The Osage of the Flint Hills

Near Rosalia in east-central Butler County, there is a trail that crosses from east to west. It intersects with the California Trail and the Texas Cattle Trail. It passes by the town of Towanda, which stands on the edge of what was once the buffalo range

Development of a triclosan scaffold which allows for adaptations on both the A- and B-ring for transport peptides

The enoyl acyl-carrier protein reductase (ENR) enzyme is harbored within the apicoplast of apicomplexan parasites providing a significant challenge for drug delivery, which may be overcome through the addition of transductive peptides, which facilitates crossing the apicoplast membranes. The binding site of triclosan, a potent ENR inhibitor, is occluded from the solvent making the attachment of these linkers challenging. Herein, we have produced 3 new triclosan analogs with bulky A- and B-ring motifs, which protrude into the solvent allowing for the future attachment of molecular transporters for delivery

Transcultural engagement with Polish memory of the Holocaust while watching Leszek Wosiewicz's Kornblumenblau

Kornblumenblau (Leszek Wosiewicz 1989) is a film that explores the experience of a Polish political prisoner interned at Auschwitz I. It particularly foregrounds issues related to Polish-Jewish relations during the Holocaust in its diegesis. Holocaust films are often discussed in relation to representation and the cultural specificity of their production context. However, this paper suggests thinking about film and topographies, the theme of this issue, not in relation to where a work is produced but in regards to the spectatorial space. It adopts a phenomenological approach to consider how, despite Kornblumenblau's particularly Polish themes, it might address the transcultural spectator and draw attention to the broader difficulties one faces when attempting to remember the Holocaust. Influenced particularly by the writing of Jennifer M. Barker and Laura U. Marks, this paper suggests that film possesses a body ¬¬- a display of intentionality, beyond those presented within the diegesis, which engages in dialogue with the spectator. During the experience of viewing Kornblumenblau, this filmic corporeality draws attention to the difficulties of confronting the Holocaust in particularly haptic ways, as the film points to the unreliability of visual historical sources, relates abject sensations to concentrationary spaces and breaks down as it confronts the scene of the gas chamber

Christliches Mitleyden/ Welches Uber dem Unverhofft beschleunigten ... Hintritt ... Eines Wohlgerathenen Jünglings Joachim/ Deß ... Nahmhafften ... Herrn Joachim Auschwitzen ... Hertzgeliebten Sohnes; Denen Hochbekümmerten Eltern Zu erwünschtem Trost ... Bezeugete K. Thamnietz. Mit-Arbeiter an dem Löblichen Gymnasio

CHRISTLICHES MITLEYDEN/ WELCHES UBER DEM UNVERHOFFT BESCHLEUNIGTEN ... HINTRITT ... EINES WOHLGERATHENEN JÜNGLINGS JOACHIM/ DESS ... NAHMHAFFTEN ... HERRN JOACHIM AUSCHWITZEN ... HERTZGELIEBTEN SOHNES; DENEN HOCHBEKÜMMERTEN ELTERN ZU ERWÜNSCHTEM TROST ... BEZEUGETE K. THAMNIETZ. MIT-ARBEITER AN DEM LÖBLICHEN GYMNASIO Christliches Mitleyden/ Welches Uber dem Unverhofft beschleunigten ... Hintritt ... Eines Wohlgerathenen Jünglings Joachim/ Deß ... Nahmhafften ... Herrn Joachim Auschwitzen ... Hertzgeliebten Sohnes; Denen Hochbekümmerten Eltern Zu erwünschtem Trost ... Bezeugete K. Thamnietz. Mit-Arbeiter an dem Löblichen Gymnasio ([1]r) Titelseite mit Epigramma auf Rückseite ([1]r) Text ([2]r