Aerodynamic model comparison for an X-shaped vertical-axis wind turbine

This article presents a comparison study of different aerodynamic models for an X-shaped vertical-axis wind turbine and offers insight into the 3D aerodynamics of this rotor at fixed pitch offsets. The study compares six different numerical models: a double-multiple streamtube (DMS) model, a 2D actuator cylinder (2DAC) model, an inviscid free vortex wake model (from CACTUS), a free vortex wake model with turbulent vorticity (from QBlade), a blade-resolved unsteady Reynolds-averaged Navier–Stokes (URANS) model, and a lattice Boltzmann method (from PowerFLOW). All models, except URANS and PowerFLOW use the same blade element characteristics other than the number of blade elements. This comparison covers the present rotor configuration for several tip-speed ratios and fixed blade pitch offsets without unsteady corrections, except for the URANS and PowerFLOW which cover a single case. The results show that DMS and 2DAC models are inaccurate – especially at highly loaded conditions, are unable to predict the downwind blade vortex interaction, and do not capture the vertical/axial induction this rotor exhibits. The vortex models are consistent with each other, and the differences when compared against the URANS and PowerFLOW mostly arise due to the unsteady and flow curvature effects. Furthermore, the influence of vertical induction is very prominent for this rotor, and this effect becomes more significant with fixed pitch offsets where the flow at the blade root is considerably altered

Natural and human-induced variability in the composition of fish assemblages in the Northwestern Cuban shelf

The main goal of the study was to obtain field data to build a baseline of fish assemblage composition that can be used comparatively for future analyses of the impact of human actions in the region. A basic network of 68 sampling stations was defined for the entire region (4 050 km2). Fish assemblage species and size composition was estimated using visual census methods at three different spatial scales: a) entire region, b) inside the main reef area and c) along a human impact coastal gradient. Multivariate numerical analyses revealed habitat type as the main factor inducing spatial variability of fish community composition, while the level of human impact appears to play the main role in fish assemblage composition changes along the coast. A trend of decreasing fish size toward the east supports the theory of more severe human impact due to overfishing and higher urban pollution in that direction. This is the first detailed study along the northwest coast of Cuba that focuses on fish community structure and the natural and human-induced variations at different spatial scales for the entire NW shelf. This research also provides input for a more comprehensive understanding of coastal marine fish communities’ status in the Gulf of Mexico basin. Rev. Biol. Trop. 57 (3): 721-740. Epub 2009 September 30.<br>Se obtuvieron datos de campo para una línea base de la composición de la ictiofauna que pueda ser usada comparativamente para el análisis de impactos humanos futuros en la región. Se estableció una red básica de 68 estaciones de muestreo para la región completa (4 050 km2). La composición por especies y por tallas de la ictiofauna fue estimada utilizando métodos de censo visual en tres escalas espaciales diferentes: a) La región completa, b) dentro del área principal de arrecifes y c) a lo largo de un gradiente costero de impacto humano. El tipo de hábitat es el factor principal que induce la variación espacial en la composición de la ictiofauna, mientras que el impacto humano juega el papel principal en los cambios a lo largo de la costa. La tendencia de la talla de los peces a disminuir hacia el este da soporte a la idea de un impacto humano más severo en esa dirección, debido a la sobrepesca y la contaminación. Este es el primer estudio detallado a lo largo de la costa NW de Cuba que se enfoca a la estructura de la comunidad de peces y sus variaciones naturales o antropogénicas en escalas espaciales diferentes

Effects of melody and technique on acoustical and musical features of Western operatic singing voices

Objective: The operatic singing technique is frequently employed in classical music. Several acoustical parameters of this specific technique have been studied but how these parameters combine remains unclear. This study aims to further characterize the Western operatic singing technique by observing the effects of melody and technique on acoustical and musical parameters of the singing voice. Methods: Fifty professional singers performed two contrasting melodies (popular song and romantic melody) with two vocal techniques (with and without operatic singing technique). The common quality parameters (energy distribution, vibrato rate and extent), perturbation parameters (standard deviation of the fundamental frequency, signal-to-noise ratio, jitter and shimmer) and musical features (fundamental frequency of the starting note, average tempo, and sound pressure level) of the 200 sung performances were analyzed. Results: The results regarding the effect of melody and technique on the acoustical and musical parameters show that the choice of melody had a limited impact on the parameters observed, whereas a particular vocal profile appeared depending on the vocal technique employed. Conclusions: This study confirms that vocal technique affects most of the parameters examined. In addition, the observation of quality, perturbation and musical parameters contributes to a better understanding of the Western operatic singing technique

Effects of the Menstrual Cycle and Oral Contraception on Singers' Pitch Control

Purpose: Difficulties with intonation and vibrato control during the menstrual cycle have been reported by singers; however, this phenomenon has not yet been systematically investigated. Method: A double-blind randomized placebo-controlled trial assessing effects of the menstrual cycle and use of a combined oral contraceptive pill (OCP) on pitch control in singing is presented. Audio-electrolaryngograph recordings were made and blood samples were taken from 9 singers in each of the 3 phases of the menstrual cycle both under the placebo and the OCP conditions for a total of 6 months. Participants sang an exercise consisting of an ascending octave followed by a descending major triad, starting on pitches F4 and B4. Pitch control was assessed in terms of the octave’s deviations from pure intonation and of the vibrato rate and extent. Results: Significant differences were found between the 3 phases of the cycle regarding octave size only for pitch F5 during OCP use. Significant vibrato rate differences between placebo and OCP conditions were found only for pitch F5. Conclusion: OCP use may have an effect on pitch control in singers. Possible explanations point to a complex interaction between hormonal milieu and pitch control, enhancing the need for longitudinal studies