124,948 research outputs found

    East Coast/West Coast: The Long Tradition of Italian Immigrant Performers

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    This article discusses the role of the immigrant stage in representing, imagining, exporting and importing, the Italian identity. In particular the essay examines the differences between the Italian Diasporic communities on the  east Coast and in California and the diverse culture dello spettacolo they proposed to both American and Italian audiences

    Roger Sherman, Oliver Ellsworth, and the Formation of America\u27s Constitutional Order (Chapter Five of Great Christian Jurists in American History)

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    In 1822, former President John Adams wrote to the biographer John Sanderson that Roger Sherman was one of the most cordial friends which I ever had in my life. Destitute of all literary and scientific education, but such as he acquired by his own exertions, he was one of the most sensible men in the world. The clearest head and steadiest heart. It is praise enough to say that the late Chief Justice Ellsworth told me that he had made Mr. Sherman his model in his youth .... [He] was one of the soundest and strongest pillars of the revolution. Among the important participant~ in the War for Independence, the Constitutional Convention, and the First Federal Congress, few had as much influence on the creation of America\u27s constitutional order as Sherman and Ellsworth. And none of the more famous founders regularly referenced by students of the era represent as well the 50-75 percent of Americans in this era who were Calvinists

    Face to Face, Carl Beam and Andy Warhol

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    Keira Koch ’19 examines representations of indigenous cultures in prints and photographs by American artist Andy Warhol and First Nations artist Carl Beam. In this comparative study, Koch considers the topic of appropriation and re-appropriation of Native imagery. Warhol, as a non-Indigenous artist, is using this imagery to highlight the dominant narrative of the American West. Beam, however, incorporates photographs of Native subjects and traditional narratives by re-appropriating those images to tell a distinctly Native narrative. This exhibition invites discussion about the role of contemporary indigenous artists and how indigenous identities are expressed in contemporary art. This exhibition intersects with the issues and methodologies studied in Koch’s individualized major titled “Indigenous Cultures, History and Identity.” In addition to studying aboriginal arts and indigenous communities in Australia during her Junior year, Koch serves as the Co-President of Students for Indigenous Awareness at Gettysburg College.https://cupola.gettysburg.edu/artcatalogs/1027/thumbnail.jp

    My Mark Twain: Old Man River

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    Flowing across his pages, the Mississippi River inextricably winds itself through Mark Twain’s canon. Therefore, it comes as no surprise that my image of Clemens, my Mark Twain, is as a personification of his beloved river. Twain draws his readers to the water’s edge, seduces readers to stare into his depths, and reflects the achievements and failings of humanity. Furthermore, like the Mississippi River, Twain embeds himself in the American psyche

    Reading materials for junior high school, contributions to American life made by members of minority groups

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    Thesis (Ed.M.)--Boston University, 1948. This item was digitized by the Internet Archive
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