin? How was it sustained? What was its full geographic extent? And when did it really end? Pandemic Disease in the Medieval World is the first book to synthesize the new evidence and research methods that are providing fresh answers to these crucial questions. It was only in 2011, thanks to ancient DNA recovered from remains unearthed in London’s East Smithfield cemetery, that the full genome of the plague pathogen was identified. This single-celled organism probably originated 3000-4000 years ago and has caused three pandemics in recorded history: the Justinianic (or First) Plague Pandemic, around 541-750; the Black Death (Second Plague Pandemic), conventionally dated to the 1340s; and the Third Plague Pandemic, usually dated from around 1894 to the 1930s. This ground-breaking book brings together scholars from the humanities and social and physical sci­ences to address the question of how recent work in genetics, zoology, and epi­de­miology can enable a rethinking of the Black Death\u27s global reach and its larger historical significance. It forms the inaugural double issue of The Medieval Globe, a new journal sponsored by the Program in Medieval Studies at the University of Illinois at Urbana-Champaign. This issue of The Medieval Globe is published with the support of the World History Center at the University of Pittsburgh.https://scholarworks.wmich.edu/medieval_globe/1000/thumbnail.jp

The Myth of Urban Unity. Religion and Social Performance in Late Medieval Braunschweig

Arlinghaus F-J. The Myth of Urban Unity. Religion and Social Performance in Late Medieval Braunschweig. In: Goodson C, Lester AE, Symes C, eds. Cities, Texts, and Social Networks, 400-1500: Experiences and Perceptions of Medieval Urban Space. Farnham: Ashgate; 2010: 215-232

Structure and process in the Old French jeu‐parti

Previous analytical studies of trouvère song have tended to focus on the structural aspects of the songs. This leaves little room for a consideration of text‐music relationships beyond the first stanza of a song. This article proposes that the analytical constructs of structure and process may be used to reach a wider range of analytical readings. The study focuses on the Old French corpus of jeux‐partis, sung debates composed by the trouvères (poet‐singers) in northern France in the thirteenth century. When a poet‐singer composed the first stanza of a jeu‐parti, they negotiated the stylistic conventions of the genre. These conventions are the first structure – a structure of expectation – with which trouvères are in dialogue in the process of composition. The first part of the article establishes what the stylistic conventions of the jeu‐parti are. After the first stanza of a jeu‐parti was composed, the two opposing trouvères negotiated the melodic and poetic structure that was established in the first stanza by exploiting the structures latent in the jeu‐parti melody, creating interlocking structures of music and text that change from one stanza to the next. The second part of the article analyses one jeu‐parti in detail to demonstrate how this was done