What is aesthetic journalism?

La relación entre el periodismo y el arte es un territorio difícil de acotar. Lo que yo entiendo por periodismo estético conlleva prácticas artísticas en forma de investigación de la situación política, social o cultural. Los resultados de esta investigación se concretan en el contexto del arte más que a través de los canales de comunicación.SIN FINANCIACIÓNNo data (2010

Forewords: Hyperimages and Hyperimaging

This collection of short essays sometimes dances around issues and takes an oblique approach to the subject of the hyperimage, nevertheless serving to augment our understanding of the idea. What is unique about this book is thirty five pieces of writing, now approaching one theme, which, due to the nature of the commissioning of the individual texts, all enter the subject from different points, with differing influences and different spatial/temporal considerations. Not only has the accumulation of the texts taken place over time, traversing projects, artists and locations; it has also occurred in tandem with technological developments which have served to shape much of our activity, both quotidian and also professionally as cultural producers

Photocinema:the creative edges of photography and film

Taking as its starting point the notion of photocinema—or the interplay of the still and moving image—the photographs, interviews, and critical essays in this volume explore the ways in which the two media converge and diverge, expanding the boundaries of each in interesting and unexpected ways. The book’s innovative approach to film and photography produces a hybrid “third space,” where the whole becomes much more than the sum of its individual parts, encouraging viewers to expand their perceptions to begin to understand the bigger picture. Photocinema represents a nuanced theoretical and practical exploration of the experimental cinematic techniques exemplified by artists like Wim Wenders and Hollis Frampton. In addition to new critical essays by Victor Burgin and David Campany, the book includes interviews with Martin Parr, Hannah Starkey, and Aaron Schuman and a portfolio of photographs from various new and established artists.Taking as its starting point the notion of photocinema—or the interplay of the still and moving image—the photographs, interviews, and critical essays in this volume explore the ways in which the two media converge and diverge, expanding the boundaries of each in interesting and unexpected ways. The book’s innovative approach to film and photography produces a hybrid “third space,” where the whole becomes much more than the sum of its individual parts, encouraging viewers to expand their perceptions to begin to understand the bigger picture. Photocinema represents a nuanced theoretical and practical exploration of the experimental cinematic techniques exemplified by artists like Wim Wenders and Hollis Frampton. In addition to new critical essays by Victor Burgin and David Campany, the book includes interviews with Martin Parr, Hannah Starkey, and Aaron Schuman and a portfolio of photographs from various new and established artists