TEGGHESAN MACAPAT LAYANG JATISWARA PADA UPACARA NYADH�R KETIGA DESA PINGGIR PAPAS SUMENEP (KAJIAN TRADISI LISAN ALBERT B. LORD)

Abstract

A research �The Tegghesan Layang Jatiswara Macapat in the Third Nyadhâr Ceremony at Pinggir Papas Village, Sumenep� is based on conservation and transformation of religious and social values contained in the oral tradition. Oral tradition is a means of communication and expression language of society that can be used to express and project the people for a certain time. The theory used in this study is the oral tradition theory of Albert B. Lord that describes some aspects of the creation of the oral tradition: 1) Formula and formulaic expression. Formula is a group of words that are regularly used in similar dimension to reveal certain basic ideas. Formulaic expression is the parts or array half prepared in accordance with the formula pattern. 2) The theme or group of ideas, are events or scenes that repeated and contained the descriptive passages in the narration. 3) Inheritance or transmission procedures. Therefore, the objective of this study is to describe tokang tegghes, their process and the factors related to tokang tegghes in performing tegghesan. It consists of: 1) Formulas and formulaic expressions of tegghesan that tokang tegghes have said. 2) The pattern of inheritance or the way (of) for someone being tokang tegghes. 3) The theme or main idea contained in the Layang Jatiswara that have sing in macapatan at nyadhâr ceremony. The result of the study leads to the conclusion: 1) the inherent regulation to be tokang tegghes. The candidate of tokang tegghes is demanded to have the capability of: a) understanding of the song (tembang), b) conceiving of the Java language vocabularies, c) getting right of the storyline, and d) having a good personality and a mature age. Whereas the theme is often repeated in macapat nyadar is Jatiswara travel story in seeking of the truth meaning of life. In performing tegghesan, tokang tegghes utilize the phrases, clauses, and sentence that become formulas and formulaic expressions, such as: a) repetition of the end line in tegghesan, b) repetition of all or part tegghesan, c) description of figure and his honour, d) adding of the word 'èngghi ka'�into', e) adding of of the word 'ka'�into', f) adding of the word panotèng 'èpon'