From land grab to agrarian transition? Hybrid trajectories of accumulation and environmental change on the Cambodia–Vietnam border

In recent years, thousands of Vietnamese migrant farmers have crossed the border into Cambodia and leased land for export-oriented rice and shrimp production. Based on case studies in two Cambodian border provinces, we argue that these land transfers represent an intersection of broader processes of agrarian change that is re-shaping the Cambodian borderlands into a hybrid socio-ecological zone. Cambodian landlords and intermediaries use unequal access to politico-legal authority and the exclusionary power of the border to leverage control over their migrant tenants, thereby capturing a significant portion of the surplus from the migrants’ high-value commodity production systems and potentially creating new trajectories of agrarian transition

Of migrants and middlemen: Cultivating access and challenging exclusion along the Vietnam–Cambodia border

In a possible sign of a new trend in Southeast Asia, economic pressures are driving smallholder shrimp farmers from Vietnam\u27s Mekong Delta across the Cambodian border in search of new land. Building from ethnographic research with Vietnamese shrimp farmers in Kampot province, Cambodia, this paper explores the structures, mechanisms, and relations that facilitate and impede the ability of Vietnamese migrants to gain and maintain access to land in Cambodia. The Vietnamese migrants in our study bring capital and farming skills, but their ambiguous legal status and their lack of social networks and experience with the terms of access in Cambodia render them vulnerable to exclusion and dependent on a local broker to mediate their interactions with landowners and authorities. We recount the migrants\u27 attempts to overcome the uncertainty of their mediated access by bypassing the broker and cultivating direct social ties with Khmer villagers, border authorities, and the landowners themselves. This study generates new insights into the dynamics of cross‐border livelihoods in mainland Southeast Asia and more broadly illuminates the central importance of migrant–broker relationships and migrant agency in seeking to overcome dependency on brokers by forging new social relations in border areas

Eternity in Low Earth Orbit: Icons on the International Space Station

This paper investigates the material culture of icons on the International Space Station as part of a complex web of interactions between cosmonauts and the Russian Orthodox Church, reflecting contemporary terrestrial political and social aairs. An analysis of photographs from the International Space Station (ISS) demonstrated that a particular area of the Zvezda module is used for the display of icons, both Orthodox and secular, including the Mother of God of Kazan and Yuri Gagarin. The Orthodox icons are frequently sent to space and returned to Earth at the request of church clerics. In this process, the icons become part of an economy of belief that spans Earth and space. This practice stands in contrast to the prohibition against displaying political/religious imagery in the U.S.-controlled modules of ISS. The icons mark certain areas of ISS as bounded sacred spaces or hierotopies, separated from the limitless outer space beyond the space station walls

A Method for Space Archaeology Research: the International Space Station Archaeological Project

How does a ‘space culture’ emerge and evolve, and how can archaeologists study such a phenomenon? The International Space Station Archaeological Project seeks to analyse the social and cultural context of an assemblage relating to the human presence in space. Drawing on concepts from contemporary archaeology, the project pursues a unique perspective beyond sociological or ethnographical approaches. Semiotic analysis of material culture and proxemic analysis of embodied space can be achieved using NASA\u27s archives of documentation, images, video and audio media. Here, the authors set out a method for the study of this evidence. Understanding how individuals and groups use material culture in space stations, from discrete objects to contextual relationships, promises to reveal intersections of identity, nationality and community

Review of The West-Eastern Divan of Johann Wolfgang von Goethe, translated from the German by Robert Martin.

Review of The West-Eastern Divan of Johann Wolfgang von Goethe, translated from the German by Robert Martin

The gender balance of the Australian Space Research Community: a snapshot from the 15th ASRC, 2015

In recent years, the striking gender imbalance in the physical sciences has been a topic for much debate. National bodies and professional societies in the astronomical and space sciences are now taking active steps to understand and address this imbalance. In order to begin this process in the Australian Space Research community, we must first understand the current state of play. In this work, we therefore present a short ‘snapshot’ of the current gender balance in our community, as observed at the 15th Australian Space Research Conference. We find that, at this year’s conference, male attendees outnumbered female attendees by a ratio of 3:1 (24% female). This gender balance was repeated in the distribution of conference talks and plenary presentations (25 and 22% female, respectively). Of the thirteen posters presented at the conference, twelve were presented by men (92%), a pattern repeated in the awards for the best student presentations (seven male recipients vs one female). The program and organising committees for the meeting fairly represented the gender balance of the conference attendees (28% and 30% female, respectively). These figures provide a baseline for monitoring future progress in increasing the participation of women in the field. They also suggest that the real barrier is not speaking, but in enabling conference attendance and retaining female scientists through their careers – in other words, addressing and repairing the ‘leaky pipeline’

Postorbital Discard and Chain of Custody: The Processing of Artifacts Returning to Earth from the International Space Station

Few items that comprise the material culture of the International Space Station ever return to Earth. Most are left on the station or placed on cargo resupply ships that burn up on atmospheric re-entry. This fact presents a challenge for archaeologists who use material culture as their primary evidence. Together with a sociologist, we observed the processes that have been developed by NASA contractors to handle and return items that come back to Earth on the Cargo Dragon vehicle. We observed two missions, CRS-13 and CRS-14, in January and May 2018, respectively, traveling to the locations of work and interviewing the contractors and associated staff. These observations are described here, using the lenses of archaeological understandings of discard practices, the anthropological concept of the chaîne opératoire, and the forensic idea of “chain of custody” to interpret the meanings and associations of the various kinds of objects returned from space

Visual Displays in Space Station Culture: An Archaeological Analysis

We offer an archaeological analysis of the visual display of “space heroes” and Orthodox icons in the Russian Zvezda module of the International Space Station (ISS). This study is the first systematic investigation of material culture at a site in space. The ISS has now been continuously inhabited for 20 years. Here, focusing on the period 2000–2014, we use historic imagery from NASA archives to track the changing presence of 78 different items in a single zone. We also explore how ideas about which items are appropriate for display and where to display them originated in earlier Soviet and Russian space stations starting as early as the 1970s. In this way, we identify the emergence and evolution of a particular kind of space station culture with implications for future habitat design

Visual Displays in Space Station Culture: An Archeological Analysis

We offer an archaeological analysis of the visual display of “space heroes” and Orthodox icons in the Russian Zvezda module of the International Space Station (ISS). This study is the first systematic investigation of material culture at a site in space. The ISS has now been continuously inhabited for 20 years. Here, focusing on the period 2000–2014, we use historic imagery from NASA archives to track the changing presence of 78 different items in a single zone. We also explore how ideas about which items are appropriate for display and where to display them originated in earlier Soviet and Russian space stations starting as early as the 1970s. In this way, we identify the emergence and evolution of a particular kind of space station culture with implications for future habitat design