PS102. Comparison between Autologus Saphenous Vein and Heparin-Bonded ePTFE Graft in the Treament of Critical Limb Ischemia: A Trans-Atlantic Experience

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Code complet de la danse

Las h. de grab. pleg. son calc., representan pasos de baileAs f. de grav. preg. son calc, representan pasos de bail

The Theory of Theatrical Dancing : With a chapter on phantomime

Objek utama dalam memproduksi buku ini adalah untuk memungkinkan masyarakat untuk memahami lebih baik daripada yang mereka lakukan saat ini betapa sulitnya seni menari , dan jadi jangan yo mendorong mereka lebih menghargai sepenuhnya para penari dan pekerjaan mereka

Traité élémentaire théorique et pratique de l'art de la danse

Blasis, Carlo (1803-1878) Milan, 1820. Chez Joseph Beati et Antoine Tenenti First edition Carlo Blasis, dancer, choreographer and dance theoretician, was born in Naples. When he was young, his family moved to Marseilles. His father, who came from a long line of naval officers, was a well-established musician and composer. Blasis went to Milan where he established his career at La Scala. He danced all over Italy and in London. He married Annunziata Ramaccine and danced with her until a leg injury forced him to abandon his career as a performer. In 1837, he was made Director of the Imperial Academy at Milan, where he taught Carlotta Grisi and Fanny Cerrito, both already established stars of the dance. He published his first work, and the first codified analysis on ballet technique, Traité, and continued to write on the technique, theory and history of dance for the rest of his life. He is best known for developing the attitude position, based on the statue of Mercury by Geovanni da Bologna. He developed the technique called "spotting," which prevents dizziness while performing turns. He taught Enrico Cecchetti, who would later expand Blasis's technique and would become famous for ballet instruction that is still used

Manuel complet de la danse : comprenant la théorie, la pratique et l'histoire de cet art depuis les temps les plus reculés jusqu'à nos jours : à l'usage des amateurs et des professeurs

Blasis, Carlo (1803-1878) Paris.: À la Librairie Encyclopédique de Roret, rue Hautefeuille, au coin de la rue du Battoir, 1830 Carlo Blasis wrote on the theory of dance, pantomime, and the composition of ballets. Manuel is a comprehensive survey of ballets of the early nineteenth century. He also wrote on social dancing, which he called "private dancing." Blasis founded the Italian school of ballet technique, based on his theories of equilibrium and balance. His The Code of Terpsichore played a fundamental role in the history of ballet. The sequence of exercises he introduced in this book became the basis for modern ballet classes. The English edition was translated by R. Barton. A frontispiece of Terpsichore was engraved after Canova and there is also a portrait of Blasis. The edition contains eighteen plates of dance positions, and twenty-two engraved plates of music by Carlo, Virginia, and Teresa Blasis

Code of Terpsichore the art of dancing, comprising its theory and practice, and a history of its rise and progress, from the earliest times

Carlo Blasis (1803-1878) London: Printed for Edward Bull, Holles Street, 1831 Second edition. This is one of several books written by Italian dancer, choreographer, and writer Carlo Blasis (1803-1878). It covers the history and theory of dance, pantomime, the composition of ballets, and contains a section devoted to social dances entitled "private dancing." Although much of the discussion on technique is identical to Blasis' earlier treatise, Traité élémentaire théorique et pratique de l'art de la danse (1820), the manual is a comprehensive survey of ballet during the early nineteenth-century

Traite elementaire, theorique et pratique de l’art de la danse : contenant les dveloppemens, et les dmonstrations des principes generaux et particuliers, qui doivent guider la danseur

Scanned from the original held Special Collections, Barr Smith LibraryAutomatic Optical Character Recognition has been performed to make the text searchable

The code of Terpsichore : the art of dancing, comprising its theory and practice, and a history of its rise and progress, from the earliest times ... /

This is one of several books written by Italian dancer, choreographer, and writer Blasis (1803-1878). It covers the history and theory of dance, pantomime, the composition of ballets, and contains a section devoted to social dances entitled "private dancing."On spine: Code of Terpsichore. By C. Blasis ... With seventeen plates; illustrating upwards of sixty positions. With original quadrilles and waltzes. Arranged for the piano-forte."Programmes, containing examples of every species of ballets. Composed by C. Blasis": p. 259-484.L.C. copy imperfect: t.-p. wanting; title supplied from the Catalogue of the Bibliothèque nationale. DL

Traité élémentaire, théorique et pratique de l'art de la danse , contenant les développements et les démonstrations des principes généraux et particuliers qui doivent guider le danseur, par Ch. Blasis

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Longitudinal ultrasound evaluation of a clear cell ovarian carcinoma

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