HELIN Acquisitions Manual

HELIN Acquisitions Manual - 2007-2008 revisio

HELIN Cataloging Policies and Procedures Manual

HELIN Cataloging Manual - Nov. 2011 revisio

Through the Decades: AAPI Life at VCU

Posters displayed at the exhibit Through the Decades: AAPI Life at VCU. The posters presented were: Depictions of AAPI Culture On-campus, The Model Minority Myth on Campus, Services for AAPI Individuals, Black Contributions to AAPI Life on Campus, Monroe Park Campus, Meet the Monroe Park Students, Medical College of Virginia, Meet the Medical Students, Current Student Voices, Past Student Organizations, Current Student Organizations Spotlight, Meet Past Faculty, Current Faculty and Staff Spotlight, and Pieces by Professor Roberto Jamora.https://scholarscompass.vcu.edu/aapi/1000/thumbnail.jp

Joaquim Rodrigo’s Painting : A Particularity in the Portuguese Case

Capítulo da obra "RETHINKING EUROPE: ARTISTIC PRODUCTION AND DISCOURSES OF ART IN THE LATE 1940S AND 1950S.", que resultou da conferência ocorrida em 2018.In the postwar period, Portuguese art faced a politically-imposed isolation that prevented emerging artists from engaging and interacting with the rest of Europe. For these artisits, other geographical, cultural contexts were no more than remote possibilities of exchange: sometimes mythical places of an avant-garde known through magazine articles, sometimes places they had briefly visited in search of a more direct link with their time. Portugal lived in an established dictatorship known as Estado Novo (New State) that lasted until 1974. The regime's anti-modernism sought to eliminate all modern artistic practices in an attempt to preserve its traditional cultural values, strongly dominated by the government's fascist ideology. The absence of structures for the production, exhibition, and reception of modern art during the twentieth century contributed towards the lessening of modern pratices in the national context, hindering the development of knowledge updated by artists, critics, and audiences. In spite of these setbacks, overall Portuguese artists succeded in overcoming this aloofness to which the regime condemned them. Over time, these artists managed to find ways to a distant modernity - which had become predominant in the process of reconstructing a new world in the postwar period in Wetern Europe. [com o apoio à tradução da Fundação para a Ciência e a Tecnologia - FCT]info:eu-repo/semantics/publishedVersio

Thinking beyond the hybrid:“actually-existing” cities “after neoliberalism” in Boyle <i>et al.</i>

In their article, ‘The spatialities of actually existing neoliberalism in Glasgow, 1977 to present’, Mark Boyle, Christopher McWilliams and Gareth Rice (2008) usefully problematise our current understanding of neoliberal urbanism. Our response is aimed at developing a sympathetic but critical approach to Boyle et al's understanding of neoliberal urbanism as illustrated by the Glasgow example. In particular, the counterposing by Boyle et al of a 'hybrid, mutant' model to a 'pure' model of neoliberalism for us misrepresents existing models of neoliberalism as a perfectly finished object rather than a roughly mottled process. That they do not identify any ‘pure’ model leads them to create a straw construct against which they can claim a more sophisticated, refined approach to the messiness of neoliberal urbanism. In contrast, we view neoliberalism as a contested and unstable response to accumulation crises at various scales of analysis

HELIN Serials Affinity Group minutes for 10/1/10

Minutes of the Serials Affinity Group of the HELIN Consortium for October 201

HELIN E-Resources Affinity Group minutes for 05/16/13

Minutes of the E-Resources Affinity Group of the HELIN Consortium for May 201

HELIN E-Resources Affinity Group minutes for 11/08/12

Minutes of the E-Resources Affinity Group of the HELIN Consortium for November 201