Two new species of the genus Pahamunaya Schmid (Trichoptera: Polycentropodidae) from Vietnam

Two new species of the genus Pahamunaya Schmid (Trichoptera: Polycentropodidae), P. talon sp. n. and P. spinifera sp. n., from Vietnam are described and illustrated. Examination of the holotype male of P. khoii Oláh and Johanson, in combination with an additional specimen of the same species, revealed new characters. New illustrations for this species are provided

Additions to the genus Goera Stephens (Trichoptera, Goeridae) from Southeast Asia

Two new species of Goera, G. zwicki and G. nozakii (Trichoptera, Goeridae), from the Philippines and one new species, G. meyi, from Vietnam are described and illustrated herein. In addition, type specimens of G. disparilis Banks, G. octospina Banks, G. tagalica Banks, and G. uniformis Banks are illustrated. All species of Goera known from both the Philippines and Vietnam are listed

Three new species of Goera Stephens (Trichoptera: Goeridae) from Sulawesi, Indonesia

Three new species of the caddisfly genus Goera Stephens (Trichoptera: Goeridae) are described from the Indonesian island of Sulawesi. Goera neboissi sp. n., G. jolanda sp. n., and G. higleri sp. n. were found to be related to G. skiasma Neboiss, which is the only previously recorded species from Sulawesi. These species share the following combination of characters: an upright IXth segment; the absence of the median dorsal process of tergum X; a long, mesal process of the inferior appendage with a subbasal projection; and, the absence of parameres

Art and Fear : an introduction.

Following the controversial reception of ‘La Procedure Silence’ (2000) Virilio felt the English translation of ‘Art and Fear’ needed an introduction to clarify his views on contemporary art, technology and the body. For Continuum, the success of output 1 made Armitage the obvious choice. Output 2 links CARcentre activities to Holocaust research at Northumbria. In 2007, the School of Arts and Social Sciences appointed Konopka-Klus (curator of the Auschwitz Museum) as Visiting Fellow, following a series of highly successful lectures on the role of art at the Auschwitz-Birkenau camp. This was organised as part of an interdisciplinary project that makes Northumbria the only UK University with formal links to Auschwitz, and with a Holocaust Studies module that offers field trips to Auschwitz as part of the syllabus. Whilst working on this output (and an associated study: ‘The Aesthetics of Auschwitz’, HTV 50, Amsterdam [2003]) Armitage helped Rowe develop a theoretical understanding of the politics of suffering, for an AHRC funded practice-led doctorate entitled: Communicating Pain: Can physical pain, especially gynaecological pain and its associated psychological effects, be communicated and understood through art? Armitage’s introduction complements studies such as Nicholas Zurbrugg’s ‘Hyperviolence and Hypersexuality: Paul Virilio’ (Eyeline, 45, autumn/winter 2001). The output led to Armitage being asked to be keynote speaker at ‘Paul Virilio und die Künste’, an international conference at the Zentrum für Kunst und Medientechnologie (ZKM), Karlsruhe, Germany, 2006. Armitage presented a paper entitled ‘Virilio Over Hypermodern America: On the Recent Art of Jordan Crandall, Joy Garnett, and Elin O’Hara Slavick’. The paper will shortly be published in an edited book by Peter Weibel, the Director of ZKM. It will also be entitled ‘Paul Virilio und die Künste’, and will be published in German, by ZKM, in collaboration with publishers Merve Verlag, in Berlin, December 2007

The potential of RIVPACS for predicting the effects of environmental change

RIVPACS has been used successfully for biological assessment of river water quality but its potential in forecasting the effects of environmental change has not been investigated. This study has shown that it is possible to simulate faunal changes in response to environmental disturbance, provided that the disturbance directly involves the environmental variables used in RIVPACS predictions. These variables relate to channel shape, discharge and substratum. Many impacts, particularly those associated with pollution, will not affect these variables and therefore RIVPACS cannot simulate the effects of pollution. RIVPACS was sensitive only to major changes in substratum. It was concluded that, because of the static nature of RIVPACS, it cannot respond to the dynamic effects and processes associated with environmental disturbance. Thus RIVPACS, while showing direction of change and indicating sensitive taxa, cannot be used to predict or forecast the effects of environmental impacts

Crime Prevention through Environmental Design

This chapter is concerned with the extent to which the individual design features of the built environment (such as a house, school, shopping mall or hospital), as well as the natural environment surrounding those buildings, impact upon crime risk, and subsequently, how these features can be altered to reduce that level of risk. This approach is known as Crime Prevention through Environmental Design (CPTED). CPTED draws upon opportunity theories that assert that those involved in, or considering, criminality are influenced (to some extent) by their immediate environmen