136 research outputs found

    The energy-economic growth nexus : empirical evidence for New Zealand : a thesis presented in partial fulfilment of the requirements for the degree of Master of Applied Economics at Massey University, Palmerston North, New Zealand

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    This study addresses the energy consumption and energy price-economic growth nexus for the case of New Zealand. Several hypotheses concerning the impacts of energy consumption and oil price shocks on economic growth are empirically examined, as these issues have important policy implications that have received little attention in New Zealand. Utilising the Autoregressive Distributed Lag approach to cointegration, the energy consumption-economic growth relationship is analysed over the period 1960-2004. Two key approaches are followed in terms of a cointegration and causality framework to answer whether energy consumption is a stimulus for economic growth or if economic growth leads to energy consumption. The energy consumption-growth nexus are examined based on the theoretical arguments of the trivariate demand model, trivariate supply model and multivariate supply model. The results indicate that long run relationships exist between various sets of variables, i.e. energy consumption, energy prices, labour and capital. Given the central role of energy to New Zealand's domestic growth agenda as well as international climate change commitments, the estimated results provide a basis for policy prescriptions to deal with these issues for the short run and long run. The related issue of oil price shock impacts on economic growth is considered for the period 1989-2006 using the Vector Autoregressive methodology based on quarterly data. Three oil price measures are considered, given the various theoretical implications that oil price shocks have on economic growth. The estimated results are based on the concept of 'net oil price shocks', and indicate that such shocks impact significantly on several key macroeconomic variables in a manner that is consistent with the economic theory. The findings of this study provide policy implications based on the key elements of New Zealand's energy-growth relationships and energy policies, in light of energy scarcity, climate change issues, and the related policy responses

    New Zealand's military aircraft purchases, 1957 - 1981 : from the Canberra to the Boeing 727 : a thesis presented in partial fulfilment of the requirements for the degree of Master of Arts in History at Massey University

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    This thesis will examine the factors that influenced New Zealand's military aircraft purchasing decisions between 1957 and 1981. This larger question gives rise to two lines of enquiry. Firstly, why did the New Zealand Government chose to equip particular roles? Secondly, why were the various aircraft types then chosen to fulfill these roles? This period encompasses the purchase of the Canberra, which was a significant episode in the history of the RNZAF's combat wing. It also includes the crucial re-equipment programme of the 1960s. The period ends with the purchase of the 727s, which was part of the adaptation to new defence commitments While a number of authors have commented on individual purchasing decisions, some have considered broader issues involved in military aircraft purchases. Foremost amongst these was David Filer, whose work dealt with the RNZAF during the period from 1946 to 1972. He stated that the most significant development in the RNZAF during the 1946-72 period was the selection the United States as a source of new aircraft. 1 David Filer, 'The New Zealand Armed Services: Their Development in Relation to Defence Policy', MA Thesis in Political Science, University of Canterbury 1979, p.110. This was in contrast to the early post-war period when New Zealand had chosen to purchase from Britain. He suggested that the change towards American purchases was part of the Air Force's response to the general defence trend in the period away from ties with the United Kingdom and towards ties with the United States and Australia. 2 ibid However, he acknowledged American dominance in military aircraft production and their willingness to provide credit facilities. Filer concluded that the RNZAF was altered more by this move from defence ties with Britain towards ties with the United States and Australia than by the switch from commitments in the Middle East to South-East Asia. 3 ibid., p.112 [From Introduction

    Eve's Side of It: Sarah Daniels' Biblical Revision

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    The experimental/experiential stage: Extreme states of being and knowing in the theatre

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    Chapter 3: This chapter charts the intersections between theatre and science and explores how experience and experiment are interlinked in each domain. Looking at three key scientific ideas and theatrical moments, the chapter draws out contextual aspects of the science that reflect the scientific concerns of their moments. Exploring first a play from the early years of the recent resurgence in the interest in theatre and science, the chapter investigates how the biological and medical sciences with their obvious link to genetic testing and human experience are represented, and moves on to consider how science, gender, and life become crystal clear in early twenty-first century theatre. It concludes by looking at how theatre is shaped by the experience of climate change and its science in the 2010s through two very different plays, one a staged lecture and the other a production whose deliberate excess results in an expansive ‘epic’ theatrical form that appears to take precedence over the science. -- Supplied by publisher

    Sarah Daniels: Feminist Enque(e)ry within the Mainstream

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    Sarah Daniels is a playwright who has been closely identified with feminist theatre throughout her career. In this article, Carina Bartleet examines Daniels’s plays from the early work of the 1980s through to her more recent output by exploring lesbian representation. Emphasis is placed on lesbian/queer representations through renegotiation with feminist theatre and gendered spectatorship. The work argues that Daniels’s oftcriticized reluctance to stage lesbian desire can be viewed as a continuation of her feminist intervention into the gendered construction of the gaze in mainstream theatre. Carina Bartleet is a Lecturer in Drama at Oxford Brookes University. She read Biological Sciences at Oxford University, taking her PhD in Drama at Exeter on the intertextual dimension of the plays of Sarah Daniels. Her interests are science, gender, and performance in contemporary theatre. She is currently working on a book on theatre and science, and has published articles in Modern Drama and Studies in Theatre and Performance

    Higher education service learning with First Peoples of Australia

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    Australian higher education institutions face increasing pressure to institute Aboriginal and Torres Strait Islander culture at every level of activity. In this paper, which takes as its context a three-university service-learning initiative with First Peoples of Australia, we argue that service-learning opportunities develop students who are more culturally responsive, adaptable and aware. In this instance we position service learning as a strategy through which Australian universities and colleges might promote Indigenous cultural content for students, faculty and the broader community. We report the experiences of a funded, arts-based service learning initiative in which creative arts students (n=70) and pre-service teachers (n=37) worked with over 290 Aboriginal community members in urban, rural and remote areas of Australia. The study adopted an action research approach and we combined a range of conceptual-theoretical resources with the voices and experiences of the students, academic researchers and community members. Our study data confirmed the potential for service learning to build valuable intercultural competencies amongst higher education students, fostering critical engagement with racial politics and a shift in extant views of cultural diversity. Participating students developed a deeper awareness of their past experiences and a greater sensitivity towards forms of social and cultural oppression. Deeper critical engagement with the issues faced by Aboriginal and Torres Strait Islander communities prompted students to be more responsive in their critiques of the cultural politics of their own educational experiences. As they gained confidence and self-assuredness, students learned to dra

    Service learning with First Peoples: a framework to support respectful and reciprocal learning

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    This article outlines a framework for working with First Peoples. The framework supports respectful and mutually beneficial learning partnerships and culminates from 6 years of practice and research in arts-based service learning with Aboriginal communities in Australia. We begin by looking at synergies between global service learning and service learning with First Peoples. We then position this work within an international context, focusing on Indigenous frameworks for practice identified in service learning with First Nations communities in North America. We next describe the Australian context and touch on the multilayered intercultural processes and outcomes associated with the programmes across three universities. Finally, we introduce the framework and elaborate on its dimensions

    The potential of things: from objects to sculptural things

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    This project is a practice-based exploration of how a work of art emerges from within a field of signs that are givens brought to the art-making process. In particular it explores the use of utilitarian objects as sculptural materials, where the given signs relate mostly to their past utility. The art-making process then involves a clearing of such givens so that new modes of signification can emerge, as sculptural works of art. Here, the process of making is simultaneously the process of clearing. Various strategies for using these materials are explored, including means to rupture or attenuate associations that objects hold (that we hold for them) with the past. Consideration is given to how, through such means, fresh possibilities might emerge from any material used in the work of art
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