How the Turtle Lost its Shell: Sino-Tibetan Divination Manuals and Cultural Translation

This article is a pan-Himalayan story about how the turtle, as a cultural symbol within Sino-Tibetan divination iconography, came to more closely resemble a frog. It attempts a comparative analysis of Sino-Tibetan divination manuals, from Tibetan Dunhuang and Sinitic turtle divination to frog divination among the Naxi people of southwest China. It is claimed that divination turtles, upon entering the Himalayan foothills, are not just turtles, but become something else: a hybrid symbol transformed via cultural diffusion, from Han China to Tibet, and on to the Naxi of Yunnan. Where borders are crossed, there is translation. If we go beyond the linguistic definition of translation towards an understanding of transfer across semiotic borders, then translation becomes the reforming of a concept from one cultural framework into another. In this way, cultural translation can explain how divination iconography can mutate and transform when it enters different contexts; or in other words, how a turtle can come to lose its shell

Relate that image: A tool for finding related cultural heritage images

Museums,galleries, art centers, etc. are increasingly seeing the benefits of digitalizing their art work collections –and acting on it. The more visible benefits usually have to do with advertising, involving the citizens, or creating interactive tools that get people interested in coming to museums or buying art. With the availability of these increasingly large collections, analysis of art images has gained attention from researchers.This master thesis proposes a tool to recommend paintingsthat are similar to a given image of an artwork. We define different similarity measures that include criteria existent in the metadata associated with the digitized pictures (e.g. style, genre, artist, etc.), but also image content similarity. The work is more closely related to existing approaches on automatic classification of paintings, but also shares techniques with other areas such as image clustering. Our goal is to offer a tool that can enable creative uses, support the work of gallery / museum curators, help create interesting and interactive educational content, or create clusters of images as training sets for further learning and analysis algorithms

Interactions Between Rivals: The Christian Mission and Buddhist Sects in Japan (c.1549-c.1647)

This volume presents comprehensive research on how southern European Catholics and the Japanese confronted each other, interacted and mutually experienced religious otherness in early modern times. In their highly variable and asymmetric relations, during which the politi¬cal-military elites of Japan at times not only favoured, but also opposed and strictly controlled the European presence, missionaries – particularly the Jesuits – tried to negotiate this power balance with their interlocutors. This collection of essays analyses religious and cultural interactions between the Christian missions and the Buddhist sects through processes of coopera¬tion, acceptance, confrontation and rejection, dialogue and imposition, which led to the creation of new relational spaces and identities

How the Turtle Lost its Shell

This article is a pan-Himalayan story about how the turtle, as a cultural symbol within Sino-Tibetan divination iconography, came to more closely resemble a frog. It attempts a comparative analysis of Sino-Tibetan divination manuals, from Tibetan Dunhuang and Sinitic turtle divination to frog divination among the Naxi people of southwest China. It is claimed that divination turtles, upon entering the Himalayan foothills, are not just turtles, but become something else: a hybrid symbol transformed via cultural diffusion, from Han China to Tibet, and on to the Naxi of Yunnan. Where borders are crossed, there is translation. If we go beyond the linguistic definition of translation towards an understanding of transfer across semiotic borders, then translation becomes the reforming of a concept from one cultural framework into another. In this way, cultural translation can explain how divination iconography can mutate and transform when it enters different contexts; or in other words, how a turtle can come to lose its shell

Form and structure in traditional Japanese architecture as an alternative grid system solution for Western magazine design

This study brings together the Eastern aspect of architecture and the Western aspect of graphic design in utilizing grid systems. In addition, this study discerns the significance of Eastern and Western cultures by introducing select Japanese architectural principles and applying them to the Western graphic design. Specifically, it addresses the possibility of applying specific forms and structures of traditional Japanese architecture as alternative grid systems for Western magazine design. Because the graphic designer has many elements to work with such as the headlines, the pull-quotes, the images and the captions, the blurbs, and the body text, s/he needs to divide the space into active and inactive spaces. The grid, as a tool, offers a device for structural continuity for sequential layouts inherent in magazine design, it gives a pleasant flow throughout the composition, and allows the designer to clearly communicate throughout the composition and create a balance of information and negative space for the readers to rest their eyes on. A series of experimentation using the grid system of one historical structure of traditional Japanese architecture was designed to support this study. Theoretically, many Eastern grid systems may work for this purpose. In application, however, traditional Eastern grids for Western magazine layouts work only sometimes. Therefore, there are several circumstances that need to be considered before application of alternative grid systems

TECHNART 2017. Non-destructive and microanalytical techniques in art and cultural heritage. Book of abstracts

440 p.TECHNART2017 is the international biannual congress on the application of Analytical Techniques in Art and Cultural Heritage. The aim of this European conference is to provide a scientific forum to present and promote the use of analytical spectroscopic techniques in cultural heritage on a worldwide scale to stimulate contacts and exchange experiences, making a bridge between science and art. This conference builds on the momentum of the previous TECHNART editions of Lisbon, Athens, Berlin, Amsterdam and Catania, offering an outstanding and unique opportunity for exchanging knowledge on leading edge developments. Cultural heritage studies are interpreted in a broad sense, including pigments, stones, metal, glass, ceramics, chemometrics on artwork studies, resins, fibers, forensic applications in art, history, archaeology and conservation science. The meeting is focused in different aspects: - X-ray analysis (XRF, PIXE, XRD, SEM-EDX). - Confocal X-ray microscopy (3D Micro-XRF, 3D Micro-PIXE). - Synchrotron, ion beam and neutron based techniques/instrumentation. - FT-IR and Raman spectroscopy. - UV-Vis and NIR absorption/reflectance and fluorescence. - Laser-based analytical techniques (LIBS, etc.). - Magnetic resonance techniques. - Chromatography (GC, HPLC) and mass spectrometry. - Optical imaging and coherence techniques. - Mobile spectrometry and remote sensing

Looking East: Brice Marden, Michael Mazur, and Pat Steir

This is the catalogue of the exhibition "Looking East" at Boston University Art Gallery

Tibetan Printing: Comparison, Continuities, and Change

Tibetan Printing: Comparisons, Continuities and Change is the first publication that brings together leading experts from different disciplines to discuss the introduction of printing in Tibetan societies in the context of Asian book culture. Readership: All interested in Tibetan Studies, in Asian Book Cultures and the history of printing as well as in interdisciplinary approaches to the study of books as artefacts

2021 Undergraduate Research Symposium: Full Program

Full program with schedule and abstracts for the 2020 Undergraduate Research Symposium