15 research outputs found

    Instructive analysis Schumann's Humoresque op 20

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    Ovaj rad bavi se Robertom Schumannom do skladanja Humoreske, op. 20. te njenom formalnom, tehničkom i interpretativnom analizom. U radu sam se koristio znanjem stečenim tijekom studija i navedenom literaturom. Schumann prvi koristi termin 'humoreska' kao naslov svojim djelima te služi kao primjer skladateljima kasnijeg razdoblja poput Dvořáka, Čajkovskog i Rahmanjinova.This work is based on Robert Schumann's opus, in the period preceding the creation of Humoresque op. 20, and its formal, technical and interpretative analysis. As references, I used the knowledge acquired during my studies and the below listed literature. The term 'humoresque' was first used as a title for his work by Schumann and later on, following his example, by other significant composers such as Dvořák, Tchaikovsky and Rachmanonoff

    Instructive analysis Schumann's Humoresque op 20

    No full text
    Ovaj rad bavi se Robertom Schumannom do skladanja Humoreske, op. 20. te njenom formalnom, tehničkom i interpretativnom analizom. U radu sam se koristio znanjem stečenim tijekom studija i navedenom literaturom. Schumann prvi koristi termin 'humoreska' kao naslov svojim djelima te služi kao primjer skladateljima kasnijeg razdoblja poput Dvořáka, Čajkovskog i Rahmanjinova.This work is based on Robert Schumann's opus, in the period preceding the creation of Humoresque op. 20, and its formal, technical and interpretative analysis. As references, I used the knowledge acquired during my studies and the below listed literature. The term 'humoresque' was first used as a title for his work by Schumann and later on, following his example, by other significant composers such as Dvořák, Tchaikovsky and Rachmanonoff

    Instructive analysis Schumann's Humoresque op 20

    No full text
    Ovaj rad bavi se Robertom Schumannom do skladanja Humoreske, op. 20. te njenom formalnom, tehničkom i interpretativnom analizom. U radu sam se koristio znanjem stečenim tijekom studija i navedenom literaturom. Schumann prvi koristi termin 'humoreska' kao naslov svojim djelima te služi kao primjer skladateljima kasnijeg razdoblja poput Dvořáka, Čajkovskog i Rahmanjinova.This work is based on Robert Schumann's opus, in the period preceding the creation of Humoresque op. 20, and its formal, technical and interpretative analysis. As references, I used the knowledge acquired during my studies and the below listed literature. The term 'humoresque' was first used as a title for his work by Schumann and later on, following his example, by other significant composers such as Dvořák, Tchaikovsky and Rachmanonoff

    Doris Vincek, flauta : prvi dio diplomskog ispita

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    Prvi dio diplomskog ispita Doris Vincek (flauta), studentice Muzičke akademije Sveučilišta u Zagrebu. Ispit je održan na Muzičkoj akademiji u dvorani Huml 2. 4. 2024. Klavirska pratnja: Ivan Božanić, nasl. umj. sur. Mentor: prof. art. Marina Novak. Program: 1. Jindřich Feld: Koncert za flautu i orkestar ; 2. Orkestralna sola za flautu

    Erin Keleuva, flauta : prvi dio diplomskog ispita

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    Drugi dio snimke prvog dijela diplomskog ispita Erin Keleuve (flauta), studentice Muzičke akademije Sveučilišta u Zagrebu. Ispit je održan na Muzičkoj akademiji u dvorani Huml 3. 4. 2023. Klavirska pratnja: Ivan Božanić, nasl. umj. sur. Mentorica: red. prof. art. Marina Novak. Program: 1. C. P. E. Bach: Koncert za flautu i gudače u G-duru, H.445, Wq.169; 2. Orkestralna sola

    Erin Keleuva, flauta : prvi dio diplomskog ispita

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    Prvi dio snimke prvog dijela diplomskog ispita Erin Keleuve (flauta), studentice Muzičke akademije Sveučilišta u Zagrebu. Ispit je održan na Muzičkoj akademiji u dvorani Huml 3. 4. 2023. Klavirska pratnja: Ivan Božanić, nasl. umj. sur. Mentorica: red. prof. art. Marina Novak. Program: 1. C. P. E. Bach: Koncert za flautu i gudače u G-duru, H.445, Wq.169; 2. Orkestralna sola

    Erin Keleuva, flauta : prvi dio diplomskog ispita

    No full text
    Prvi dio snimke prvog dijela diplomskog ispita Erin Keleuve (flauta), studentice Muzičke akademije Sveučilišta u Zagrebu. Ispit je održan na Muzičkoj akademiji u dvorani Huml 3. 4. 2023. Klavirska pratnja: Ivan Božanić, nasl. umj. sur. Mentorica: red. prof. art. Marina Novak. Program: 1. C. P. E. Bach: Koncert za flautu i gudače u G-duru, H.445, Wq.169; 2. Orkestralna sola

    Changes in some quality properties of frozen mare milk during 6 months of storage

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    The aim of this study was to determine how storage in the frozen state affects the quality of mare milk. Therefore, physicochemical properties such as pH, total dissolved solids (TDS), electrical conductivity (EC), particle size distribution and near-infrared (NIR) spectroscopy, as well as changes in antioxidant activity and the total phenol content were determined during 6 months of storage at -18°C. All of the determined parameters were compared to those in raw mare milk prior to freezing. According to the obtained results, frozen storage caused certain changes in mare milk quality, including increase in pH, electrical conductivity and TDS values, changes in protein structure recorded by NIR spectroscopy and SDS PAGE (Sodium dodecyl sulfate-polyacrylamide gel electrophoresis), as well as changes in particle size distribution. There was also a continuous decrease in the antioxidant activity and the total phenol content of frozen mare milk throughout the 6 months of frozen storage. Thus, after 6 months of frozen storage, a decrease in the DPPH value of approximately 59%, in the FRAP value of approximately 26% and in the TPC of approximately 70% was observed, respectively. In conclusion, freezing and frozen storage affected the quality of mare milk, which might have negative consequences on its therapeutic value

    Erin Keleuva, flauta : prvi dio diplomskog ispita

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    Drugi dio snimke prvog dijela diplomskog ispita Erin Keleuve (flauta), studentice Muzičke akademije Sveučilišta u Zagrebu. Ispit je održan na Muzičkoj akademiji u dvorani Huml 3. 4. 2023. Klavirska pratnja: Ivan Božanić, nasl. umj. sur. Mentorica: red. prof. art. Marina Novak. Program: 1. C. P. E. Bach: Koncert za flautu i gudače u G-duru, H.445, Wq.169; 2. Orkestralna sola

    Erin Keleuva, flauta : drugi dio diplomskog ispita

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    Drugi dio diplomskog ispita Erin Keleuve (flauta), studentice Muzičke akademije Sveučilišta u Zagrebu. Ispit je održan na Muzičkoj akademiji u Koncertnoj dvorani "Blagoje Bersa" 20. 6. 2023. Klavirska pratnja: Ivan Božanić, nasl. umj. sur. Mentorica: red. prof. art. Marina Novak. Program: 1. Joseph Bodin de Boismortier: Suita za traverso solo u h-molu, op.35 br. 5; 2. Doina Rotaru: Japanese Garden za bas flautu/piccolo i unaprijed snimljene zvukove; 3. César Franck (obr. J.-P. Rampal): Sonata za flautu i klavir
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