Instruktivna analiza sonate op. 35 u b-molu Frédérica Chopina

Ovaj diplomski rad je sastavljen od pet poglavlja. Prije prvog uvodnog poglavlja, prethodi kratak sažetak diplomske radnje. Drugo poglavlje podijeljeno je u tri dijela, a pisano je sa ciljem upoznavanja povijesne pozadine sonate, ali i skladatelja koji je to djelo napisao. Osvrnut ću se na njegov glazbeni utjecaj koji ga definira kao skladatelja. Unutar tog poglavlja također ću se pozabaviti njegovim stvaralaštvom. Kratko ću se osvrnuti na sonatni oblik i razdoblje romantizma. Treće poglavlje sadrži suštinu same radnje, formalnu, tehničku i interpretativnu analizu Sonate. U tom poglavlju pokušat ću prodrijeti u njezinu srž, objasniti formu, tehničke probleme koje ona donosi i njihova eventualna rješenja kao što su pedalizacija, prstomet, pasaže i sl. Nakon analize slijedi zaključak i popis literature.This graduate thesis is composed of five chapters. Prior to the first introductory chapter, it precedes a brief abstract of graduate thesis. The second chapter is divided into three parts and it is written for the purpose of getting to know the historical background of the sonata, but also to better understand the composer who wrote it. In this chapter i will talk about the influence that define Chopin as a composer and about his compositions. I will briefly look at the sonata form and period of Romanticism. The third chapter contains the essence of the graduate thesis itself, formal, technical and interpretative analysis of Sonata. In this chapter I will try to penetrate to her core, explain the form, technical problems she brings and their possible solutions such as pedaling, fingering, passages etc. After the analysis follows the conclusion and list of literature

Instruktivna analiza sonate op. 35 u b-molu Frédérica Chopina

Ovaj diplomski rad je sastavljen od pet poglavlja. Prije prvog uvodnog poglavlja, prethodi kratak sažetak diplomske radnje. Drugo poglavlje podijeljeno je u tri dijela, a pisano je sa ciljem upoznavanja povijesne pozadine sonate, ali i skladatelja koji je to djelo napisao. Osvrnut ću se na njegov glazbeni utjecaj koji ga definira kao skladatelja. Unutar tog poglavlja također ću se pozabaviti njegovim stvaralaštvom. Kratko ću se osvrnuti na sonatni oblik i razdoblje romantizma. Treće poglavlje sadrži suštinu same radnje, formalnu, tehničku i interpretativnu analizu Sonate. U tom poglavlju pokušat ću prodrijeti u njezinu srž, objasniti formu, tehničke probleme koje ona donosi i njihova eventualna rješenja kao što su pedalizacija, prstomet, pasaže i sl. Nakon analize slijedi zaključak i popis literature.This graduate thesis is composed of five chapters. Prior to the first introductory chapter, it precedes a brief abstract of graduate thesis. The second chapter is divided into three parts and it is written for the purpose of getting to know the historical background of the sonata, but also to better understand the composer who wrote it. In this chapter i will talk about the influence that define Chopin as a composer and about his compositions. I will briefly look at the sonata form and period of Romanticism. The third chapter contains the essence of the graduate thesis itself, formal, technical and interpretative analysis of Sonata. In this chapter I will try to penetrate to her core, explain the form, technical problems she brings and their possible solutions such as pedaling, fingering, passages etc. After the analysis follows the conclusion and list of literature

Instruktivna analiza sonate op. 35 u b-molu Frédérica Chopina

Ovaj diplomski rad je sastavljen od pet poglavlja. Prije prvog uvodnog poglavlja, prethodi kratak sažetak diplomske radnje. Drugo poglavlje podijeljeno je u tri dijela, a pisano je sa ciljem upoznavanja povijesne pozadine sonate, ali i skladatelja koji je to djelo napisao. Osvrnut ću se na njegov glazbeni utjecaj koji ga definira kao skladatelja. Unutar tog poglavlja također ću se pozabaviti njegovim stvaralaštvom. Kratko ću se osvrnuti na sonatni oblik i razdoblje romantizma. Treće poglavlje sadrži suštinu same radnje, formalnu, tehničku i interpretativnu analizu Sonate. U tom poglavlju pokušat ću prodrijeti u njezinu srž, objasniti formu, tehničke probleme koje ona donosi i njihova eventualna rješenja kao što su pedalizacija, prstomet, pasaže i sl. Nakon analize slijedi zaključak i popis literature.This graduate thesis is composed of five chapters. Prior to the first introductory chapter, it precedes a brief abstract of graduate thesis. The second chapter is divided into three parts and it is written for the purpose of getting to know the historical background of the sonata, but also to better understand the composer who wrote it. In this chapter i will talk about the influence that define Chopin as a composer and about his compositions. I will briefly look at the sonata form and period of Romanticism. The third chapter contains the essence of the graduate thesis itself, formal, technical and interpretative analysis of Sonata. In this chapter I will try to penetrate to her core, explain the form, technical problems she brings and their possible solutions such as pedaling, fingering, passages etc. After the analysis follows the conclusion and list of literature

Users’ experience of personal assistance

Rad se bavi analizom iskustva korisnika usluga osobnog asistenta koji su članovi Hrvatske udruge paraplegičara i tetraplegičara. U uvodnom dijelu se nastoji razjasniti defi niranje instituta osobnog asistenta i samog Pilot projekta osobnog asistenta za osobe s najtežom vrstom i stupnjem invaliditeta. Cilj istraživanja bio je dobiti uvid u iskustva korisnika usluga osobnog asistenta članova Hrvatske udruge paraplegičara i tetraplegičara. Intervju je proveden s 8 članova navedene udruge tijekom 2007.godine.Temeljem kvalitativne analize rezultata intervjua dobiveno je 14 kategorija. Obilježja suradnje osobnog asistenta i korisnika su defi nirana kroz sljedeće kategorije: 1. prilagodba; 2. kvaliteta odnosa; 3. različite vrste suradnje; 4. međusobna koordiniranost i fl eksibilnost. Vrste pomoći su definirane sljedećim kategorijama: 1. praktična pomoć; 2. medicinska skrb; 3. pomoć pri aktivnostima u slobodno vrijeme; 4.pomoć obitelji. Kompetentnost osobnog asistenta definirana je kategorijama: 1. prosocijalno ponašanje; 2. profesionalan odnos prema radu. Poteškoće u radu su definirane kroz sljedeće kategorije: 1. nepostojanje zakonske regulative; 2. problemi organizacijske prirode; 3. nemogućnost pronalaska osobnog asistenta; 4. problemi osobne prirode.The paper analyzes the users’ experience of personal assistant who are members of Paraplegia and Tetraplegia Association of Croatia. The definition of Personal Asssistant and Personal Assistance Pilot Project to persons with most profound type and degree of disabilities are defined in introduction. The aim of this research was to perceive users’ experience of personal assistance who are members of Paraplegia and Tetraplegia Association of Croatia. Eight members of the Association were interviewed in 2007. Fourteen categories were obtained by qualitative analysis of results. Cooperation features between the users and personal assistans are defined in following categories: 1. adjustment; 2. quality of relations; 3. different cooperation; 4. mutual compatibility and flexibility. Different types of help are defined: 1. practical help; 2. medical care; 3. help with spare time activities; 4. family help. Assistant personality characteristics are: 1. prosocial behaviour; 2. professional work atitude. Difficulties in work are defined in these categories: 1. absence of law regulations 2. organizational problems; 3. impossibility to find personal assistant; 4. personal problems

Vivat academia : Priča o Ivani (studenti i profesori Muzičke akademije Sveučilišta u Zagrebu, 7. 3. 2018.)

Koncert iz ciklusa Vivat academia održan na Muzičkoj akademiji u Koncertnoj dvorani "Blagoje Bersa" 7. 3. 2018. Izvođači: Tea Zec (sopran), Lana Maletić (sopran), Roland Grlica, umj. sur. (klavir), Maro Taslaman (klavir), Brin Bernatović (harfa), Josipa Bilić (sopran), Kristian Keil (klavir), red. prof. art. Ljubomir Gašparović (klavir), Danijel Gašparović (klavir), izv. prof. art. Diana Grubišić Ćiković (harfa), izv. prof. art. Martina Gojčeta Silić (mezzosopran), Eva Kirchmayer Bilić, umj. sav. (klavir), Marko Biškup (klavir), red. prof. art. Katarina Krpan (klavir), Sidonija Lebar (violina), Martin Jordan (violončelo). Redatelj: Hrvoje Korbar. Glumica: Marija Šegvić. Svjetlo: Sara Bundalo. Fotografije i video prezentacija: Mihael Kukavčić, Marko Vukas. Program: 1. Ivana Lang: Bilo vavek veselo op. 41 (izvođači: Tea Zec, Lana Maletić, Roland Grlica); 2. Ivana Lang: Istarska barkarola op. 31 (izvođač: Maro Taslaman); 3. Ivana Lang: Starinska vura op. 104 (izvođač: Brin Bernatović); 4. Ivana Lang: Murve op. 1 (izvođači: Josipa Bilić, Kristian Keil); 5. Ivana Lang: Sumnja (iz ciklusa Nepoznatim stazama op. 54) (izvođači: Josipa Bilić, Kristian Keil); 6. Ivana Lang: Perpetum mobile op. 106 (izvođači: Ljubomir Gašparović, Danijel Gašparović); 7. Ivana Lang: Toccatina op. 77 (izvođač: Diana Grubišić Ćiković); 8. Ivana Lang: I. Da li se svjetovi gase, II. Da li je ovo oblak u mojoj sobi, III. Prošla je godina (iz ciklusa Bezimenoj op. 75) (izvođači: Martina Gojčeta Silić, Eva Kirchmayer Bilić); 9. Ivana Lang: I. Tajanstvenim koracima, II. Toccata (iz ciklusa Četiri kompozicije za klavir op. 50) (izvođač: Marko Biškup); 10. Ivana Lang: Lan op. 20 (izvođači: Tea Zec, Kristian Keil); 11. Ivana Lang: Nokturno op. 84 (izvođači: Katarina Krpan, Sidonija Lebar, Martin Jordan)

Vivat academia : Priča o Ivani (studenti i profesori Muzičke akademije Sveučilišta u Zagrebu, 7. 3. 2018.)

Koncert iz ciklusa Vivat academia održan na Muzičkoj akademiji u Koncertnoj dvorani "Blagoje Bersa" 7. 3. 2018. Izvođači: Tea Zec (sopran), Lana Maletić (sopran), Roland Grlica, umj. sur. (klavir), Maro Taslaman (klavir), Brin Bernatović (harfa), Josipa Bilić (sopran), Kristian Keil (klavir), red. prof. art. Ljubomir Gašparović (klavir), Danijel Gašparović (klavir), izv. prof. art. Diana Grubišić Ćiković (harfa), izv. prof. art. Martina Gojčeta Silić (mezzosopran), Eva Kirchmayer Bilić, umj. sav. (klavir), Marko Biškup (klavir), red. prof. art. Katarina Krpan (klavir), Sidonija Lebar (violina), Martin Jordan (violončelo). Redatelj: Hrvoje Korbar. Glumica: Marija Šegvić. Svjetlo: Sara Bundalo. Fotografije i video prezentacija: Mihael Kukavčić, Marko Vukas. Program: 1. Ivana Lang: Bilo vavek veselo op. 41 (izvođači: Tea Zec, Lana Maletić, Roland Grlica); 2. Ivana Lang: Istarska barkarola op. 31 (izvođač: Maro Taslaman); 3. Ivana Lang: Starinska vura op. 104 (izvođač: Brin Bernatović); 4. Ivana Lang: Murve op. 1 (izvođači: Josipa Bilić, Kristian Keil); 5. Ivana Lang: Sumnja (iz ciklusa Nepoznatim stazama op. 54) (izvođači: Josipa Bilić, Kristian Keil); 6. Ivana Lang: Perpetum mobile op. 106 (izvođači: Ljubomir Gašparović, Danijel Gašparović); 7. Ivana Lang: Toccatina op. 77 (izvođač: Diana Grubišić Ćiković); 8. Ivana Lang: I. Da li se svjetovi gase, II. Da li je ovo oblak u mojoj sobi, III. Prošla je godina (iz ciklusa Bezimenoj op. 75) (izvođači: Martina Gojčeta Silić, Eva Kirchmayer Bilić); 9. Ivana Lang: I. Tajanstvenim koracima, II. Toccata (iz ciklusa Četiri kompozicije za klavir op. 50) (izvođač: Marko Biškup); 10. Ivana Lang: Lan op. 20 (izvođači: Tea Zec, Kristian Keil); 11. Ivana Lang: Nokturno op. 84 (izvođači: Katarina Krpan, Sidonija Lebar, Martin Jordan)

Ružička days : International conference 19th Ružička Days “Today Science – Tomorrow Industry” : Proceedings

Dear colleagues, we are extremely honoured to present to you the Proceedings of the international conference 19th Ružička Days, which was successfully held on September 21–23, 2022, in Vukovar, Croatia, in the hometown town of our famous Croatian scientist and first Nobel laureate, professor Leopold (Lavoslav) Ružička. The main goals of the Conference were to promote excellence, originality and innovation of interdisciplinary scientific research as well as the practical application of the obtained results through collaboration with industry, emphasizing thus the recognizable slogan of the Ružička Days conference: "Today Science – Tomorrow Industry". In addition, the Conference gave the opportunity for meetings, exchanging the ideas, opinions, experiences and cooperation among participants from different working surroundings. It is also important to point out that since 2008, within the international conference Ružička Days, Meeting of Young Chemists has also been held, where high school students, with the help of their mentors, present papers in the field of chemistry, with the aim to direct students and young people to the technical and natural sciences, especially chemistry. In its seventh issue (2011, 2013, 2015, 2017, 2019, 2021) the Proceedings publishes scientific and professional full papers of high quality in the following sections: Chemical analysis and synthesis (10), Chemical and biochemical engineering (3), Food technology and biotechnology (4), Chemistry in agriculture and forestry (1), Environmental protection (9) and 8th Meeting of Young Chemists (3). Full-length papers were subjected to an international review procedure done by eminent experts from the corresponding fields, to whom we express our gratitude, but they were not subjected to linguistic proofreading. On behalf of the Scientific and Organizing Committee of the 19th Ružička Days we cordially thank all the authors, reviewers, participants, lecturers, organizers, especially the international organizers EuCheMS and EHEDG, auspices and sponsors, and all the others who, in any way, supported the Conference and contributed to the preparation of the Proceedings, especially to our highly skilled and committed associates, who have put a lot of effort in the preparation of these Proceedings. At the very end, special thanks to our young, future scientists and their mentors who are faithful participants of the Meeting of Young Chemists of the Ružička Days conference. Enjoy the extremely interesting scientific and professional papers contained in these Proceedings, until the next 20th jubilee of Ružička Days in 2024! We are looking forward to meeting you again in Vukovar! Yours sincerely, Chief Editors Jurislav Babić Vesna Ocelić Bulatović Dajana Kučić Grgi