TEGGHESAN MACAPAT LAYANG JATISWARA PADA UPACARA NYADH�R KETIGA DESA PINGGIR PAPAS SUMENEP (KAJIAN TRADISI LISAN ALBERT B. LORD)

A research �The Tegghesan Layang Jatiswara Macapat in the Third Nyadhâr Ceremony at Pinggir Papas Village, Sumenep� is based on conservation and transformation of religious and social values contained in the oral tradition. Oral tradition is a means of communication and expression language of society that can be used to express and project the people for a certain time. The theory used in this study is the oral tradition theory of Albert B. Lord that describes some aspects of the creation of the oral tradition: 1) Formula and formulaic expression. Formula is a group of words that are regularly used in similar dimension to reveal certain basic ideas. Formulaic expression is the parts or array half prepared in accordance with the formula pattern. 2) The theme or group of ideas, are events or scenes that repeated and contained the descriptive passages in the narration. 3) Inheritance or transmission procedures. Therefore, the objective of this study is to describe tokang tegghes, their process and the factors related to tokang tegghes in performing tegghesan. It consists of: 1) Formulas and formulaic expressions of tegghesan that tokang tegghes have said. 2) The pattern of inheritance or the way (of) for someone being tokang tegghes. 3) The theme or main idea contained in the Layang Jatiswara that have sing in macapatan at nyadhâr ceremony. The result of the study leads to the conclusion: 1) the inherent regulation to be tokang tegghes. The candidate of tokang tegghes is demanded to have the capability of: a) understanding of the song (tembang), b) conceiving of the Java language vocabularies, c) getting right of the storyline, and d) having a good personality and a mature age. Whereas the theme is often repeated in macapat nyadar is Jatiswara travel story in seeking of the truth meaning of life. In performing tegghesan, tokang tegghes utilize the phrases, clauses, and sentence that become formulas and formulaic expressions, such as: a) repetition of the end line in tegghesan, b) repetition of all or part tegghesan, c) description of figure and his honour, d) adding of the word 'èngghi ka'�into', e) adding of of the word 'ka'�into', f) adding of the word panotèng 'èpon'

UḤIBBUKA AKṠARU KARYA MAḤMUD DARWISY: KAJIAN SEMIOTIKA RIFFATERRE

This thesis discus of the significance of two poetries, Ajmalu Ḥubbin and Uḥibbuka Akṡaru, in anthology of poetry Ad-Dīw�n: Al-`A�m�lul-`Ūl� I by Maḥmūd Darwīsy using a study of Riffaterre�s semiotics. The purpose of this study is finding significance meaning in two poetries. Riffaterre states that the poem suggests something else indirectly. Indirection is produced by displacing, distorting, and creating of meaning. To produce of poetry�s meaning make through the heuristic reading, hermeneutic reading included in there be found, matrix, model, variant, potential hypogram, and actual hypogram. Significance of two poetries, it is produce the meaning of love to country

KERAGAMAN MAKNA POLITIK DAN KEKUASAAN CERPEN �SEPOTONG BIBIR PALING INDAH DI DUNIA� KARYA AGUS NOOR: KAJIAN SEMIOTIK ROLAND BARTHES

Research \"Diverse Political and Power Understanding of 'Sepotong Bibir Paling Indah di Dunia' In Short Stories Collection of Sepotong Bibir Paling Indah di Dunia By Agus Noor:Semiotics Review By Roland Barthes\" motivated by the dominance of the personification of style and aesthetics of violence intended to cause parody impressions. Impression parody intended as an expression of political satire on power and Indonesian leaders. Satire about politics and power Indonesian leaders contained in the short story \"Sepotong Bibir Paling Indah di Dunia\" is told using symbols interconnected. These symbols are a means to create a dramatic story and have aesthetic value on the issue of politics and power in this short story. This study aims to reveal the diversity of political meaning and power through translation and interpretation lexia Barthes five codes. The use of these theories are considered most relevant to interpret the meaning of the symbols and stories for reaching out in detail the diversity of meaning contained in the text . Results of this study showed that the short story \"Sepotong Bibir Paling Indah di Dunia\" has a dominant lexia - lexia about politics and power issues in Indonesia. Some lexia - lexia dominant on the political and social problems is shown through several perspectives, the perspective and the perspective of the ruler of the people. The relationship two perspectives show a big theme as the core or center of the story, the critique of power politics and the Indonesian leader. Aesthetic use of violence against a piece of the function and role of the lips lips confirms that serves as the center of the story, a character who dominates, in a power and a key figure in the political representation of the Indonesian government. Symbols contained in the short story as a whole has a diversity of political meaning and power and there is some element of knowledge. Various aspects such as culture, language, the concept of aesthetics, ideology, philosophy of life, history, epistemology, linguistics, semiotics, and psychology is a construction marker codes in the short story

MAKNA BERAGAM TANDA KONSUMERISME DALAM �THE GREAT GATSBY� KARYA F. SCOTT FITZGERALD: KAJIAN SEMIOTIKA UMBERTO ECO

The Great Gatsby can not only be viewed as a mimesis of a great American literature in twentieth century but also as a mean of writer�s communication through various sign