Representations of the oil encounter in Amitav Ghosh's The circle of reason

This article analyses the handling of generic form in the middle section of Amitav Ghosh’s The Circle of Reason (1986), a section which has hitherto received little critical attention and which some readers find puzzling. In particular, it examines two literary modes used by Ghosh in representing a fictional Middle Eastern state: the picaresque and social realism. This well-demarcated textual focus forms the foundation for larger points about Ghosh’s writing, his critique of contemporary capitalist values and Western imperialism. Additionally, the article adumbrates ways in which Ghosh’s critique of the Oil Encounter can be connected to recent political developments, such as the so-called "war on terror". It is also a significant contribution to writing on oil. Colonial sugar, spice, and even cod have all received due attention, while oil, the author suggests, remains woefully under-discussed, given its determining role in contemporary economies

Fighting a War You\u27ve Already Lost: Zombies and Zombis in \u3cem\u3eFirefly/Serenity\u3c/em\u3e and \u3cem\u3eDollhouse\u3c/em\u3e

This article explores the use of zombie imagery in two sf narratives created by Joss Whedon: Firefly (US 2002–3), Serenity (US 2005) and Dollhouse (US 2009–10). The translation of the zombie from its traditional horror-movie context to the far-future space opera of Firefly/Serenity and the near-future cyberpunk of Dollhouse reveals the zombie\u27s allegorisation of the consequences of biopolitical governmentality and neoliberal capitalism. In both series zombies function as a figure for both the dehumanisation caused by state and market forces and the possibility of Utopian resistance to these forces

Coyote Medicine and Biotech Culture: Mad Scientists, Jesus and Evil Aliens, and the Dangerous and Uncontrollable Power of Women

The author explores a dialogue between Native American religion and culture, Christianity, and science, for the purpose of determining some ways in which Native American religious tradition can offer a helpful perspective and corrective for some of the theological and ethical dilemmas that arise from historical interrelatedness of science and \"conquering \" Christianity. A kind of secular Christianity-of-conquest has been used as a justification for unreflected and ethically dubious choices in science. Working with Trickster stories and concepts, is it possible to engage the teachings of Jesus in new and subtle ways to make critical assessments of developments in biotechnology

Holograms: The story of a word and its cultural uses

Holograms reached popular consciousness during the 1960s and have since left audiences alternately fascinated, bemused or inspired. Their impact was conditioned by earlier cultural associations and successive reimaginings by wider publics. Attaining peak public visibility during the 1980s, holograms have been found more in our pockets (as identity documents) and in our minds (as video-gaming fantasies and “faux hologram” performers) than in front of our eyes. The most enduring, popular interpretations of the word “hologram” evoke the traditional allure of magic and galvanize hopeful technological dreams. This article explores the mutating cultural uses of the term “hologram” as marker of magic, modernity and optimism

Faster than a speeding bullet, more powerful than a locomotive, able to rule by sense of smell! Superhuman Kingship in the Prophetic Books

An exploration of the Hebrew Bible's prophetic literature vis-à-vis Science Fiction and Science Fiction theor

American Myths, Legends, and Tall Tales: An Encyclopedia of American Folklore

Folklore has been a part of American culture for as long as humans have inhabited North America, and increasingly formed an intrinsic part of American culture as diverse peoples from Europe, Africa, Asia, and Oceania arrived. In modern times, folklore and tall tales experienced a rejuvenation with the emergence of urban legends and the growing popularity of science fiction and conspiracy theories, with mass media such as comic books, television, and films contributing to the retelling of old myths. This multi-volume encyclopedia will teach readers the central myths and legends that have formed American culture since its earliest years of settlement. Its entries provide a fascinating glimpse into the collective American imagination over the past 400 years through the stories that have shaped it. [From the Publisher]https://cupola.gettysburg.edu/books/1095/thumbnail.jp

Fourth-rate estate

Was journalism ever the democratic watchdog and campion of freedom its advocates claim

A Dread Mystery, Compelling Adoration : Olaf Stapledon, \u3cem\u3eStar Maker\u3c/em\u3e, and Totality

Using research undertaken at the Olaf Stapledon archive at the University of Liverpool, this article explores the tension between cosmopolitan optimism and cosmic pessimism that structures Stapledon\u27s 1937 novel Star Maker, and asks whether the novel succeeds in solving the philosophical problems that first spurred Stapledon to write it. I conclude, unhappily, that it does not: while an impressive achievement, and despite a surface optimism, the book\u27s confrontation with infinity, totality, and the sublime is ultimately depressive rather than generative of a felicitous cosmological order, requiring Stapledon to try again and again to somehow solve this philosophical conundrum in the subsequent books that make up the later portion of his career