213 research outputs found

    Instrumental Music Learning in an Irish Bimusical Context

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    This study focuses on bimusical instrumental learning, exploring the perceptions, beliefs and musical practices of students who are simultaneously engaged in learning classical and Irish traditional musics. The literature on bimusicality addresses how it has evolved in various social and educational contexts. This research focuses on the bimusical learning processes and practices of students, aged sixteen to twenty years, as they cross between the different learning modes associated with these two musical traditions in an Irish context. This qualitative study adopts a collective case study approach, using a purposive sampling strategy. Data collected include: videotaped lessons, recorded practice/playing sessions, observations of a range of music-making activities, and interviews with the participants, their parents and teachers. The seven participants were chosen from various formal and informal learning contexts and represent a range of instruments: a saxophonist/traditional flute/uilleann piper; two violinist/fiddlers; a cellist/uilleann pipes/whistle player; a classical/traditional harpist/concertina player; a pianist/flute player; and a pianist/accordion player. The research findings highlight the individuality of these students’ bimusical practices and are suggestive of a more nuanced image of the natural bimusical musician than was perhaps indicated in earlier literature. There is evidence of different levels of immersion, participation, commitment and, to some extent, fluency in the participants’ involvement in the two traditions. The research illustrates how issues such as diversity, choice, ease and ownership are important to these students as they sustain their musical involvements in both traditions. The communal/social dimension of music making receives special attention, particularly in the context of group music making. Such concepts as tradition, innovation and identity also emerge as the thesis explores how these young musicians negotiate the many similarities, confluences and contrasts of their individual bimusical worlds

    Insiders\u27 Guide to the Student Academic Conference: 11th Annual SAC

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    Minnesota State University Moorhead Student Academic Conference abstract book

    Singing poets: popular music and literature in France and Greece (1945-1975).

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    This thesis is based on a comparative examination of popular music in Greece and France between 1945 and 1975. Its central claim is that the concept of the singing poet provided a crucial framing of the field of popular music in both countries and led to a reassessment of the links between literature and popular culture. The term singing poets is coined in order to regroup artists who used poetic texts for their songs or adopted a poetic persona themselves, but also accounts for the reception of a particular style of popular music in the period and the countries under discussion as poetic/intellectual song. Adopting a Cultural Studies approach, this thesis thus outlines the role played by the prestige of literary institutions and an idealized view of oral poetry in the conceptualization of high-popular music. It questions the presentation of certain singersongwriters as 'poets in their own right', as folk poets, auteurs, poet-composers, bards and troubadours. Books, special editions and articles published in France in the 60s are extensively examined in the first part to reveal their traditionalist consensus about the poetic value of the work of certain Auteurs-Compositeurs-Interprétes. Roland Barthes's theorization of reading (and) jouissance provides a vivid counterargument by opening up the possibility of seeing literariness and pop pleasure as symbiotic rather than mutually exclusive. The second part focuses on Greek popular music and reviews how the field of what was termed Entehno Laiko (Art-Popular) has been performatively shaped by the work of Mikis Theodorakis and Manos Hadjidakis. The significant input of literary ideals and the success of Theodorakis's Melopoiemene Poiese (Sung Poetry) project are fundamental to this process. The resulting cultural divide between 'high' and 'low' popular music spheres is reassessed by examining the 'dislocating' performance of singer-songwriter Dionysis Savvopoulos, who appeared in the mid-60s performing a hybrid mimicry of Georges Brassens and Bob Dylan. Through readings of his songs, performances and interviews, popular music emerges both as the space of a reconstructed utopia and as a subversive Other to high cultural forms

    Intonation in a text-to-speech conversion system

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    The Murray Ledger and Times, April 25, 2005

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    iCORPP: Interleaved Commonsense Reasoning and Probabilistic Planning on Robots

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    Robot sequential decision-making in the real world is a challenge because it requires the robots to simultaneously reason about the current world state and dynamics, while planning actions to accomplish complex tasks. On the one hand, declarative languages and reasoning algorithms well support representing and reasoning with commonsense knowledge. But these algorithms are not good at planning actions toward maximizing cumulative reward over a long, unspecified horizon. On the other hand, probabilistic planning frameworks, such as Markov decision processes (MDPs) and partially observable MDPs (POMDPs), well support planning to achieve long-term goals under uncertainty. But they are ill-equipped to represent or reason about knowledge that is not directly related to actions. In this article, we present a novel algorithm, called iCORPP, to simultaneously estimate the current world state, reason about world dynamics, and construct task-oriented controllers. In this process, robot decision-making problems are decomposed into two interdependent (smaller) subproblems that focus on reasoning to "understand the world" and planning to "achieve the goal" respectively. Contextual knowledge is represented in the reasoning component, which makes the planning component epistemic and enables active information gathering. The developed algorithm has been implemented and evaluated both in simulation and on real robots using everyday service tasks, such as indoor navigation, dialog management, and object delivery. Results show significant improvements in scalability, efficiency, and adaptiveness, compared to competitive baselines including handcrafted action policies

    The Daily Egyptian, October 24, 1997

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