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    -'κ°€μ‘±μ£Όμ˜'λ₯Ό μ€‘μ‹¬μœΌλ‘œ-

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    ν•™μœ„λ…Όλ¬Έ(석사) -- μ„œμšΈλŒ€ν•™κ΅λŒ€ν•™μ› : μ‚¬λ²”λŒ€ν•™ κ΅­μ–΄κ΅μœ‘κ³Ό(ν•œκ΅­μ–΄κ΅μœ‘μ „κ³΅), 2022.2. 고정희.The purpose of this study is to seek cultural education plans for advanced Chinese learners with a focus on Familism, which is the core of Korean value culture. From the perspective that modern Korean poetry is suitable as a sanction for value culture education, this study examines the possibility of value culture education in consideration of the advisoryization of learners who encounter other cultures and presupposes the following perspective. First, modern Korean poetry is closely related to human life, so through this, it is possible to form a consensus between cultures and share critical reflection on the world by comprehensively understanding the conditions of other people's lives. Second, Since Familism plays an important role in shaping Korean culture, it is worth selecting and researching it as a research problem. This study first reviewed the concepts and characteristics of value culture and examined the attributes and elements of Familism culture as a value culture. In addition, the principles necessary for modern Korean cities to utilize them in the educational field from the perspective of appropriate sanctions for educating value culture were presented. The principles of Korean value culture education using modern poetry consist of three stages: 'activation of cultural understanding through poetry text understanding', 'intercultural communication through ventilation of experiences', and 'formation of intercultural attitudes through reflection', which is the theoretical basis of Korean value culture education using modern poetry. Based on these discussions, this study analyzed and classified the actual response patterns of high-quality Chinese Korean learners to the Familism culture. As a result, learners' patterns were divided into 'cultural understanding based on poetry text understanding', 'intercultural communication through ventilation of experiences', 'formation of intercultural attitudes through reflection', and 'Characteristics of responses by learner group and limitations of understanding other cultures'. In other words, Chinese learners approach the target culture by first grasping the meaning of a given poem text in the process of accessing the value culture through poetry text. Next, by evoking one's own experience, awareness of value culture is formed through past literature experiences related to text or social and historical cultural experiences, and intercultural communication is achieved. By comparing and communicating with self-culture, learners finally realize the characteristics of personal identity, form an intercultural perspective, and re-establish a sense of value by creating a sense of reflection on self-culture through poetic empathy. In addition, this paper examined the characteristics of responses by learner group and obstacles to understanding value culture based on specific data. Based on the possibilities and implications confirmed in the above analysis of the value culture response patterns of Chinese learners, the design of Korean Familism cultural education using modern poetry was devised. First of all, the goals of education were divided into 'realization of cultural understanding through knowledge acquisition', 'improvement of cultural interpretation ability through comparison and communication', and 'definite cultural understanding through poetic empathy'. Subsequently, the contents of education were set step by step as 'Emphasis on the specificity of Familism culture through the interpretation of cultural information in modern poetry', 'Securing objective awareness of individual sacrifice through reading modern poetry in mutual textual relationships', and 'Breaking away from stereotypes about patriarchy through understanding the social and historical context of text', Teaching and learning methods to implement this suggested 'Facilitate the understanding of poetry texts by providing teachers' questions', 'Inquiry from a relative perspective through sharing of reviews by learners in Korea and China', and 'Formation of reflective attitudes through discussions between learners and conversations with teachers'. In Korean culture education, there have not been many studies dealing with Familism culture, especially using modern poetry. This study is meaningful in that it uses modern poetry to objectify learners' self-culture and Korean value culture, promote reflective reflection and re-establishment of values and mutual cultural identity.λ³Έ μ—°κ΅¬λŠ” 쀑ꡭ인 ν•œκ΅­μ–΄ κ³ κΈ‰ ν•™μŠ΅μžλ₯Ό λŒ€μƒμœΌλ‘œ ν•œκ΅­ κ°€μΉ˜λ¬Έν™”μ˜ 핡심인 κ°€μ‘±μ£Όμ˜μ— μ΄ˆμ μ„ 두어 λ¬Έν™”κ΅μœ‘ λ°©μ•ˆμ„ λͺ¨μƒ‰ν•˜λŠ” 데에 λͺ©μ μ„ λ‘”λ‹€. 이 μ—°κ΅¬λŠ” λ‹€μŒκ³Ό 같은 관점을 μ „μ œλ‘œ ν•˜μ—¬, 타문화λ₯Ό μ ‘ν•˜λŠ” ν•™μŠ΅μžλ“€μ˜ μžλ¬Έν™”λ₯Ό κ³ λ €ν•œ ν•œκ΅­ κ°€μΉ˜λ¬Έν™” ꡐ윑의 κ°€λŠ₯성에 λŒ€ν•΄ κ³ μ°°ν•˜κ³ μž ν•œλ‹€. 첫째, ν•œκ΅­ ν˜„λŒ€μ‹œλŠ” μΈκ°„μ˜ μ‚Άκ³Ό λ°€μ ‘ν•˜κ²Œ κ΄€λ ¨λ˜μ–΄ μžˆμ–΄ 이λ₯Ό 톡해 νƒ€μžμ˜ μ‚Άμ˜ 쑰건을 총체적으둜 μ΄ν•΄ν•¨μœΌλ‘œμ¨ λ¬Έν™” κ°„ κ³΅κ°λŒ€λ₯Ό ν˜•μ„±ν•˜κ³  세계에 λŒ€ν•œ λΉ„νŒμ  성찰을 κ³΅μœ ν•  수 μžˆλ‹€. λ‘˜μ§Έ, κ°€μ‘±μ£Όμ˜κ°€ ν•œκ΅­μ˜ λ¬Έν™”λ₯Ό ν˜•μ„±ν•˜λŠ” 데 μ€‘μš”ν•œ 역할을 ν•˜κΈ° λ•Œλ¬Έμ— 이λ₯Ό μ—°κ΅¬λ¬Έμ œλ‘œ μ„ μ •ν•˜μ—¬ 연ꡬ할 κ°€μΉ˜κ°€ μžˆλ‹€. 이λ₯Ό μœ„ν•΄ λ³Έ μ—°κ΅¬λŠ” λ¨Όμ € κ°€μΉ˜λ¬Έν™”μ˜ κ°œλ… 및 νŠΉμ„±μ„ κ²€ν† ν•˜κ³  κ°€μΉ˜λ¬Έν™”λ‘œμ„œμ˜ κ°€μ‘±μ£Όμ˜ λ¬Έν™”μ˜ 속성 및 μš”μ†Œλ₯Ό μ‚΄νŽ΄λ³΄μ•˜λ‹€. μ•„μšΈλŸ¬ ν•œκ΅­ ν˜„λŒ€μ‹œκ°€ κ°€μΉ˜λ¬Έν™”λ₯Ό κ΅μœ‘ν•˜λŠ” 데 μ μ ˆν•œ μ œμž¬λΌλŠ” κ΄€μ μ—μ„œ ꡐ윑 ν˜„μž₯μ—μ„œ 이λ₯Ό ν™œμš©ν•˜λŠ” 데 ν•„μš”ν•œ 원리λ₯Ό μ œμ‹œν•˜μ˜€λ‹€. ν˜„λŒ€μ‹œλ₯Ό ν™œμš©ν•œ ν•œκ΅­ κ°€μΉ˜λ¬Έν™” ꡐ윑의 λ‹¨κ³„λŠ” 'μ‹œ ν…μŠ€νŠΈ 이해λ₯Ό ν†΅ν•œ λ¬Έν™”μ΄ν•΄μ˜ ν™œμ„±ν™”', 'κ²½ν—˜μ˜ ν™˜κΈ°λ₯Ό ν†΅ν•œ λ¬Έν™” κ°„ μ†Œν†΅', '성찰을 ν†΅ν•œ μƒν˜Έλ¬Έν™”μ  νƒœλ„μ˜ ν˜•μ„±'의 μ„Έ λ‹¨κ³„λ‘œ κ΅¬μ„±λ˜λ©°, μ΄λŠ” ν˜„λŒ€μ‹œλ₯Ό ν™œμš©ν•œ ν•œκ΅­ κ°€μΉ˜λ¬Έν™” ꡐ윑의 이둠적 바탕이 λœλ‹€. μ΄λŸ¬ν•œ λ…Όμ˜λ₯Ό λ°”νƒ•μœΌλ‘œ λ³Έ μ—°κ΅¬λŠ” μ‹€μ œ 쀑ꡭ인 ν•œκ΅­μ–΄ κ³ κΈ‰ ν•™μŠ΅μžμ˜ κ°€μ‘±μ£Όμ˜ 문화에 λŒ€ν•œ λ°˜μ‘ 양상을 λΆ„μ„ν•˜κ³  이λ₯Ό λΆ„λ₯˜ν•˜μ˜€λ‹€. κ·Έ κ²°κ³Ό ν•™μŠ΅μžμ˜ 양상을 'μ‹œ ν…μŠ€νŠΈ 이해에 μž…κ°ν•œ 문화이해', 'κ²½ν—˜μ˜ ν™˜κΈ°λ₯Ό ν†΅ν•œ λ¬Έν™” κ°„ μ†Œν†΅', '성찰을 ν†΅ν•œ μƒν˜Έλ¬Έν™”μ  νƒœλ„μ˜ ν˜•μ„±', 'ν•™μŠ΅μž 집단별 λ°˜μ‘μ˜ νŠΉμ§•κ³Ό 타문화 μ΄ν•΄μ˜ ν•œκ³„'둜 λ‚˜λˆ„μ—ˆλ‹€. 이λ₯Ό ꡬ체적으둜 μ‚΄νŽ΄λ³΄λ©΄, 쀑ꡭ인 ν•™μŠ΅μžλŠ” μ‹œ ν…μŠ€νŠΈλ₯Ό 톡해 κ°€μΉ˜λ¬Έν™”λ₯Ό μ ‘ν•˜λŠ” κ³Όμ •μ—μ„œ μš°μ„  주어진 μ‹œ ν…μŠ€νŠΈμ˜ 의미λ₯Ό νŒŒμ•…ν•¨μœΌλ‘œμ¨ λͺ©ν‘œλ¬Έν™”에 μ ‘κ·Όν•˜κ²Œ λœλ‹€. λ‹€μŒμœΌλ‘œ μžμ‹ μ˜ κ²½ν—˜μ„ ν™˜κΈ°μ‹œμΌœ ν…μŠ€νŠΈμ™€ κ΄€λ ¨λœ 과거의 λ¬Έν•™ κ²½ν—˜μ΄λ‚˜ μ‚¬νšŒΒ·μ—­μ‚¬μ  λ¬Έν™”κ²½ν—˜μ„ 톡해 κ°€μΉ˜λ¬Έν™”μ— λŒ€ν•œ 인식을 ν˜•μ„±ν•˜κ³ , κ·Έ κ³Όμ •μ—μ„œ λ¬Έν™” κ°„ μ†Œν†΅μ΄ 이루어진닀. μ΄λ ‡κ²Œ μžλ¬Έν™”μ™€ 타문화λ₯Ό λΉ„κ΅Β·μ†Œν†΅ν•¨μœΌλ‘œμ¨ 끝으둜 ν•™μŠ΅μžλŠ” 개인적 정체성 의 νŠΉμ„±μ„ κΉ¨λ‹«κ²Œ λ˜λ©΄μ„œ μƒν˜Έλ¬Έν™”μ  관점을 ν˜•μ„±ν•˜κ³ , μ‹œμ  곡감을 톡해 μžλ¬Έν™”μ— λŒ€ν•œ μ„±μ°° μ˜μ‹μ΄ μƒκΈ°λ©΄μ„œ κ°€μΉ˜κ΄€ μ˜μ‹μ„ μž¬ν™•λ¦½ν•˜κ²Œ λœλ‹€. μ•„μšΈλŸ¬ λ³Έκ³ λŠ” ꡬ체적인 자료λ₯Ό 근거둜 ν•™μŠ΅μž 집단별 λ°˜μ‘μ˜ νŠΉμ§•κ³Ό κ°€μΉ˜λ¬Έν™” μ΄ν•΄μ˜ ν•œκ³„λ„ μ‚΄νŽ΄λ³΄μ•˜λ‹€. μœ„μ™€ 같은 쀑ꡭ인 ν•™μŠ΅μžμ˜ κ°€μΉ˜λ¬Έν™” λ°˜μ‘ 양상 λΆ„μ„μ—μ„œ ν™•μΈλœ κ°€λŠ₯μ„±κ³Ό μ‹œμ‚¬μ μ„ λ°”νƒ•μœΌλ‘œ ν˜„λŒ€μ‹œλ₯Ό ν™œμš©ν•œ ν•œκ΅­ κ°€μ‘±μ£Όμ˜ λ¬Έν™”κ΅μœ‘μ˜ 섀계λ₯Ό κ΅¬μ•ˆν•˜μ˜€λ‹€. μš°μ„  ꡐ윑의 λͺ©ν‘œλŠ” '지식 μŠ΅λ“μ„ ν†΅ν•œ λ¬Έν™” μ΄ν•΄μ˜ ꡬ체화', '비ꡐ와 μ†Œν†΅μ„ ν†΅ν•œ λ¬Έν™” 해석 λŠ₯λ ₯의 μ‹ μž₯', 'μ‹œμ  곡감을 ν†΅ν•œ μ •μ˜μ  λ¬Έν™” 이해'둜 λ‚˜λˆ„μ–΄ μ œμ‹œν•˜μ˜€λ‹€. μ΄μ–΄μ„œ ꡐ윑의 λ‚΄μš©μ€ 'ν˜„λŒ€μ‹œ 문화정보 해석을 ν†΅ν•œ κ°€μ‘±μ£Όμ˜ λ¬Έν™”μ˜ νŠΉμˆ˜μ„± κ°•μ‘°', 'μƒν˜Έν…μŠ€νŠΈ κ΄€κ³„μ˜ ν˜„λŒ€μ‹œ 읽기λ₯Ό ν†΅ν•œ κ°œμΈν¬μƒμ— λŒ€ν•œ 객관적인 인식 확보', 'ν…μŠ€νŠΈμ˜ μ‚¬νšŒΒ·μ—­μ‚¬μ  λ§₯락 이해λ₯Ό ν†΅ν•œ κ°€λΆ€μž₯μ œμ— λŒ€ν•œ κ³ μ •κ΄€λ…μ˜ νƒˆν”Ό'둜 μ„€μ •ν•˜μ˜€λ‹€. 이λ₯Ό κ΅¬ν˜„ν•˜κΈ° μœ„ν•œ κ΅μˆ˜Β·ν•™μŠ΅ 방법은 'κ΅μ‚¬μ˜ 발문 μ œκ³΅μ„ ν†΅ν•œ μ‹œ ν…μŠ€νŠΈ μ΄ν•΄μ˜ 촉진', 'μž¬ν•œΒ·μž¬μ€‘ ν•™μŠ΅μžμ˜ 감상문 곡유λ₯Ό ν†΅ν•œ μƒλŒ€μ  κ΄€μ μ˜ 쑰회', 'ν•™μŠ΅μž κ°„ ν† λ‘  및 κ΅μ‚¬μ™€μ˜ λŒ€ν™”λ₯Ό ν†΅ν•œ 성찰적 νƒœλ„μ˜ ν˜•μ„±'을 μ œμ‹œν•˜μ˜€λ‹€. μ•„μ§κΉŒμ§€ ν•œκ΅­μ–΄ λ¬Έν™”κ΅μœ‘μ—μ„œ 특히 ν˜„λŒ€μ‹œλ₯Ό ν™œμš©ν•˜μ—¬ κ°€μ‘±μ£Όμ˜ λ¬Έν™”λ₯Ό λ‹€λ£¨λŠ” μ—°κ΅¬λŠ” μΆ©λΆ„νžˆ 이루어지지 λͺ»ν–ˆλ‹€. 이 μ—°κ΅¬λŠ” ν˜„λŒ€μ‹œλ₯Ό ν™œμš©ν•˜μ—¬ ν•™μŠ΅μžμ˜ μžλ¬Έν™”μ™€ ν•œκ΅­ κ°€μΉ˜λ¬Έν™”λ₯Ό κ΄€λ ¨μ§“λŠ” κ³Όμ •μ—μ„œ 타문화에 λŒ€ν•œ 인식을 κ°κ΄€ν™”ν•˜κ³  μžλ¬Έν™”μ— λŒ€ν•œ 성찰적인 λ°˜μ„±κ³Ό κ°€μΉ˜κ΄€μ˜ μž¬ν™•λ¦½μ„ μ΄‰μ§„μ‹œν‚€λ©°, μƒν˜Έλ¬Έν™”μ  정체성을 ν˜•μ„±ν•˜λŠ” λ°©μ•ˆμ„ λ„μΆœν•˜μ˜€λ‹€λŠ” μ μ—μ„œ μ˜μ˜κ°€ μžˆλ‹€.β… . μ„œλ‘  1 1. 문제 제기 및 연ꡬ λͺ©μ  1 2. 연ꡬ사 κ²€ν†  4 3. μ—°κ΅¬λŒ€μƒ 및 연ꡬ방법 15 β…‘. ν˜„λŒ€μ‹œλ₯Ό ν™œμš©ν•œ ν•œκ΅­ κ°€μΉ˜λ¬Έν™” ꡐ윑의 μ „μ œ 34 1. ν˜„λŒ€μ‹œλ₯Ό ν™œμš©ν•œ ν•œκ΅­ κ°€μΉ˜λ¬Έν™” ꡐ윑의 이둠 34 1.1 κ°€μΉ˜λ¬Έν™”λ‘œμ„œμ˜ κ°€μ‘±μ£Όμ˜ λ¬Έν™” 34 (1) κ°€μΉ˜λ¬Έν™”μ˜ κ°œλ… 및 νŠΉμ„± 34 (2) κ°€μ‘±μ£Όμ˜ λ¬Έν™”μ˜ 속성 및 μš”μ†Œ 37 1.2 μƒν˜Έλ¬Έν™”κ΅μœ‘μ— μž…κ°ν•œ κ°€μΉ˜λ¬Έν™” ꡐ윑 46 1.3 ν˜„λŒ€μ‹œλ₯Ό ν™œμš©ν•œ ν•œκ΅­ κ°€μΉ˜λ¬Έν™” ꡐ윑의 성격 49 2. ν˜„λŒ€μ‹œλ₯Ό ν™œμš©ν•œ ν•œκ΅­ κ°€μΉ˜λ¬Έν™” ꡐ윑의 단계 51 2.1 μ‹œ ν…μŠ€νŠΈ 이해λ₯Ό ν†΅ν•œ λ¬Έν™”μ΄ν•΄μ˜ ν™œμ„±ν™” 52 2.2 κ²½ν—˜μ˜ ν™˜κΈ°λ₯Ό ν†΅ν•œ λ¬Έν™” κ°„ μ†Œν†΅ 54 2.3 성찰을 ν†΅ν•œ μƒν˜Έλ¬Έν™”μ  νƒœλ„μ˜ ν˜•μ„± 55 3. ν˜„λŒ€μ‹œλ₯Ό ν™œμš©ν•œ ν•œκ΅­ κ°€μΉ˜λ¬Έν™” ꡐ윑의 의의 58 3.1 μ‹œμ–΄ν‘œν˜„μ„ ν†΅ν•œ λ¬Έν™” ν–₯유 58 3.2 λ¬Έν™” κ°„ μ†Œν†΅μ„ ν†΅ν•œ λŠ₯동적인 인식 탐색 59 3.3 성찰적 κ°€μΉ˜ 인식에 κΈ°λ°˜ν•œ νƒœλ„ μ‘°μ • 60 β…’. κ°€μ‘±μ£Όμ˜ 문화에 λŒ€ν•œ 쀑ꡭ인 ν•™μŠ΅μžμ˜ λ°˜μ‘ 양상 63 1. μ‹œ ν…μŠ€νŠΈ 이해에 μž…κ°ν•œ 문화이해 64 1.1 μ‹œμ  μ–Έμ–΄ν‘œν˜„μ„ ν†΅ν•œ 문화정보 발견 64 1.2 μ‹œμ  μ •μ„œ μ²΄ν—˜μ„ ν†΅ν•œ νƒ€λ¬Έν™”μ˜ μ •μ˜μ  μ ‘κ·Ό 72 2. κ²½ν—˜μ˜ ν™˜κΈ°λ₯Ό ν†΅ν•œ λ¬Έν™” κ°„ μ†Œν†΅ 79 2.1 κ²½ν—˜κ³Ό 관련짓기λ₯Ό ν†΅ν•œ 자기 인식 탐색 79 2.2 μ‚¬νšŒμ—­μ‚¬μ  λ§₯락을 ν†΅ν•œ 타문화 μ΄ν•΄μ˜ ν™•μž₯ 87 3. 성찰을 ν†΅ν•œ μƒν˜Έλ¬Έν™”μ  νƒœλ„μ˜ ν˜•μ„± 91 3.1 μ‹œμ  곡감을 ν†΅ν•œ κ°€μΉ˜κ΄€ μ˜μ‹μ˜ μž¬ν™•λ¦½ 91 3.2 주체적 νƒœλ„ 쑰정을 ν†΅ν•œ λΉ„νŒμ  μΈμ‹μ˜ ν˜•μ„± 95 4. ν•™μŠ΅μž 집단별 λ°˜μ‘μ˜ νŠΉμ§•κ³Ό 타문화 μ΄ν•΄μ˜ ν•œκ³„ 96 4.1 μž¬ν•œ ν•™μŠ΅μž: 개인의 λ¬Έν™” κ²½ν—˜μœΌλ‘œ μΈν•œ ν•œκ΅­λ¬Έν™” νŠΉμˆ˜μ„± 이해 λΆ€μ‘± 9 6 4.2 μž¬μ€‘ ν•™μŠ΅μž: μžλ¬Έν™”μ€‘μ‹¬μ£Όμ˜λ‘œ μΈν•œ κ°œμΈν¬μƒ 곡감 λΆ€μ‘± 99 4.3 μž¬μ€‘μž¬ν•œ ν•™μŠ΅μž: κ°€λΆ€μž₯μ œμ— λŒ€ν•œ 무쑰건적 λΉ„νŒ 101 β…£. ν˜„λŒ€μ‹œλ₯Ό ν™œμš©ν•œ ν•œκ΅­ κ°€μ‘±μ£Όμ˜ λ¬Έν™”κ΅μœ‘μ˜ 섀계 104 1. ν˜„λŒ€μ‹œλ₯Ό ν™œμš©ν•œ ν•œκ΅­ κ°€μ‘±μ£Όμ˜ λ¬Έν™”κ΅μœ‘μ˜ λͺ©ν‘œ 104 1.1 지식 μŠ΅λ“μ„ ν†΅ν•œ λ¬Έν™” μ΄ν•΄μ˜ ꡬ체화 105 1.2 비ꡐ와 μ†Œν†΅μ„ ν†΅ν•œ λ¬Έν™” 해석 λŠ₯λ ₯의 μ‹ μž₯ 106 1.3 μ‹œμ  곡감을 ν†΅ν•œ μ •μ˜μ  λ¬Έν™” 이해 106 2. ν˜„λŒ€μ‹œλ₯Ό ν™œμš©ν•œ ν•œκ΅­ κ°€μ‘±μ£Όμ˜ λ¬Έν™”κ΅μœ‘μ˜ λ‚΄μš© 107 2.1 ν˜„λŒ€μ‹œ 문화정보 해석을 ν†΅ν•œ κ°€μ‘±μ£Όμ˜ λ¬Έν™”μ˜ νŠΉμˆ˜μ„± κ°•μ‘° 108 2.2 μƒν˜Έν…μŠ€νŠΈ κ΄€κ³„μ˜ ν˜„λŒ€μ‹œ 읽기λ₯Ό ν†΅ν•œ κ°œμΈν¬μƒμ— λŒ€ν•œ 객관적인 인식 확보 109 2.3 ν…μŠ€νŠΈμ˜ μ‚¬νšŒμ—­μ‚¬μ  λ§₯락 이해λ₯Ό ν†΅ν•œ κ°€λΆ€μž₯μ œμ— λŒ€ν•œ κ³ μ •κ΄€λ…μ˜ νƒˆν”Ό 110 3. ν˜„λŒ€μ‹œλ₯Ό ν™œμš©ν•œ ν•œκ΅­ κ°€μ‘±μ£Όμ˜ λ¬Έν™”κ΅μœ‘μ˜ 방법 111 3.1 κ΅μ‚¬μ˜ 발문 μ œκ³΅μ„ ν†΅ν•œ μ‹œ ν…μŠ€νŠΈ μ΄ν•΄μ˜ 촉진 111 3.2 μž¬ν•œμž¬μ€‘ ν•™μŠ΅μžμ˜ 감상문 곡유λ₯Ό ν†΅ν•œ μƒλŒ€μ  κ΄€μ μ˜ 쑰회 113 3.3 ν•™μŠ΅μž κ°„ ν† λ‘  및 κ΅μ‚¬μ™€μ˜ λŒ€ν™”λ₯Ό ν†΅ν•œ 성찰적 νƒœλ„μ˜ ν˜•μ„± 116 β…€. κ²°λ‘  118 μ°Έκ³ λ¬Έν—Œ 122 뢀둝 130 Abstract 134석

    -'κ°€μ‘±μ£Όμ˜'λ₯Ό μ€‘μ‹¬μœΌλ‘œ-

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    The purpose of this study is to seek cultural education plans for advanced Chinese learners with a focus on Familism, which is the core of Korean value culture. From the perspective that modern Korean poetry is suitable as a sanction for value culture education, this study examines the possibility of value culture education in consideration of the advisoryization of learners who encounter other cultures and presupposes the following perspective. First, modern Korean poetry is closely related to human life, so through this, it is possible to form a consensus between cultures and share critical reflection on the world by comprehensively understanding the conditions of other people's lives. Second, Since Familism plays an important role in shaping Korean culture, it is worth selecting and researching it as a research problem. This study first reviewed the concepts and characteristics of value culture and examined the attributes and elements of Familism culture as a value culture. In addition, the principles necessary for modern Korean cities to utilize them in the educational field from the perspective of appropriate sanctions for educating value culture were presented. The principles of Korean value culture education using modern poetry consist of three stages: 'activation of cultural understanding through poetry text understanding', 'intercultural communication through ventilation of experiences', and 'formation of intercultural attitudes through reflection', which is the theoretical basis of Korean value culture education using modern poetry. Based on these discussions, this study analyzed and classified the actual response patterns of high-quality Chinese Korean learners to the Familism culture. As a result, learners' patterns were divided into 'cultural understanding based on poetry text understanding', 'intercultural communication through ventilation of experiences', 'formation of intercultural attitudes through reflection', and 'Characteristics of responses by learner group and limitations of understanding other cultures'. In other words, Chinese learners approach the target culture by first grasping the meaning of a given poem text in the process of accessing the value culture through poetry text. Next, by evoking one's own experience, awareness of value culture is formed through past literature experiences related to text or social and historical cultural experiences, and intercultural communication is achieved. By comparing and communicating with self-culture, learners finally realize the characteristics of personal identity, form an intercultural perspective, and re-establish a sense of value by creating a sense of reflection on self-culture through poetic empathy. In addition, this paper examined the characteristics of responses by learner group and obstacles to understanding value culture based on specific data. Based on the possibilities and implications confirmed in the above analysis of the value culture response patterns of Chinese learners, the design of Korean Familism cultural education using modern poetry was devised. First of all, the goals of education were divided into 'realization of cultural understanding through knowledge acquisition', 'improvement of cultural interpretation ability through comparison and communication', and 'definite cultural understanding through poetic empathy'. Subsequently, the contents of education were set step by step as 'Emphasis on the specificity of Familism culture through the interpretation of cultural information in modern poetry', 'Securing objective awareness of individual sacrifice through reading modern poetry in mutual textual relationships', and 'Breaking away from stereotypes about patriarchy through understanding the social and historical context of text', Teaching and learning methods to implement this suggested 'Facilitate the understanding of poetry texts by providing teachers' questions', 'Inquiry from a relative perspective through sharing of reviews by learners in Korea and China', and 'Formation of reflective attitudes through discussions between learners and conversations with teachers'. In Korean culture education, there have not been many studies dealing with Familism culture, especially using modern poetry. This study is meaningful in that it uses modern poetry to objectify learners' self-culture and Korean value culture, promote reflective reflection and re-establishment of values and mutual cultural identity.λ³Έ μ—°κ΅¬λŠ” 쀑ꡭ인 ν•œκ΅­μ–΄ κ³ κΈ‰ ν•™μŠ΅μžλ₯Ό λŒ€μƒμœΌλ‘œ ν•œκ΅­ κ°€μΉ˜λ¬Έν™”μ˜ 핡심인 κ°€μ‘±μ£Όμ˜μ— μ΄ˆμ μ„ 두어 λ¬Έν™”κ΅μœ‘ λ°©μ•ˆμ„ λͺ¨μƒ‰ν•˜λŠ” 데에 λͺ©μ μ„ λ‘”λ‹€. 이 μ—°κ΅¬λŠ” λ‹€μŒκ³Ό 같은 관점을 μ „μ œλ‘œ ν•˜μ—¬, 타문화λ₯Ό μ ‘ν•˜λŠ” ν•™μŠ΅μžλ“€μ˜ μžλ¬Έν™”λ₯Ό κ³ λ €ν•œ ν•œκ΅­ κ°€μΉ˜λ¬Έν™” ꡐ윑의 κ°€λŠ₯성에 λŒ€ν•΄ κ³ μ°°ν•˜κ³ μž ν•œλ‹€. 첫째, ν•œκ΅­ ν˜„λŒ€μ‹œλŠ” μΈκ°„μ˜ μ‚Άκ³Ό λ°€μ ‘ν•˜κ²Œ κ΄€λ ¨λ˜μ–΄ μžˆμ–΄ 이λ₯Ό 톡해 νƒ€μžμ˜ μ‚Άμ˜ 쑰건을 총체적으둜 μ΄ν•΄ν•¨μœΌλ‘œμ¨ λ¬Έν™” κ°„ κ³΅κ°λŒ€λ₯Ό ν˜•μ„±ν•˜κ³  세계에 λŒ€ν•œ λΉ„νŒμ  성찰을 κ³΅μœ ν•  수 μžˆλ‹€. λ‘˜μ§Έ, κ°€μ‘±μ£Όμ˜κ°€ ν•œκ΅­μ˜ λ¬Έν™”λ₯Ό ν˜•μ„±ν•˜λŠ” 데 μ€‘μš”ν•œ 역할을 ν•˜κΈ° λ•Œλ¬Έμ— 이λ₯Ό μ—°κ΅¬λ¬Έμ œλ‘œ μ„ μ •ν•˜μ—¬ 연ꡬ할 κ°€μΉ˜κ°€ μžˆλ‹€. 이λ₯Ό μœ„ν•΄ λ³Έ μ—°κ΅¬λŠ” λ¨Όμ € κ°€μΉ˜λ¬Έν™”μ˜ κ°œλ… 및 νŠΉμ„±μ„ κ²€ν† ν•˜κ³  κ°€μΉ˜λ¬Έν™”λ‘œμ„œμ˜ κ°€μ‘±μ£Όμ˜ λ¬Έν™”μ˜ 속성 및 μš”μ†Œλ₯Ό μ‚΄νŽ΄λ³΄μ•˜λ‹€. μ•„μšΈλŸ¬ ν•œκ΅­ ν˜„λŒ€μ‹œκ°€ κ°€μΉ˜λ¬Έν™”λ₯Ό κ΅μœ‘ν•˜λŠ” 데 μ μ ˆν•œ μ œμž¬λΌλŠ” κ΄€μ μ—μ„œ ꡐ윑 ν˜„μž₯μ—μ„œ 이λ₯Ό ν™œμš©ν•˜λŠ” 데 ν•„μš”ν•œ 원리λ₯Ό μ œμ‹œν•˜μ˜€λ‹€. ν˜„λŒ€μ‹œλ₯Ό ν™œμš©ν•œ ν•œκ΅­ κ°€μΉ˜λ¬Έν™” ꡐ윑의 λ‹¨κ³„λŠ” 'μ‹œ ν…μŠ€νŠΈ 이해λ₯Ό ν†΅ν•œ λ¬Έν™”μ΄ν•΄μ˜ ν™œμ„±ν™”', 'κ²½ν—˜μ˜ ν™˜κΈ°λ₯Ό ν†΅ν•œ λ¬Έν™” κ°„ μ†Œν†΅', '성찰을 ν†΅ν•œ μƒν˜Έλ¬Έν™”μ  νƒœλ„μ˜ ν˜•μ„±'의 μ„Έ λ‹¨κ³„λ‘œ κ΅¬μ„±λ˜λ©°, μ΄λŠ” ν˜„λŒ€μ‹œλ₯Ό ν™œμš©ν•œ ν•œκ΅­ κ°€μΉ˜λ¬Έν™” ꡐ윑의 이둠적 바탕이 λœλ‹€. μ΄λŸ¬ν•œ λ…Όμ˜λ₯Ό λ°”νƒ•μœΌλ‘œ λ³Έ μ—°κ΅¬λŠ” μ‹€μ œ 쀑ꡭ인 ν•œκ΅­μ–΄ κ³ κΈ‰ ν•™μŠ΅μžμ˜ κ°€μ‘±μ£Όμ˜ 문화에 λŒ€ν•œ λ°˜μ‘ 양상을 λΆ„μ„ν•˜κ³  이λ₯Ό λΆ„λ₯˜ν•˜μ˜€λ‹€. κ·Έ κ²°κ³Ό ν•™μŠ΅μžμ˜ 양상을 'μ‹œ ν…μŠ€νŠΈ 이해에 μž…κ°ν•œ 문화이해', 'κ²½ν—˜μ˜ ν™˜κΈ°λ₯Ό ν†΅ν•œ λ¬Έν™” κ°„ μ†Œν†΅', '성찰을 ν†΅ν•œ μƒν˜Έλ¬Έν™”μ  νƒœλ„μ˜ ν˜•μ„±', 'ν•™μŠ΅μž 집단별 λ°˜μ‘μ˜ νŠΉμ§•κ³Ό 타문화 μ΄ν•΄μ˜ ν•œκ³„'둜 λ‚˜λˆ„μ—ˆλ‹€. 이λ₯Ό ꡬ체적으둜 μ‚΄νŽ΄λ³΄λ©΄, 쀑ꡭ인 ν•™μŠ΅μžλŠ” μ‹œ ν…μŠ€νŠΈλ₯Ό 톡해 κ°€μΉ˜λ¬Έν™”λ₯Ό μ ‘ν•˜λŠ” κ³Όμ •μ—μ„œ μš°μ„  주어진 μ‹œ ν…μŠ€νŠΈμ˜ 의미λ₯Ό νŒŒμ•…ν•¨μœΌλ‘œμ¨ λͺ©ν‘œλ¬Έν™”에 μ ‘κ·Όν•˜κ²Œ λœλ‹€. λ‹€μŒμœΌλ‘œ μžμ‹ μ˜ κ²½ν—˜μ„ ν™˜κΈ°μ‹œμΌœ ν…μŠ€νŠΈμ™€ κ΄€λ ¨λœ 과거의 λ¬Έν•™ κ²½ν—˜μ΄λ‚˜ μ‚¬νšŒΒ·μ—­μ‚¬μ  λ¬Έν™”κ²½ν—˜μ„ 톡해 κ°€μΉ˜λ¬Έν™”μ— λŒ€ν•œ 인식을 ν˜•μ„±ν•˜κ³ , κ·Έ κ³Όμ •μ—μ„œ λ¬Έν™” κ°„ μ†Œν†΅μ΄ 이루어진닀. μ΄λ ‡κ²Œ μžλ¬Έν™”μ™€ 타문화λ₯Ό λΉ„κ΅Β·μ†Œν†΅ν•¨μœΌλ‘œμ¨ 끝으둜 ν•™μŠ΅μžλŠ” 개인적 정체성 의 νŠΉμ„±μ„ κΉ¨λ‹«κ²Œ λ˜λ©΄μ„œ μƒν˜Έλ¬Έν™”μ  관점을 ν˜•μ„±ν•˜κ³ , μ‹œμ  곡감을 톡해 μžλ¬Έν™”μ— λŒ€ν•œ μ„±μ°° μ˜μ‹μ΄ μƒκΈ°λ©΄μ„œ κ°€μΉ˜κ΄€ μ˜μ‹μ„ μž¬ν™•λ¦½ν•˜κ²Œ λœλ‹€. μ•„μšΈλŸ¬ λ³Έκ³ λŠ” ꡬ체적인 자료λ₯Ό 근거둜 ν•™μŠ΅μž 집단별 λ°˜μ‘μ˜ νŠΉμ§•κ³Ό κ°€μΉ˜λ¬Έν™” μ΄ν•΄μ˜ ν•œκ³„λ„ μ‚΄νŽ΄λ³΄μ•˜λ‹€. μœ„μ™€ 같은 쀑ꡭ인 ν•™μŠ΅μžμ˜ κ°€μΉ˜λ¬Έν™” λ°˜μ‘ 양상 λΆ„μ„μ—μ„œ ν™•μΈλœ κ°€λŠ₯μ„±κ³Ό μ‹œμ‚¬μ μ„ λ°”νƒ•μœΌλ‘œ ν˜„λŒ€μ‹œλ₯Ό ν™œμš©ν•œ ν•œκ΅­ κ°€μ‘±μ£Όμ˜ λ¬Έν™”κ΅μœ‘μ˜ 섀계λ₯Ό κ΅¬μ•ˆν•˜μ˜€λ‹€. μš°μ„  ꡐ윑의 λͺ©ν‘œλŠ” '지식 μŠ΅λ“μ„ ν†΅ν•œ λ¬Έν™” μ΄ν•΄μ˜ ꡬ체화', '비ꡐ와 μ†Œν†΅μ„ ν†΅ν•œ λ¬Έν™” 해석 λŠ₯λ ₯의 μ‹ μž₯', 'μ‹œμ  곡감을 ν†΅ν•œ μ •μ˜μ  λ¬Έν™” 이해'둜 λ‚˜λˆ„μ–΄ μ œμ‹œν•˜μ˜€λ‹€. μ΄μ–΄μ„œ ꡐ윑의 λ‚΄μš©μ€ 'ν˜„λŒ€μ‹œ 문화정보 해석을 ν†΅ν•œ κ°€μ‘±μ£Όμ˜ λ¬Έν™”μ˜ νŠΉμˆ˜μ„± κ°•μ‘°', 'μƒν˜Έν…μŠ€νŠΈ κ΄€κ³„μ˜ ν˜„λŒ€μ‹œ 읽기λ₯Ό ν†΅ν•œ κ°œμΈν¬μƒμ— λŒ€ν•œ 객관적인 인식 확보', 'ν…μŠ€νŠΈμ˜ μ‚¬νšŒΒ·μ—­μ‚¬μ  λ§₯락 이해λ₯Ό ν†΅ν•œ κ°€λΆ€μž₯μ œμ— λŒ€ν•œ κ³ μ •κ΄€λ…μ˜ νƒˆν”Ό'둜 μ„€μ •ν•˜μ˜€λ‹€. 이λ₯Ό κ΅¬ν˜„ν•˜κΈ° μœ„ν•œ κ΅μˆ˜Β·ν•™μŠ΅ 방법은 'κ΅μ‚¬μ˜ 발문 μ œκ³΅μ„ ν†΅ν•œ μ‹œ ν…μŠ€νŠΈ μ΄ν•΄μ˜ 촉진', 'μž¬ν•œΒ·μž¬μ€‘ ν•™μŠ΅μžμ˜ 감상문 곡유λ₯Ό ν†΅ν•œ μƒλŒ€μ  κ΄€μ μ˜ 쑰회', 'ν•™μŠ΅μž κ°„ ν† λ‘  및 κ΅μ‚¬μ™€μ˜ λŒ€ν™”λ₯Ό ν†΅ν•œ 성찰적 νƒœλ„μ˜ ν˜•μ„±'을 μ œμ‹œν•˜μ˜€λ‹€. μ•„μ§κΉŒμ§€ ν•œκ΅­μ–΄ λ¬Έν™”κ΅μœ‘μ—μ„œ 특히 ν˜„λŒ€μ‹œλ₯Ό ν™œμš©ν•˜μ—¬ κ°€μ‘±μ£Όμ˜ λ¬Έν™”λ₯Ό λ‹€λ£¨λŠ” μ—°κ΅¬λŠ” μΆ©λΆ„νžˆ 이루어지지 λͺ»ν–ˆλ‹€. 이 μ—°κ΅¬λŠ” ν˜„λŒ€μ‹œλ₯Ό ν™œμš©ν•˜μ—¬ ν•™μŠ΅μžμ˜ μžλ¬Έν™”μ™€ ν•œκ΅­ κ°€μΉ˜λ¬Έν™”λ₯Ό κ΄€λ ¨μ§“λŠ” κ³Όμ •μ—μ„œ 타문화에 λŒ€ν•œ 인식을 κ°κ΄€ν™”ν•˜κ³  μžλ¬Έν™”μ— λŒ€ν•œ 성찰적인 λ°˜μ„±κ³Ό κ°€μΉ˜κ΄€μ˜ μž¬ν™•λ¦½μ„ μ΄‰μ§„μ‹œν‚€λ©°, μƒν˜Έλ¬Έν™”μ  정체성을 ν˜•μ„±ν•˜λŠ” λ°©μ•ˆμ„ λ„μΆœν•˜μ˜€λ‹€λŠ” μ μ—μ„œ μ˜μ˜κ°€ μžˆλ‹€.β… . μ„œλ‘  1 1. 문제 제기 및 연ꡬ λͺ©μ  1 2. 연ꡬ사 κ²€ν†  4 3. μ—°κ΅¬λŒ€μƒ 및 연ꡬ방법 15 β…‘. ν˜„λŒ€μ‹œλ₯Ό ν™œμš©ν•œ ν•œκ΅­ κ°€μΉ˜λ¬Έν™” ꡐ윑의 μ „μ œ 34 1. ν˜„λŒ€μ‹œλ₯Ό ν™œμš©ν•œ ν•œκ΅­ κ°€μΉ˜λ¬Έν™” ꡐ윑의 이둠 34 1.1 κ°€μΉ˜λ¬Έν™”λ‘œμ„œμ˜ κ°€μ‘±μ£Όμ˜ λ¬Έν™” 34 (1) κ°€μΉ˜λ¬Έν™”μ˜ κ°œλ… 및 νŠΉμ„± 34 (2) κ°€μ‘±μ£Όμ˜ λ¬Έν™”μ˜ 속성 및 μš”μ†Œ 37 1.2 μƒν˜Έλ¬Έν™”κ΅μœ‘μ— μž…κ°ν•œ κ°€μΉ˜λ¬Έν™” ꡐ윑 46 1.3 ν˜„λŒ€μ‹œλ₯Ό ν™œμš©ν•œ ν•œκ΅­ κ°€μΉ˜λ¬Έν™” ꡐ윑의 성격 49 2. ν˜„λŒ€μ‹œλ₯Ό ν™œμš©ν•œ ν•œκ΅­ κ°€μΉ˜λ¬Έν™” ꡐ윑의 단계 51 2.1 μ‹œ ν…μŠ€νŠΈ 이해λ₯Ό ν†΅ν•œ λ¬Έν™”μ΄ν•΄μ˜ ν™œμ„±ν™” 52 2.2 κ²½ν—˜μ˜ ν™˜κΈ°λ₯Ό ν†΅ν•œ λ¬Έν™” κ°„ μ†Œν†΅ 54 2.3 성찰을 ν†΅ν•œ μƒν˜Έλ¬Έν™”μ  νƒœλ„μ˜ ν˜•μ„± 55 3. ν˜„λŒ€μ‹œλ₯Ό ν™œμš©ν•œ ν•œκ΅­ κ°€μΉ˜λ¬Έν™” ꡐ윑의 의의 58 3.1 μ‹œμ–΄ν‘œν˜„μ„ ν†΅ν•œ λ¬Έν™” ν–₯유 58 3.2 λ¬Έν™” κ°„ μ†Œν†΅μ„ ν†΅ν•œ λŠ₯동적인 인식 탐색 59 3.3 성찰적 κ°€μΉ˜ 인식에 κΈ°λ°˜ν•œ νƒœλ„ μ‘°μ • 60 β…’. κ°€μ‘±μ£Όμ˜ 문화에 λŒ€ν•œ 쀑ꡭ인 ν•™μŠ΅μžμ˜ λ°˜μ‘ 양상 63 1. μ‹œ ν…μŠ€νŠΈ 이해에 μž…κ°ν•œ 문화이해 64 1.1 μ‹œμ  μ–Έμ–΄ν‘œν˜„μ„ ν†΅ν•œ 문화정보 발견 64 1.2 μ‹œμ  μ •μ„œ μ²΄ν—˜μ„ ν†΅ν•œ νƒ€λ¬Έν™”μ˜ μ •μ˜μ  μ ‘κ·Ό 72 2. κ²½ν—˜μ˜ ν™˜κΈ°λ₯Ό ν†΅ν•œ λ¬Έν™” κ°„ μ†Œν†΅ 79 2.1 κ²½ν—˜κ³Ό 관련짓기λ₯Ό ν†΅ν•œ 자기 인식 탐색 79 2.2 μ‚¬νšŒμ—­μ‚¬μ  λ§₯락을 ν†΅ν•œ 타문화 μ΄ν•΄μ˜ ν™•μž₯ 87 3. 성찰을 ν†΅ν•œ μƒν˜Έλ¬Έν™”μ  νƒœλ„μ˜ ν˜•μ„± 91 3.1 μ‹œμ  곡감을 ν†΅ν•œ κ°€μΉ˜κ΄€ μ˜μ‹μ˜ μž¬ν™•λ¦½ 91 3.2 주체적 νƒœλ„ 쑰정을 ν†΅ν•œ λΉ„νŒμ  μΈμ‹μ˜ ν˜•μ„± 95 4. ν•™μŠ΅μž 집단별 λ°˜μ‘μ˜ νŠΉμ§•κ³Ό 타문화 μ΄ν•΄μ˜ ν•œκ³„ 96 4.1 μž¬ν•œ ν•™μŠ΅μž: 개인의 λ¬Έν™” κ²½ν—˜μœΌλ‘œ μΈν•œ ν•œκ΅­λ¬Έν™” νŠΉμˆ˜μ„± 이해 λΆ€μ‘± 9 6 4.2 μž¬μ€‘ ν•™μŠ΅μž: μžλ¬Έν™”μ€‘μ‹¬μ£Όμ˜λ‘œ μΈν•œ κ°œμΈν¬μƒ 곡감 λΆ€μ‘± 99 4.3 μž¬μ€‘μž¬ν•œ ν•™μŠ΅μž: κ°€λΆ€μž₯μ œμ— λŒ€ν•œ 무쑰건적 λΉ„νŒ 101 β…£. ν˜„λŒ€μ‹œλ₯Ό ν™œμš©ν•œ ν•œκ΅­ κ°€μ‘±μ£Όμ˜ λ¬Έν™”κ΅μœ‘μ˜ 섀계 104 1. ν˜„λŒ€μ‹œλ₯Ό ν™œμš©ν•œ ν•œκ΅­ κ°€μ‘±μ£Όμ˜ λ¬Έν™”κ΅μœ‘μ˜ λͺ©ν‘œ 104 1.1 지식 μŠ΅λ“μ„ ν†΅ν•œ λ¬Έν™” μ΄ν•΄μ˜ ꡬ체화 105 1.2 비ꡐ와 μ†Œν†΅μ„ ν†΅ν•œ λ¬Έν™” 해석 λŠ₯λ ₯의 μ‹ μž₯ 106 1.3 μ‹œμ  곡감을 ν†΅ν•œ μ •μ˜μ  λ¬Έν™” 이해 106 2. ν˜„λŒ€μ‹œλ₯Ό ν™œμš©ν•œ ν•œκ΅­ κ°€μ‘±μ£Όμ˜ λ¬Έν™”κ΅μœ‘μ˜ λ‚΄μš© 107 2.1 ν˜„λŒ€μ‹œ 문화정보 해석을 ν†΅ν•œ κ°€μ‘±μ£Όμ˜ λ¬Έν™”μ˜ νŠΉμˆ˜μ„± κ°•μ‘° 108 2.2 μƒν˜Έν…μŠ€νŠΈ κ΄€κ³„μ˜ ν˜„λŒ€μ‹œ 읽기λ₯Ό ν†΅ν•œ κ°œμΈν¬μƒμ— λŒ€ν•œ 객관적인 인식 확보 109 2.3 ν…μŠ€νŠΈμ˜ μ‚¬νšŒμ—­μ‚¬μ  λ§₯락 이해λ₯Ό ν†΅ν•œ κ°€λΆ€μž₯μ œμ— λŒ€ν•œ κ³ μ •κ΄€λ…μ˜ νƒˆν”Ό 110 3. ν˜„λŒ€μ‹œλ₯Ό ν™œμš©ν•œ ν•œκ΅­ κ°€μ‘±μ£Όμ˜ λ¬Έν™”κ΅μœ‘μ˜ 방법 111 3.1 κ΅μ‚¬μ˜ 발문 μ œκ³΅μ„ ν†΅ν•œ μ‹œ ν…μŠ€νŠΈ μ΄ν•΄μ˜ 촉진 111 3.2 μž¬ν•œμž¬μ€‘ ν•™μŠ΅μžμ˜ 감상문 곡유λ₯Ό ν†΅ν•œ μƒλŒ€μ  κ΄€μ μ˜ 쑰회 113 3.3 ν•™μŠ΅μž κ°„ ν† λ‘  및 κ΅μ‚¬μ™€μ˜ λŒ€ν™”λ₯Ό ν†΅ν•œ 성찰적 νƒœλ„μ˜ ν˜•μ„± 116 β…€. κ²°λ‘  118 μ°Έκ³ λ¬Έν—Œ 122 뢀둝 130 Abstract 134석

    The Scene of Cooperation: : iCOOP Consumer Cooperative Members Practices of Ethical Consumption and Construction of Hyeopyeoan

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    ν•™μœ„λ…Όλ¬Έ (석사)-- μ„œμšΈλŒ€ν•™κ΅ λŒ€ν•™μ› : 인λ₯˜ν•™κ³Ό, 2015. 2. 였λͺ…석.λ³Έ μ—°κ΅¬λŠ” iCOOP(아이쿱)μƒν™œν˜‘λ™μ‘°ν•©(μ΄ν•˜ 아이쿱) 쑰합원듀이 윀리적 μ†ŒλΉ„ κ²½ν—˜μ„ λ°”νƒ•μœΌλ‘œ ν˜‘μ—°(協緣)을 ν˜•μ„±ν•˜λŠ” 과정을 νƒκ΅¬ν•œλ‹€. ν˜‘μ—°μ€ ν˜‘λ™μ˜ 인연을 쀄인 말둜, μ›λž˜ 강원도 원주 μ§€μ—­μ˜ μš΄λ™κ°€λ“€μ΄ 1960λ…„λŒ€λΆ€ν„° μƒν˜Έν˜‘λ™μ˜ 전톡을 λ°”νƒ•μœΌλ‘œ ν˜•μ„±ν•΄ 온 λ„€νŠΈμ›Œν¬λ₯Ό λΆ€λ₯΄λŠ” ν‘œν˜„μ΄λ‹€. μ—°κ΅¬μžλŠ” ν˜‘μ—°μ„ 아이쿱 쑰합원듀이 μƒμ‚°μž, 직원, λ‹€λ₯Έ 쑰합원듀과 ν˜‘λ™ν•˜λ©° ν˜•μ„±ν•˜λŠ” μΈκ°„κ΄€κ³„λ‘œ μž¬κ·œμ •ν•˜κ³  κ·Έ 양상과 의미λ₯Ό μ‚΄νŽ΄λ³΄κ³ μž ν•œλ‹€. 아이쿱 쑰합원듀은 μ†ŒλΉ„μžμ™€ μƒμ‚°μžκ°€ ν•¨κ»˜ μš΄μ˜ν•˜λŠ” 사업체λ₯Ό λ°”νƒ•μœΌλ‘œ 윀리적인 생산과 μ†ŒλΉ„λ₯Ό μ‹€μ²œν•˜κ³ , μƒν™œ μ†μ˜ 문제λ₯Ό μš΄λ™κ³Ό μ‚¬μ—…μœΌλ‘œ ν•΄κ²°ν•˜λŠ” 것을 λͺ©ν‘œλ‘œ 1997λ…„λΆ€ν„° μƒν˜‘μš΄λ™μ„ 펼쳐 μ™”λ‹€. ν•œκ΅­ μƒν˜‘μš΄λ™μ€ 일제 강점기인 1920λ…„λŒ€μ— μ •μΉ˜Β·κ²½μ œμ  μžλ¦½μ„ μ—Όμ›ν•˜λ˜ μ‘°μ„ μΈλ“€μ˜ μ†ŒλΉ„μ‘°ν•©μš΄λ™μœΌλ‘œ μ‹œμž‘ν•˜μ—¬ κ΅°λΆ€λ…μž¬μ‹œκΈ°μΈ 1980λ…„λŒ€μ— μœ κΈ°λ†μ—… μƒμ‚°μžμ™€ μ†ŒλΉ„μž κ°„ μ§κ±°λž˜μ— κΈ°μ΄ˆν•˜λŠ” μƒν˜‘μš΄λ™μœΌλ‘œ 거듭났닀. 아이쿱은 μƒν˜‘μš΄λ™μ„ 이끌던 λ„€ 갈래의 μ§„μ˜ 쀑 λ…Έλ™μš΄λ™κ°€λ“€μ΄ 주좕이 λ˜μ–΄ μ°½λ¦½ν•˜μ˜€μœΌλ©°, μ‚¬μ—…μ˜ 집쀑, 쑰직의 λΆ„ν™”λΌλŠ” μƒˆλ‘œμš΄ 정책을 μ„Έμ›Œ μƒν˜‘μš΄λ™μ˜ λŒ€μ€‘ν™”λ₯Ό 좔진해왔닀. 쑰합원듀은 이 정책에 κΈ°μ΄ˆν•˜λŠ” μƒˆλ‘œμš΄ μƒν˜‘μš΄λ™μœΌλ‘œ μ†ŒλΉ„μžμ˜ 쑰직λ ₯κ³Ό 자본의 결집λ ₯을 λ™μ‹œμ— λ†’μž„μœΌλ‘œμ¨ ν•œκ΅­ 4λŒ€ μƒν˜‘μ—°ν•©νšŒ μ€‘μ—μ„œ κ°€μž₯ λΉ λ₯Έ μ†λ„λ‘œ 쑰합원 μˆ˜μ™€ λ§€μΆœμ•‘μ„ 늘렀 μ™”λ‹€. μ—°κ΅¬μžλŠ” 아이쿱 쑰합원듀이 μƒν˜‘μš΄λ™μ—μ„œ 핡심 μ‹€μ²œμœΌλ‘œ μ‚Όκ³  μžˆλŠ” 윀리적 μ†ŒλΉ„ κ²½ν—˜μ„ ꡬ체적으둜 μ‚΄νŽ΄λ³΄κ³  이λ₯Ό ν† λŒ€λ‘œ 쑰합원듀이 ν˜•μ„±ν•˜λŠ” ν˜‘μ—°μ˜ 양상과 의미λ₯Ό 탐ꡬ할 것이닀. μ‘°ν•©μ›λ“€μ˜ 윀리적 μ†ŒλΉ„ κ²½ν—˜μ€ 크게 거래, 검증, ν•™μŠ΅ μ„Έ μΈ‘λ©΄μ—μ„œ μ‚΄νŽ΄λ³Ό 수 μžˆλ‹€. μ±…μž„μ†ŒλΉ„μ™€ μˆ˜λ§€μ„ μˆ˜κΈˆμ˜ λ°©μ‹μœΌλ‘œ λ¬Όν’ˆμ„ κ΅¬λ§€ν•˜λŠ” 거래, μƒμ‚°μžλ‚˜ μƒμ‚°λ¬Όμ˜ 신뒰성을 ν™•μΈν•˜λŠ” 검증, μ†ŒλΉ„μ— λŒ€ν•΄ 배우고 ν† λ‘ ν•˜λŠ” ν•™μŠ΅μ„ 톡해 쑰합원듀은 μƒμ‚°μž, 직원, λ‹€λ₯Έ 쑰합원듀과 윀리적 μ†ŒλΉ„λ₯Ό μƒν˜Έ κ΅¬μ„±ν•΄λ‚˜κ°„λ‹€. 쑰합원듀은 μž₯기적 합리성을 κ³ λ €ν•˜μ—¬ 아이쿱 λ¬Όν’ˆμ„ κ΅¬λ§€ν•˜κ³  κ²½ν—˜μΉ˜, μž…μ†Œλ¬Έ, 정보λ₯Ό λ™μ›ν•˜μ—¬ λ¬Όν’ˆμ˜ 신뒰성을 ν™•μΈν•˜λ©°, 문제 제기λ₯Ό ν™œλ°œνžˆ ν•˜λŠ” μƒν˜‘ 화법을 μ΅ν˜€ 윀리적 μ†ŒλΉ„μžμ˜ 정체성과 쑰직의 정체성을 λ™μ‹œμ— κ·œμ •ν•΄λ‚˜κ°„λ‹€. μ—°κ΅¬μžλŠ” 쑰합원듀이 μ΄λŸ¬ν•œ κ²½ν—˜μ„ λ°”νƒ•μœΌλ‘œ ν˜•μ„±ν•˜λŠ” ν˜‘μ—°μ΄, κΈ°μ‘΄ μ‹œμž₯에 영ν–₯λ ₯을 끼칠 수 μžˆλŠ” μ‹€μ²œμœΌλ‘œ ν•΄μ„λ˜μ–΄ 온 윀리적 μ†ŒλΉ„λ₯Ό μ‹œμž₯을 μƒˆλ‘­κ²Œ μƒμ„±ν•˜λŠ” μ‹€μ²œμœΌλ‘œ ν™•μž₯ν•˜κ³ , μ‹œμž₯은 ν˜‘μ•½μ΄λΌλŠ” μ€μœ λ₯Ό λ‚³λŠ” 것에 μ£Όλͺ©ν•  것이닀. ν•œνŽΈ, ν˜‘μ—°μ€ μ•„μ΄μΏ±μ˜ 사업과 쑰직의 규λͺ¨κ°€ κΈ‰μ¦ν•˜κ³  이해관계가 λ³΅μž‘ν•΄μ§€λ©΄μ„œ λ‹€μ–‘ν•œ μš”μΈλ“€λ‘œ μ—­λ™ν•˜κ³  μžˆλ‹€. 역동은 크게 사업과 μš΄λ™ 두 μΈ‘λ©΄μ—μ„œ μ‚΄νŽ΄λ³Ό 수 μžˆλ‹€. λ¨Όμ € μ‚¬μ—…μ˜ μΈ‘λ©΄μ—μ„œ 아이쿱은 μ‹œμ€‘μ˜ λ‹€λ₯Έ μΉœν™˜κ²½Β·μœ κΈ°λ† 먹거리 사업체와 경쟁 관계에 μžˆλŠ”λ°, 쑰합원듀은 μΉœν™˜κ²½Β·μœ κΈ°λ†λ²•μœΌλ‘œ 인해 λͺ¨μ–‘이 κ³ λ₯΄μ§€ μ•Šμ€ λ¬Όν’ˆμ„ μ†ŒλΉ„ν•  μ±…μž„μ„ λΆˆκ³΅ν‰ν•˜κ²Œ κ²½ν—˜ν•˜κ±°λ‚˜, 아이쿱과 λ‹€λ₯Έ μƒν˜‘μ΄ λŒ€λ¦½ν•˜λ©΄μ„œν˜‘μ—°μ„ μœ μ§€ν•˜λŠ” 데 고좩을 κ²ͺλŠ”λ‹€. λ‹€μŒμœΌλ‘œ μš΄λ™μ˜ μΈ‘λ©΄μ—μ„œ 일반 쑰합원보닀 μƒν˜‘μš΄λ™μ— 적극적으둜 μ°Έμ—¬ν•˜λŠ” ν™œλ™κ°€λ“€μ€ μžμ‹ μ˜ 자발적인 무보수 ν™œλ™μ΄ μž„κΈˆμ„ λ°›λŠ” μ—¬λŠ λ…Έλ™λ§ŒνΌ μ‹œκ°„κ³Ό λ…Έλ ₯을 μš”κ΅¬ν•˜μ—¬ κ³Όμ€‘ν•˜κ²Œ λŠκ»΄μ§€κ±°λ‚˜, ν™œλ™κ°€λ‘œμ„œμ˜ 주체성이 약화될 λ•Œ ν™œλ™μ„ 지속할지λ₯Ό κ³ λ―Όν•œλ‹€. μ—°κ΅¬μžλŠ” 이처럼 쑰합원듀이 ν˜‘μ—°μ„ ν˜•μ„±ν•˜λŠ” κ³Όμ •μ—μ„œ κ²ͺλŠ” κ°ˆλ“±κ³Ό 이λ₯Ό κ·Ήλ³΅ν•˜λ €λŠ” μ‹œλ„λ₯Ό μ‚΄νŽ΄λ³΄κ³ , ν˜‘μ—°μ˜ 지속가λŠ₯성에 λŒ€ν•΄ λ…Όμ˜ν•΄ λ³Ό 것이닀. 아이쿱 쑰합원듀이 μƒν˜‘μš΄λ™μ„ 윀리적 μ†ŒλΉ„λ‘œ ν˜‘μ—°μ„ ν˜•μ„±ν•˜λŠ” 과정은, ꢁ극적으둜 μ‘°ν•©μ›μœΌλ‘œμ„œ λˆ„λ¦΄ 수 μžˆλŠ” μžμœ μ™€ 맑아야 ν•  μ±…μž„ κ°„μ˜ κ· ν˜•μ„ λ§žμΆ”λŠ” κ³Όμ •μœΌλ‘œ λ³Ό 수 μžˆλ‹€. 쑰합원듀은 이 κ³Όμ •μ—μ„œ ν˜‘λ™μ‘°ν•©μ˜ κ°€μΉ˜ 쀑 ν•˜λ‚˜μΈ 민주주의λ₯Ό μ‹€ν˜„ν•˜κΈ° μœ„ν•΄ λ…Έλ ₯ν•˜κ³  있으며, ν˜‘λ™μ˜ 풍경도 그에 따라 λŠμž„μ—†μ΄ λ³€ν™”ν•˜κ³  μžˆλ‹€.This study explores how iCOOP Consumer Cooperative (hereafter referred to as iCOOP) members construct Hyeopyeoanbased on Ethical Consumption Practices. Hyeopyeoanmeans cooperative solidarity and it is originated from activistshistoried cooperative relationships in Wonju. Wonju is the famous city in Gangwon province, Korea for political, economic and social movements since 1960s. I will redefine Hyeopyeoan as iCOOP consumer members cooperative relationships with producers and staffs in iCOOP to research its meaning deeply. iCOOP members started Consumer Cooperative Movement (hereafter Consumer Co-op Movement) since 1997. They have pursued Ethical Production and Ethical Consumption based on the co-running business by consumers and producers, and tried to solve their problems in life. The first Korean Consumer Co-op Movement spreaded in 1920s by Joseon people, who yearned for political and economic independence from Japanese colonial rule. Their movement was reborn as Consumer Co-op Movement through direct transaction between producers (organic farmers) and consumers in 1980s, when various revolts against military dictatorship exploded. Among four Korean Consumer Co-op movement groups, iCOOPs leading founders were labor movement activists who sought to regional support base. They renovated movement by a new policy, Concentration of Business, Division of Organization. This policy was a core driving force for them to increase the organizational power of consumers and capital to popularize their movement. Currently, iCOOP shows the fastest growth in the number of members and the amount of sales takings among four Korean Consumer Co-op Associations. I will focus on iCOOP members Movement by their Ethical Consumption Practices and construction of Hyeopyeoan. iCOOP members Ethical Consumption Practices are divided into three parts: Transaction, Verification and Study. At first, members practice 'Responsible Consumption' and 'Prepaid Purchase for Transaction' considering the long-term rationality effects. Next, members verify safety (credibility) of iCOOP products by physical experience, word-of-mouth and detailed product information. Finally, members familiarize themselves with 'active questioning speech' and discussions for Study. Through these practices, members build up both Ethical Consumers identity and iCOOP's organizational identity. I will see whether members Hyeopyeoan changes the existing meaning of Ethical Consumption, from the consumers influential market power to the consumers market creating power. Also, I will consider the metaphor, 'market is and agreement'. Hyeopyeoan is fluctuating as iCOOPs business and organization is rapidly growing and interests conflicts are becoming diversified accordingly. The dynamics in Hyeopyeoan consists of two aspects: Business and Movement. For business, iCOOP members have difficulties when the responsibility of consuming ugly-shaped organic vegetables is unequally experienced or their viewpoints toward market competition come into conflict with other Consumer Co-ops. For movement, iCOOP activists agonize when their voluntary and unpaid activities become passive and overburdened. I will discuss sustainability of Hyeopyeoan based on members problems and countermeasures. Ultimately, iCOOP members' construction of Hyeopyeoan can be understood as balancing freedom and responsibility as Co-op members. Members are trying to fulfill the value of democracy, one of the core values of Co-op. According to their practices, the scene of cooperation is changing continuously.β… . λ“€μ–΄κ°€λ©° 1 1. 연ꡬ λ°°κ²½κ³Ό λͺ©μ  1 2. 이둠적 λ°°κ²½κ³Ό 선행연ꡬ κ²€ν†  5 3. 연ꡬ κ³Όμ • 11 β…‘. μ•„μ΄μΏ±μ˜ μƒˆλ‘œμš΄ μƒν˜‘μš΄λ™ 역사와 νŠΉμ„± 14 1. ν•œκ΅­ μƒν˜‘μš΄λ™μ˜ 기원과 μš΄λ™μ˜ λ„€ 갈래 14 2. μ•„μ΄μΏ±μ˜ μƒˆλ‘œμš΄ μƒν˜‘μš΄λ™: μ‚¬μ—…μ˜ 집쀑과 쑰직의 λΆ„ν™” 18 3. μ•„μ΄μΏ±μ˜ 사업과 쑰직 νŠΉμ„± 24 1) λ…μž μ‹œμž₯ λ§Œλ“€κΈ° 24 2) 쑰직 운영 34 β…’. 윀리적 μ†ŒλΉ„μ˜ ꡬ성과 ν˜‘μ—°μ˜ ν† λŒ€ 43 1. 거래: 생산 κ³Όμ •κ³Ό κ²°κ³Ό κ³ λ €ν•˜κΈ° 44 1) μ±…μž„μ†ŒλΉ„ 45 2) μˆ˜λ§€μ„ μˆ˜κΈˆ 48 2. 검증: κ²½ν—˜μΉ˜, μž…μ†Œλ¬Έ, 정보 52 3. ν•™μŠ΅: μƒν˜‘ 화법과 윀리적 μ†ŒλΉ„μž 59 4. μ†Œκ²°: ν˜‘μ—°κ³Ό μ‹œμž₯ 65 β…£. ν˜‘μ—°μ˜ 역동 69 1. 사업: 아이쿱과 μ‹œμ€‘μ˜ κ²½ν•© 69 1) μ‹œμ€‘μ˜ 유혹과 μ±…μž„μ˜ νŽΈμ€‘ 69 2) μƒν˜‘ κ°„ 경쟁 74 2. μš΄λ™: ν™œλ™μ˜ μ˜λ―Έμ™€ μž¬μƒμ‚° 81 1) 봉사와 보상 81 2) 주도와 동원 87 3. μ†Œκ²°: ν˜‘μ—°μ˜ 지속가λŠ₯μ„± 92 β…€. λ‚˜κ°€λ©°: ν˜‘μ—°μ„ ν†΅ν•œ 민주주의 μ‹€ν˜„μ˜ κΈΈ 95 μ°Έκ³ λ¬Έν—Œ 99 Abstract 106Maste
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